Sculptures For Sale

Page 2 of 129
Ted Schaal, Plamen Yordanov, Andrew Wielawski, Ronald Smith, Eric Jacobson, Diana Carey, Terry Mollo, Emilio Merlina, Youri Messen-jaschin, Robin Antar, Bob Dornberg offering original Sculptures artworks.


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Ted Schaal: 'Rise I', 2018 Bronze Sculpture, Abstract. Elegant round abstract sculpture that combines Bronze, mirror polished stainless steel and 24 karat Gold leaf. ...
, 2018
Abstract - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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Plamen Yordanov: 'Pearl INFINITY', 2020 Sculpture, Abstract. Pearl Infinity - mirror polished stainless steel, 8 ft height, 2020...
Abstract - Sculpture
55 x 95 inches (139.7 x 241.3 cm)
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Ted Schaal: 'bocce ball score keeper', 2015 Bronze Sculpture, Abstract. This Bocce ball score keeper works by moving each pointer hand up until you get to 21.  Each pointer clicks into place and it s moved around.  It has a hand carved relief map of Italy in the center that is accurate enough to find the region or valleys you ...
Abstract - Sculpture
24 x 2 inches (61.0 x 5.1 cm)
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Plamen Yordanov: 'INFINITY', 2019 Steel Sculpture, Abstract.  Infinity tribute to Brancusi, view as installed at the Austin Town Hall Park Cultural Center, Chicago, 2019 - 2020mirror polished stainless steel, 8 ft height...
, 2019
Abstract - Sculpture
55 x 94 inches (139.7 x 238.8 cm)
Plamen Yordanov: 'INFINITY tribute to Brancusi', 2019 Steel Sculpture, Abstract. IFINITY, tribute to Brancusi, the Austin Town Hall Park Cultural Center, Chicago, 2020mirror polished stainless steel, 8 ft height...
Abstract - Sculpture
55 x 95 inches (139.7 x 241.3 cm)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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Ronald Smith: 'dragon head', 1999 , Figurative. Sculpture, Wood, Poly- chromed, Fantasy, Tolkien, Mythology, Figurative, Representational, ...
Figurative -
49 x 52.5 inches (124.5 x 133.3 cm)
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Ronald Smith: 'A Warrior Dwarf is Never Too Old', 1997 , Figurative.  A Warrior Dwarf is Never Too Old , Sculpture, wood, fantasy, Tolkien, mythology, figurative, representational...
Figurative -
24 x 60 inches (61.0 x 152.4 cm)
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Eric Jacobson: 'vine totem ii', 2019 Mixed Media Sculpture, Abstract. Simple elegant abstract totemic sculpture...
Abstract - Sculpture
8 x 19 inches (20.3 x 48.3 cm)
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Eric Jacobson: 'vine totem I', 2019 Mixed Media Sculpture, Abstract. This totem was inspired by growing flowering vines. ...
Abstract - Sculpture
13 x 15 inches (33.0 x 38.1 cm)
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Eric Jacobson: 'Vine Totem III', 2019 Mixed Media Sculpture, Abstract. This simple organic construct was inspired by growing plants and flowers. ...
Abstract - Sculpture
11 x 23 inches (27.9 x 58.4 cm)
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Eric Jacobson: 'vine totem IV', 2019 Mixed Media Sculpture, Abstract. This organic constructed sculpture was inspired by growing plants and totemic sculptures ...
Abstract - Sculpture
8 x 24 inches (20.3 x 61.0 cm)
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Diana Carey: 'Come Walk With Me', 2018 Steel Sculpture, Abstract. Abstract steel sculpture, powder coated...
Abstract - Sculpture
7.5 x 4 inches (19.1 x 10.2 cm)
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Diana Carey: 'Aftermath', 2018 Steel Sculpture, Abstract. Abstract steel sculpture, powder coated blue chrome...
, 2018
Abstract - Sculpture
10 x 7 inches (25.4 x 17.8 cm)
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Terry Mollo: 'mask', 2018 Stone Sculpture, Abstract Figurative. Treelike totemic crescent form in Italian brown agate. ...
, 2018
Abstract Figurative - Sculpture
10 x 30 inches (25.4 x 76.2 cm)
Terry Mollo: 'eye of the storm', 2018 Stone Sculpture, Abstract. Clouds heavy and white with dark ominous threats ahead. Alabaster. ...
Abstract - Sculpture
18 x 21 inches (45.7 x 53.3 cm)
Andrew Wielawski: 'face', 2018 Marble Sculpture, Representational. A tiny head carved from a river stone. The world s best marble scraps were often thrown into the river I took this from, and could easily have been part of a block Michelangelo had cut from the mountains. His quarry was higher up the same river. ...
, 2018
Representational - Sculpture
1 x 2 inches (2.5 x 5.1 cm)
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Emilio Merlina: 'knocking on heaven s door', 2017 Mixed Media Sculpture, Fantasy.
Fantasy - Sculpture
34 x 25 cm (13.4 x 9.8 inches)
Youri Messen-jaschin: 'attractor', 2017 Mixed Media Sculpture, Optical. Op art sculpture | Plexiglas | Glass | screen printing |Packaging, insurance, transport not include in the price.A(c) photographyGiorgio SkoryA(c) Youri Messen- JaschinA(r) Prolierris CH 8033 ZA1/4rich...
, 2017
Optical - Sculpture
49 x 40 cm (19.3 x 15.7 inches)
Youri Messen-jaschin: 'harmonia mundi', 2017 Mixed Media Sculpture, Optical. Op art sculptureGlass + Plexiglas + LEDPackaging, insurance, transport not include in the price.A(c) 2017 photography Giorgio SkoryA(c) Youri Messen- JaschinA(r) 2016 Prolitteris Zurich...
Optical - Sculpture
61.5 x 139 cm (24.2 x 54.7 inches)
Robin Antar: 'decorative bowl fluorite', 2015 Stone Sculpture, Undecided. a decorative bowl...
Undecided - Sculpture
13 x 3 inches (33.0 x 7.6 cm)
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Robin Antar: 'vision', 1992 Limestone Sculpture, Abstract. includes a custom built pedestal...
, 1992
Abstract - Sculpture
30 x 18 inches (76.2 x 45.7 cm)
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Robin Antar: 'energy of life', 2002 Stone Sculpture, Abstract. alabaster, includes a custom built pedestal, with rotating base...
Abstract - Sculpture
8 x 15 inches (20.3 x 38.1 cm)
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Robin Antar: 'body movement', 1997 Limestone Sculpture, Abstract Figurative. limestone, stone, abstract, figures, movement...
Abstract Figurative - Sculpture
18 x 18 inches (45.7 x 45.7 cm)
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Youri Messen-jaschin: 'harmonia mundi', 2017 Other Sculpture, Optical. Op art sculpture Plexiglas, Glass, computer + LED(r) Prolitteris Zurich...
Optical - Sculpture
82 x 140 cm (32.3 x 55.1 inches)
Bob Dornberg: 'JAX  copyright', 2016 Steel Sculpture, Abstract. FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Youri Messen-jaschin: 'Pleiades II', 2016 Other Sculpture, Optical.  Op art Mobile | brass + PlexiglasPackaging, insurance, transport not include in the price.Youri Messen- Jaschinenjoy the vidA(c)o
Optical - Sculpture
115 x 150 cm (45.3 x 59.1 inches)
Emilio Merlina: 'in my garden', 2016 Steel Sculpture, Fantasy.
Fantasy - Sculpture
19 x 20 cm (7.5 x 7.9 inches)
Terry Mollo: 'Spoonful', 2016 Stone Sculpture, Abstract Figurative. Italian brown agate in an abstracted spoon form. Inspired by the blues song written by Willie Dixon and re- invented by Eric Clapton with Cream in the late 1960s. ...
, 2016
Abstract Figurative - Sculpture
10 x 24 inches (25.4 x 61.0 cm)
Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space.    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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(Page 2 of 129) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Andrew Wielawski - Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES: