Sculpture For Sale - Price Range: $100000 - $500000 (18)

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Discover 18 original sculpture artworks for sale between $100000 - $500000. Contemporary emerging artists: Petrache Costel, Edward Lighthouse, Manfred Kielnhofer, Mihail Simeonov, Horea Sabau, Tosic Aleksandar, Andrew Wielawski are exhibiting their affordable original art. You can buy artwork online and browse 1 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Petrache Costel: 'hutily', 2016 Wood Sculpture, Cosmic. Artist Description: Unique vood carving made out of cedar wood from amazon jungle columbia. 56cm tall...
, 2016
Cosmic - Sculpture
6 x 56 cm (2.4 x 22.0 inches)
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Edward  Lighthouse: 'blue', 2014 Other Sculpture, Abstract. Artist Description:  The Three Magic Bells of Christmas singing : Lead us not into temptation , bless oh Lord this celebration , may their lives be filled with love
, 2014
Abstract - Sculpture
27 x 33 cm (10.6 x 13.0 inches)
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Manfred Kielnhofer: 'guardian chess', 2017 Ceramic Sculpture, Figurative. Artist Description: rent. masterart. org...
Figurative - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Mihail Simeonov: 'Young woman exposed to wind', 1989 Bronze Sculpture, Figurative. Artist Description:   dark broun patina      ...
Figurative - Sculpture
17 x 75 inches (43.2 x 190.5 cm)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative.
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Horea Sabau: 'Brancusi space ', 2006 Other Sculpture, Abstract Figurative. Artist Description:  The sculptural ensemble
Abstract Figurative - Sculpture
6 x 5 m (19.69 x 16.40 feet)
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Tosic Aleksandar: 'Rain gatherer', 2008 Wood Sculpture, undecided.
undecided - Sculpture
18 x 60 inches (45.7 x 152.4 cm)
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Tosic Aleksandar: 'blu eyed girl', 2007 Wood Sculpture, Figurative.
Figurative - Sculpture
68 x 72 inches (172.7 x 182.9 cm)
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Andrew Wielawski: 'Minotauress detail', 2008 Stone Sculpture, Mythology. Artist Description:  The Minotauress holds the skull of one of her victims in one hand, and a string in the other with which to confuse the next one. ...
Mythology - Sculpture
2 x 1 m (6.56 x 3.28 feet)
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Andrew Wielawski: 'Minotauress', 2008 Stone Sculpture, Mythology. Artist Description:  In one of the stories I read about the labyrinth and the Minotaur, the idea was advanced that the tale was meant to be taken metaphorically. As such, the maze was the subconscious, and the Minotaur our deepest rooted fear. I believe men fear women more than anything ...
Mythology - Sculpture
2 x 1 m (6.56 x 3.28 feet)
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Andrew Wielawski: 'Minotauress detail', 2008 Stone Sculpture, Mythology. Artist Description:  I can usually tell a sculptor who can't carve hair. All their figures are bald! For me, it' s like an abstract sculpture forming a part of the whole, because you certainly can' t make stone into strands that small, just create a sort of impressionistic feeling.  ...
Mythology - Sculpture
2 x 1 inches (5.1 x 2.5 cm)
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(Page 1 of 1) - MORE ARTWORKS

Artists Describing Their Art:

Horea Sabau - The language of sculpture Sculpture for me has endless posibilities of expression, therefore " the language of sculpture " wich I use is very diverse wether it is by form (abstract, conceptual or figurative) or by material. Being born in the small village of Ghida ,where I spent all of my childhood , I was in permanent contact with nature and this way of life had a profound efect on my sculpture. One of my main themes is the permanent conection of man and nature, of our direct contact with the earth without any inetrmediaries. This can be found in my "Sunshine in Ghida" sculpture, wich represents a resin cast of the dirt road of Ghida village, in wich the traces that the paysans and their animals were leaving while going in the morning to work on their land. Another conceptual work is the " Being " sculpture, wich represents man's struggle with its existence and the fact that through the course of our life we must ascend an invisibile latter. The theme of ascension is also present in the work entitled " Path of the Righteousness ". The archaic look of my abstract works comes from the natural materials like wood and stone wich I ...

Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...