Sculptures For Sale

Page 12 of 114
Randall Fox, Jane Jaskevich, Don Dougan, Gary Chris Christopherson, Gabor Bertalan, Mark Porter, Penko Platikanov, Djan Mulderij, Mark Dedrie, Dermot O'brien, Stefan Van Der Ende, Ali Gallo, Kat Obrien, Scott Mohr, Cris Orfescu, Marcin Biesek offering original Sculptures artworks.


Contemporary Art / Sculpture Categories / Sculptures / Previous / Next
Jane Jaskevich: 'Black and White Silhouette', 2014 Stone Sculpture, Figurative.          Black VA Steatite/ Black and White AlabasterThis is one of the silhouette series. The steatite body has subtle variations that add interest. The black and white striped alabaster head is partially in a raw state and partially polished. The white face is the stone sanded to 220 grit to...
Figurative - Sculpture
9 x 20 inches (22.9 x 50.8 cm)
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Don Dougan: 'MARCH RESUMPTIONS ANNOUNCED AGAIN', 2013 Mixed Media Sculpture, Abstract Landscape.  green slate, glass, Georgia foliated talc, North Carolina jade, jade, Vermont Radio Black marble, bloodstone, copper, aluminum, brass, silver leaf ...
Abstract Landscape - Sculpture
36.3 x 12.5 inches (92.2 x 31.8 cm)
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Gary Chris Christopherson: 'thriving transpires', 2014 Mixed Media Sculpture, Abstract. Challenges us to build a future when thriving transpires for all forever.Acquire GChris sculpture and 100 of Chris payment goes for Thrive Scholarships at University of Wisconsin - Madison. ...
Abstract - Sculpture
2 x 3 feet (0.61 x 0.91 m)
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Gabor Bertalan: 'Little Prince', 2014 Bronze Sculpture, Figurative.  Little prince. sculpture. By the novel Antoine de Saint- Exupery. Bronze. ...
Figurative - Sculpture
44 x 148 cm (17.3 x 58.3 inches)
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Mark Porter: 'Translator', 2014 Other Sculpture, Communication.   The sculpture creates a drawing on the wall by expelling a fluid composed of soap and pigment. A video camera feeds live video of the drawing process into the video projector, which translates the video feed and projects it onto an adjacent wall.  ...
, 2014
Communication - Sculpture
5 x 4 feet (1.52 x 1.22 m)
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Penko Platikanov: 'Torso', 2013 Other Sculpture, Figurative.
, 2013
Figurative - Sculpture
10 x 20 inches (25.4 x 50.8 cm)
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Penko Platikanov: 'Seated Woman', 2013 Other Sculpture, Figurative.
Figurative - Sculpture
10 x 20 inches (25.4 x 50.8 cm)
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Penko Platikanov: 'Seated Woman', 2013 Other Sculpture, Figurative.
Figurative - Sculpture
10 x 20 inches (25.4 x 50.8 cm)
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Djan Mulderij: 'No Wireless Piece II', 2014 Ceramic Sculpture, Figurative.    Also used ceramic wheel. Clay, Glaze, Wire   ...
Figurative - Sculpture
16 x 22 cm (6.3 x 8.7 inches)
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Djan Mulderij: 'No Wireless Piece', 2014 Ceramic Sculpture, Dance.   Also used ceramic wheel. Clay, Glaze, Wire  ...
Dance - Sculpture
12 x 26 cm (4.7 x 10.2 inches)
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Mark Dedrie: 'Grouse  ', 2019 Bronze Sculpture, Birds. famous grouse, Selected for the 59th editionof Art and The Animal at the Briscoe Western Art Museum...
, 2019
Birds - Sculpture
19 x 13 inches (48.3 x 33.0 cm)
Dermot O'brien: 'Grace', 2014 Wood Sculpture, Abstract.    Light sculpture maple wood lamp   ...
, 2014
Abstract - Sculpture
15 x 35 cm (5.9 x 13.8 inches)
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Stefan Van Der Ende: 'cranimal', 2014 Bronze Sculpture, Abstract.  Soon available in Bronze , limited edition  ...
, 2014
Abstract - Sculpture
6 x 13 cm (2.4 x 5.1 inches)
Ali Gallo: 'blackwidow', 2014 Steel Sculpture, Abstract.   welded  steel sculpture powder coated  ...
, 2014
Abstract - Sculpture
10.5 x 14 inches (26.7 x 35.6 cm)
Gabor Bertalan: 'Seated man', 2006 Bronze Sculpture, undecided.
, 2006
undecided - Sculpture
20 x 12 cm (7.9 x 4.7 inches)
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Kat Obrien: 'Eight: Abode with copper wiring', 2013 Ceramic Sculpture, Abstract.
Abstract - Sculpture
18 x 11 inches (45.7 x 27.9 cm)
Scott Mohr: 'On Giants Shoulders', 1976 Bronze Sculpture, Figurative.  The first bronze I ever cast. The title comes from an Isaac Newton quote:
Figurative - Sculpture
6 x 10 inches (15.2 x 25.4 cm)
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Scott Mohr: 'Gemini', 1979 Bronze Sculpture, Figurative.  My mother was a Genini and inspired this sculpture. The enigmatic twins ...
, 1979
Figurative - Sculpture
2 x 3 feet (0.61 x 0.91 m)
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Scott Mohr: 'Duprass', 1996 Stone Sculpture, Figurative.  Original alabaster carving. The name comes from K. Vonnegut's
, 1996
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Scott Mohr: 'Karass', 1995 Bronze Sculpture, Figurative.  The name comes from K. Vonnegut's
, 1995
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Scott Mohr: 'Kundalini', 1996 Bronze Sculpture, Figurative.   It's al about here back, the original stone before I started carving had this spinelike curve I just brought out the rest of the figure, I just got out of the way and let her come out! Now she' s eternal in bronze     ...
, 1996
Figurative - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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Scott Mohr: 'Kundalini', 1996 Stone Sculpture, Figurative.  It's al about here back, the original stone before I started carving had this spinelike curve I just brought out the rest of the figure, I just got out of the way and let her come out!    ...
, 1996
Figurative - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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Scott Mohr: 'Two to Tango', 1988 Bronze Sculpture, Figurative.  These stylized dancers are mounted on a lazy Susan so they spin. . . they can truly dance   ...
Figurative - Sculpture
6 x 8 inches (15.2 x 20.3 cm)
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Scott Mohr: 'Through the Veil', 2004 Bronze Sculpture, Figurative.  From an original alabaster carving this copy in bronze expresses the desire to connect to the other side to find our true self our higher being  ...
Figurative - Sculpture
10 x 24 inches (25.4 x 61.0 cm)
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Scott Mohr: 'Pillars of Society', 2005 Bronze Sculpture, Humor.  An homage to my father who was a salesman during the 60s
Humor - Sculpture
14 x 72 inches (35.6 x 182.9 cm)
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Cris Orfescu: 'Halloween Night', 2013 Other Sculpture, Abstract Landscape.  Nanosculpture: mixture of graphite nano and microparticles visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences in Costa Mesa, California) . The image was captured in a computer and printed on canvas with archival inks specially formulated to last for a long time. This way, the nanosculpture could be...
Abstract Landscape - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Marcin Biesek: 'Non Finite', 2011 Stone Sculpture, nudes. ItaEURtms a marble sculpture, perposly unfinished. .  I like to keep the sculpture unfinished.  To keep the record of the track of aEURoeNature and ManaEUR.  Raw stone carved by the Nature and figure carved by Man - myself.  The figure appears just to move in the stone.  The figure normally is ...
, 2011
nudes - Sculpture
9 x 31 cm (3.5 x 12.2 inches)
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Marcin Biesek: 'Seated Figure', 2011 Stone Sculpture, nudes. Artwork is my reflection on feminism.  I tried to bring the struggles of contemporary women. ...
nudes - Sculpture
7 x 15 cm (2.8 x 5.9 inches)
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Marcin Biesek: 'Taking Shower', 2011 Stone Sculpture, nudes. Sculpture was inspired by artist Edgar Degas aEURoeAfter the Bath, Woman drying herselfaEUR.  The series depict women dancing or bathing, some showing women in awkward unnatural positions.  Degas, speaking about these works, said, he intended to create a feeling in the viewer as if you looked through a keyhole.My ...
nudes - Sculpture
15 x 30 cm (5.9 x 11.8 inches)
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Marcin Biesek: 'Seated Figure', 2011 Stone Sculpture, nudes.  I saw many reclining and seated figures created by Henry Moore.  I find them very inspiring.Uncovering what is hidden in the stone is the most challenging part.  I am a big fan of direct carving.  It gives me a lot of freedom and allows to follow my natural instincts...
nudes - Sculpture
15 x 14 cm (5.9 x 5.5 inches)
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(Page 12 of 114) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Randall Fox - I am interested in making visual statements about the interaction of time, history, cultures, memory, intellect, intuitions, experiences and the spiritual, in and on the human creative process. "inherent in all manifest in the few" Born: 1960 Education: Bachelor of Science Degree, Industrial Technology (Technical Management) California Polytechnic State University, San Luis Obispo A.S. Degree Canada Collage, Redwood City, California (General Engineering-Pre Med.) Other: Art History/Art Studies - Stanford University, Palo Alto California Collected in: United States, Holland, Norway, Puerto Rico, Germany, Mexico, England, Brazil ...

    Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

    Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

    Gary Chris Christopherson - Abstract sculpture by GChris is what he terms "progressive art" and is mission-driven. Progressive art is art with a purpose and artist as advocate. "Art as advocacy; advocacy as art." The call to artists and people generally is to embrace both art and advocacy, use their synergy, and advance progressive values. Advanced by the art are core progressive values - reducing human vulnerability, maximizing human potential, saving our environment, and living at "peace on and with the earth." Underlying it all is the driving desire to "save the world", as best as we as people can. Toward that end, GChris abstract mobiles and stabiles help drive toward a positive progressive vision of the future. They portray strong driving forces -- the desire for knowledge, spirit and justice. High level thought, being, and positive interrelationships are not ends but new foundations from which progress springs. Progressive art supports the continuous striving for absolute knowledge, absolute spirit and perfected being with full recognition this is an inevitable, unending, inspiring and liberating human enterprise. To achieve the vision, they also help explore threats of vulnerability, conflict, and chaos. The mobiles and stabiles address these threats, glean whatever positives they contain, and advocate major progression...

    Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...

    Penko Platikanov - Sculpture is an act of creating art, and a philosophy on living. It is my belief that my artwork follows some means of a universal law I call "Creation and Beauty." Stated simply, there is no doubt a responsibility inherent toward created forms. It's quality, it's energy, and the messages released through my actions are expressions that I work toward being aware of. This is the first thing I concern myself with before I step into my studio and stand before the set block of clay on any given day. A quality sculpture has to be a product of spiritual, mental and technical abilities. Great works of art should possess deep roots in human spirituality, as well as depth regarding thought and feeling. Artwork can appear as fleeting inspirations or a belabored process based on the experience of the artist. In turn, if an artwork is created with the intention of lasting decades and being viewed for many generations, it has to be technologically strong and skillfully made. Important thought is the search for quality. Quality, which is proportional to the amount of effort, must be made to the best of the artist's ability. The Ancient Greeks ...

    Mark Dedrie - Mark Dedrie, an artist in motion by Robin d'Arcy Shillcock The first things you notice when confronted by work of Belgian sculptor Mark Dedrie (1962) are the stylized shapes and their highly polished finish. Although working within the tradition in which colour is omitted in favour of form, his approach is not so much classical an literal as turning a refined distillation of visual reality into a sculptural statement. He transforms a world of colour and movement into a world of presences, of volumes and elegant lines, and manages weightlessness in heavy bronze. This results in tactile, visually attractive sculptures. There aren't too many sculptors who know how to stylize animal shapes well, and even fewer that seek the degree of refinement Dedrie is striving for. It results in soft and sensual surfaces that underline the exquisite grace of birds like ducks and long-legged waders. There are honestly merely a few I can name. Francois Pompon (France 1855-1933) worked on Rodin's marble sculptures before becoming one of the greatest animal sculptors of the modern era. His work instigated what I call the Movement of Form, comprising the sculptors who preferred to distance themselves from ...

    Dermot O'Brien - Over the past fifteen years i have developed my own very unique art form working with wood and light. Using light as an added dimension to highlight the spaces between the wood a new sculpture is created. The sculptures always consist of several shapes the light exploring and defining the relationship between the bodies....

    Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

    Ali Gallo - Uncovering and bringing to the surface what boils beneath creates the tension necessary for a dialog to begin between the idea and the artist and/or the art and the viewer. Finding anyway to create this tension, gouging, scratching, laying, etc in a painting or sculpture allows for deeper inspection, providing the incredible power of metaphor for the human condition....

    Cris Orfescu - NANOART I create Art from Science using Technology. My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century raising the public awareness of Nanotechnology and its impact on our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. I bring the small world in front of my audience by visualizing with a scanning electron microscope the nanolandscapes and the nanosculptures I create by physical and chemical processes. I paint and manipulate digitally the monochromatic electron images and print them on canvas or fine art paper with archival inks specially formulated to last for a long time (giclee prints). This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable. ...

    Marcin Biesek - Where art meets nature, and nature meets technology and politics, this is where I appear. In my work, I take up issues related to politics and show how it affects our society and our lives. I create artworks in which I show the impact of technology and human activity on the natural environment as well as contemporary problems and politics. I like complex topics, with deep political or social content. I believe that through art I can have a real influence on society our lifestyle, the living urban and rural spaces, the masses, including our small local communities, unravelling humanity through new lenses living in a technological and digital era. Education MFA in Fine Art Education Academy of Fine Arts in Gdansk - GdaA,,sk, Poland October 2005 to July 2007 BFA in Fine Art Education Academy of Fine Arts in Gdansk - GdaA,,sk, Poland October 2002 to June 2005 ...