Sculpture For Sale - Price Range: $100000 - $500000

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Discover 25 original sculpture artworks for sale between $100000 - $500000. Contemporary emerging artists: Ronald Smith, Ted Schaal, Andrew Wielawski, Mihail Simeonov, Max Tolentino, Tosic Aleksandar are exhibiting their affordable original art. You can buy artwork online and browse 1 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Ronald Smith: 'dragon head', 1999 , Figurative. Sculpture, Wood, Poly- chromed, Fantasy, Tolkien, Mythology, Figurative, Representational, ...
Figurative -
49 x 52 inches (124.5 x 132.1 cm)
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Ronald Smith: 'A Warrior Dwarf is Never Too Old', 1997 , Figurative.  A Warrior Dwarf is Never Too Old , Sculpture, wood, fantasy, Tolkien, mythology, figurative, representational...
Figurative -
24 x 60 inches (61.0 x 152.4 cm)
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Ted Schaal: 'Open Window Monument', 2015 Mixed Media Sculpture, Spiritual.  The saying God doesnt close a door without opening a window inspired this bronze and mirror polished stainless steel sculpture.  The black monolith represents the door or life challenge.  The window is lined with 23. 75 ct.  gold leaf representing God.  The stainless orb represents the recognition of grace or...
Spiritual - Sculpture
48 x 129 inches (121.9 x 327.7 cm)
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Andrew Wielawski: 'Minotauress detail', 2008 Stone Sculpture, Mythology.  I can usually tell a sculptor who can't carve hair. All their figures are bald! For me, it' s like an abstract sculpture forming a part of the whole, because you certainly can' t make stone into strands that small, just create a sort of impressionistic feeling.  ...
Mythology - Sculpture
2 x 1 inches (5.1 x 2.5 cm)
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Andrew Wielawski: 'Minotauress detail', 2008 Stone Sculpture, Mythology.  The Minotauress holds the skull of one of her victims in one hand, and a string in the other with which to confuse the next one. ...
Mythology - Sculpture
2 x 1 m (6.56 x 3.28 feet)
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Andrew Wielawski: 'Minotauress', 2008 Stone Sculpture, Mythology.  In one of the stories I read about the labyrinth and the Minotaur, the idea was advanced that the tale was meant to be taken metaphorically. As such, the maze was the subconscious, and the Minotaur our deepest rooted fear. I believe men fear women more than anything else, no...
Mythology - Sculpture
2 x 1 m (6.56 x 3.28 feet)
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Mihail Simeonov: 'Exposed to wind', 1989 Bronze Sculpture, Figurative. dark broun patina...
Figurative - Sculpture
17 x 75 inches (43.2 x 190.5 cm)
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Max Tolentino: 'LOST IN THE WIND', 2014 Steel Sculpture, Abstract.  Steel Sculpture in cortain steel . The sculpture is installed at Pousada Reserva de Ibitipoca in a very charming forrest park . Drawings for its construction inside or outside Brazil are available for sale. ...
Abstract - Sculpture
2 x 4 m (6.56 x 13.12 feet)
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Tosic Aleksandar: 'Rain gatherer', 2008 Wood Sculpture, undecided.
undecided - Sculpture
18 x 60 inches (45.7 x 152.4 cm)
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Tosic Aleksandar: 'blu eyed girl', 2007 Wood Sculpture, Figurative.
Figurative - Sculpture
68 x 72 inches (172.7 x 182.9 cm)
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(Page 1 of 1) - MORE ARTWORKS

Artists Describing Their Art:

Dieter Picchio-Specht - Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts A-A?A1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world...