Browse over works of contemporary art for sale in the price range $100000.00 - $500000.00. On this page you can find works by Petrache Costel, Donatella Richtman, Edward Lighthouse, Manfred Kielnhofer, Mihail Simeonov, Max Tolentino, Unni Krishnan, Wenqin Chen, Marithou Dupoux, Horea Sabau, Tosic Aleksandar, Andrew Wielawski.
Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...
Marithou Dupoux - ."TAKING VOICE The Works of Marie Therese Dupoux From since the beginning of what is now known as Haiti--the First Black Republic Haitian women artists have contributed to the visual arts in diverse and stimulating ways. Whether as creators and innovators of numerous forms of artistic expression, important patrons and collectors, they have been and continue to be significant contributors to Haiti's production of visual meanings. For the most part, however, traditional art history has systematically excluded or masked women's participation in the visual arts. Instead of recognizing the social barriers to entry women faced when trying to engage with the art world, the discipline has generally deemed women's contributions as non-existent or inferior to those of men's. As a gendered discourse, art history has also contributed to the socially constructed sexual divisions of a patriarchic society. The majority of art historians have celebrated and privileged individual creativity as the apogee of artistic greatness, which they then assigned as the property of only a select masculinity. It took the intervention of feminism in the late 20th century to begin to reframe the discipline. The feminist engagement helped to move attention away from the idealization...
Horea Sabau - The language of sculpture Sculpture for me has endless posibilities of expression, therefore " the language of sculpture " wich I use is very diverse wether it is by form (abstract, conceptual or figurative) or by material. Being born in the small village of Ghida ,where I spent all of my childhood , I was in permanent contact with nature and this way of life had a profound efect on my sculpture. One of my main themes is the permanent conection of man and nature, of our direct contact with the earth without any inetrmediaries. This can be found in my "Sunshine in Ghida" sculpture, wich represents a resin cast of the dirt road of Ghida village, in wich the traces that the paysans and their animals were leaving while going in the morning to work on their land. Another conceptual work is the " Being " sculpture, wich represents man's struggle with its existence and the fact that through the course of our life we must ascend an invisibile latter. The theme of ascension is also present in the work entitled " Path of the Righteousness ". The archaic look of my abstract works comes from the natural materials like wood and stone wich I ...
Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...
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