Sculptures For Sale

Artists Describing Their Art:

Cris Orfescu - NANOART I create Art from Science using Technology. My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century raising the public awareness of Nanotechnology and its impact on our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. I bring the small world in front of my audience by visualizing with a scanning electron microscope the nanolandscapes and the nanosculptures I create by physical and chemical processes. I paint and manipulate digitally the monochromatic electron images and print them on canvas or fine art paper with archival inks specially formulated to last for a long time (giclee prints). This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable. ...

Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

Angelo Mazzoleni - ARTISTS ITALIAN CONTEMPORARY: BIOGRAPHY ESSENTIAL ARTIST Angelo Mazzoleni was born in Florence on June 7, 1952 .. It starts soon his artistic activity, cultivated already in the youth, under the guidance of some teachers and attending courses at the Accademia Carrara Bergamo.In these years, participates in the first exhibitions painting in Lombardy and in other Italian regions. Some travel, particularly in Germany and Paris, enrich his artistic and cultural baggage and affect its first part of pittorica.Si also interested in discovering paleontology in particular some important fossils, donated to museums in Milan and Bergamo, including a erionide a generally still unknown and which was given its name in the relevant publications scientifiche.L'interest in the mystery of the past, for history, especially early in his ancestral size, is one of the other elements that characterize the His research also in the field of painting, even before the foundation, with other artists, the group "NEW ART SINCRETICA." "The evolutionary path of the artist, now thirty years, is marked by a personal search for the origins of the world of its vital forces Which, despite the variety of themes and techniques, appears as a single inner journey through time and ...

Hongvan Ng - A VISION COMES FROM A POINT WHERE THE IDEAS START. Painting is a powerful language in which I express myself and communicate. The message within each painting is an illustrated element or aspect of my life. I paint the moments that capture me, the beautiful and the painful for the exquisiteness of any moment can make me cry, and then I paint. Sketching and drawing are tools of my vocabulary with which I discover and reveal my thoughts and feelings, and when I forget that I am making art, when I am purely communicating, I am free. ...

Zoja Trofimiuk - Artisti?1/2s Statement My Art is my Statement. Volume and Space are concepts that have influenced my art. I am particularly fascinated by their appearance in the human body. I am interested in exploring dialogue both internal dialogue, which exists within oneself, and external connection that moves between two people or objects. My art explores i?1/2contradictionsi?1/2 which are attracted to each other and create a new whole. The human figure appeals to me as an adequate form for expressing these ideas. Working with glass has given me the opportunity to stretch the boundaries of these concepts to new limits, as well as offering me the joyful experience of playing with colour. I would like to concentrate my attention on capturing absence, an impression, commemorate memory, fleeing presence, give physical form to a spiritual value. The absence transferred into visual terms, long after it ceased to exist. In both instances, when working with bronze or glass, I apply a casting technique called i?1/2Lost Waxi?1/2. ...

Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...

Michael Tieman - As Michael Tieman sees it, "The role of an artist from the dawn of time has been as a visual storyteller. The stories my paintings and sculpture tell are ones of confidence, strength, passion, playful sophistication and the celebration of life." "I create my bronze sculpture as a three dimensional painting, texture becomes the Impressionistic impasto brushstroke, color is the play of light and shadows across the surfaces, and detail is the impression of movement." ...

Ione Citrin - Ione is an avant garde artist whose artistic expression takes fantastic shape through her diverse oil and watercolor paintings, bronze sculptures, found object collages and mixed media assemblages. Her paintings and sculptures range from abstract to realistic to impressionistic - all visionary interpretations from her imaginative soul. "When I paint, I dip my brush in my soul... Being an Artist is a life force, not a career choice. Each piece represents a fragment of my life's work. I present the world artistically as I see it, as I wish to see it, and occasionally as I once saw it. You see, It is my identity. Without this expression of self, I am nothing. Through my art I give love." Ione uses only one name but a variety of styles to soothe her wild imagination. A native of Chicago, she is a former television star and commercial voice-over artist. Now she wins awards and sells her creativity through her hands instead of through her larynx. Her art is as original as she is - bold, colorful and highly decorative....

Mark Porter - Artist webpage: www.markportersculpture.com Fusing found objects and his own custom-made creations, Mark Porter produces one-of-a-kind pieces that gradually transform themselves -- and the gallery -- as the show progresses. The mechanical-drawings-turned-sculptures in Nurture/Alter mimic the irregularity of human actions and portray narratives through a series of projected images, videos, and fluid expulsions. Porter places his project blueprints next to the sculptures to aid in the understanding of their development, which continues free of his influence for the duration of the exhibition. Check out the show sooner than later, though, so you can observe the counterproductive movements of Porter's work before it slowly self-destructs. - Morgan Phelps...

Cecile Tissot - Statement in English and French/ Presentation en anglais et francais * * * * * * * * * * * * Born in 1970, currently lives and works in Paris and Boulogne-Billancourt. I have been sculpting for about 15 years, after I discovered carving in London in 1997. I have been since then following a personal way in sculpture, mostly in stone and wood carving. I also work directly in nature through landart projects. Most of my works deal with the sacred, emptiness, traces, and link presence and absence - I attempt to emphasise the shy, the almost-nothing, the sensitive. My latest works tend towards verticality and nomadism, in an attempt to create, through their installation, ephemerical holy places - small or big. * * * * * * * * * * * * Nee en 1970, vit et travaille a Paris et Boulogne-Billancourt. Artiste-sculpteur depuis une quinzaine d'annees, j'ai decouvert la taille directe a Londres en 1997 et suis depuis dans un chemin personnel de sculpture en taille directe - je travaille la pierre et le bois. J'interviens aussi directement dans la nature a travers des projets de landart. La plupart de mes travaux traitent du sacre, de l'absence-presence, du vide, des traces - je tente de mettre en valeur le tenu, ...

Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

Phillip Flockhart - STATEMENT After 50 years of image making, journeying through the Da Da, Constructivist, and Minimalist Schools 1970s-1980s I find that my work and my beliefs put me firmly in The School of Expressionism, although my continued belief in the work of Carl Jung, especially his Catalytic Exteriorisation Phenomenon adds another layer of understanding to the traditional Expressionists and places it somewhere more in the Spiritual. My art philosophy formulated over many years practice is actually always present in the content of my work, although themes come and go and reflect other areas of my life and which are influenced by the work of great artists like Kazimir Malevich, Vladimir Tatlin, Juan Gris, Kurt Switters , Marc Chagall, Robert Motherwell, Robert Rauschenberg, Andy Warhol and Joseph Beuys the themes of my art, if examined retain the content of my work which has remained as it has for 35 years now the attempt to disseminate the picture plane to see through and beyond, with colour, real time space, Collage Relief, imagery or optical device, multi point perspective and opto-kinetism, to reveal the truth that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings ...