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Sculpture For Sale - Price Range: $200 - $299 (82)

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Discover 82 original sculpture artworks for sale between $200 - $299. Contemporary emerging artists: Louise Parenteau, Richard Hays, Diana Carey, Constantin Ciprian Irimia, Crystal Walls, Debbi Chan, James Johnson, Riffi Waeschle, Paul Orzech, Berthold Neutze, Eric Jacobson, Ted Schaal, Jen Pratt, Jon Grauman, Sakhuja Sushil, Deborah Robinson, Max Tolentino, Gadadhar Das are exhibiting their affordable original art. You can buy artwork online and browse 3 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Louise Parenteau: 'AYA', 2014 Ceramic Sculpture, Mask. Artist Description:   Ceramic, wood, leather, found objects.  ...
, 2014
Mask - Sculpture
18 x 26 inches (45.7 x 66.0 cm)
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Louise Parenteau: 'AKIRO', 2014 Ceramic Sculpture, Mask. Artist Description:    Ceramic, wood, leather, found objects.   ...
, 2014
Mask - Sculpture
18 x 26 cm (7.1 x 10.2 inches)
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Louise Parenteau: 'KEBEK', 2014 Ceramic Sculpture, Mask. Artist Description:  Ceramic ( raku) , qood, leather, found objects.    ...
, 2014
Mask - Sculpture
28 x 16 cm (11.0 x 6.3 inches)
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Richard Hays: 'Open', 2014 Steel Sculpture, Abstract. Artist Description:  A cooped up heart simply must be allowed to be allowed to show itself. ...
, 2014
Abstract - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Richard Hays: 'Wall', 2014 Steel Sculpture, Abstract Figurative. Artist Description:  There is a time when something comes in between. Questions remain.Bare steel, powder coated figures.  12
, 2014
Abstract Figurative - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Richard Hays: 'Love', 2014 Steel Sculpture, Abstract Figurative. Artist Description:   The Alma is putting it all out there and it's bigger than life.Steel powder coated  6
, 2014
Abstract Figurative - Sculpture
12 x 5 inches (30.5 x 12.7 cm)
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Richard Hays: 'Fence', 2014 Steel Sculpture, undecided. Artist Description: The interpretation of this piece speaks of ambiguity. Is the Alma seeking escape or entry. Is it possible that there is simply comfort in being?Power coated steel and rust patina.  9
, 2014
undecided - Sculpture
15 x 11 inches (38.1 x 27.9 cm)
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Diana Carey: 'My Cup Runneth Over', 2014 Steel Sculpture, Abstract. Artist Description: A frothy mug steel sculpture, abstract tabletop makes you thirsty just looking at it. ...
Abstract - Sculpture
8 x 10 inches (20.3 x 25.4 cm)
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Constantin Ciprian Irimia: 'The Dosoftei house', 1988 Other Sculpture, Landscape. Artist Description:  A vintage artwork in copper sheet, dated from 1988, Iasi, Romania.Technique: metalloplastic.Size: 23. 5 / 38. 5 centimeters.Frame: wood. ...
Landscape - Sculpture
38 x 24 cm (15.0 x 9.4 inches)
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Constantin Ciprian Irimia: 'The couple', 1983 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1983, Iasi, Romania.Technique: metalloplastic.Size: 22. 5 / 30 centimeters.Frame: wood. ...
, 1983
Figurative - Sculpture
22 x 30 cm (8.7 x 11.8 inches)
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Crystal Walls: 'sculpture', 2012 Other Sculpture, People. Artist Description:       Sculpture of human forms.      ...
, 2012
People - Sculpture
0 x 0 feet (0.00 x 0.00 m)
Debbi Chan: 'elephant with child', 2012 Wood Sculpture, Children. Artist Description:   This wood carving is unique. A relief carving I did inside a Burl of an elephant tenderly holding a child.                                 ...
Children - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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James Johnson: 'Zinc Torso', 2011 Other Sculpture, Abstract Figurative. Artist Description:  Cats, animals, fish, abstract, Bird, Crow, raven, animals, abstract, female, nude            ...
, 2011
Abstract Figurative - Sculpture
10 x 15 inches (25.4 x 38.1 cm)
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Riffi Waeschle: 'Streben Nach', 2010 Mixed Media Sculpture, undecided.
undecided - Sculpture
25 x 25 cm (9.8 x 9.8 inches)
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Riffi Waeschle: 'BABI No2', 2009 Mixed Media Sculpture, undecided.
, 2009
undecided - Sculpture
20 x 20 cm (7.9 x 7.9 inches)
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Riffi Waeschle: 'BABI No4', 2009 Mixed Media Sculpture, undecided.
, 2009
undecided - Sculpture
16 x 33 cm (6.3 x 13.0 inches)
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Riffi Waeschle: 'BABI No23', 2010 Mixed Media Sculpture, undecided.
, 2010
undecided - Sculpture
20 x 30 cm (7.9 x 11.8 inches)
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Paul Orzech: 'Frog ', 2009 Bronze Sculpture, Animals. Artist Description: The stylized sitting Frog has the look of a friendly prince waiting a kiss from a passing princess. I created Frog as part of a series of stylized animals as a fun project. If you like this sculpture you may enjoy the other bronze castings in this animal ...
, 2009
Animals - Sculpture
2 x 3 inches (5.1 x 7.6 cm)
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Berthold Neutze: 'Complain If You Want', 2010 Wood Sculpture, Abstract. Artist Description:         beechwood, oiled, 2010       ...
Abstract - Sculpture
10 x 14 cm (3.9 x 5.5 inches)
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Eric Jacobson: 'Brass Whale', 2009 Other Sculpture, Animals. Artist Description:     This sculpture is an elegant interplay of organic forms, movement.    ...
Animals - Sculpture
1 x 1 feet (0.30 x 0.30 m)
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Ted Schaal: 'Stash Box', 2009 Bronze Sculpture, Other. Artist Description:  This is a special place for special objects. Please allow 2 months for casting and delivery....
, 2009
Other - Sculpture
4 x 3 inches (10.2 x 7.6 cm)
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Debbi Chan: 'fial piety', 2009 Other Sculpture, Figurative. Artist Description:  deep relief carving on bone.  the subject is a bit unconventional but it intrigued me.  the chinese respect their parents so much that  this scene might have actually taken place often in earlier times.  ...
, 2009
Figurative - Sculpture
1 x 6 inches (2.5 x 15.2 cm)
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Jen Pratt: 'Silver Grace', 2009 Ceramic Sculpture, Equine. Artist Description:  This sculpture is finished in a bright silver overlaying a dark copper shadowing. The dark copper accents the mane and areas around the eyes. High- polished finish. Clay sculpture on a dark walnut base.This is an original, one- of- a- kind horse head sculpture. ...
Equine - Sculpture
8 x 7 inches (20.3 x 17.8 cm)
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Jon Grauman: 'Americana Heart 2', 2009 Aluminum Sculpture, Automotive. Artist Description:   Aluminum Heart Mounted on Anodize aluminum Back...
Automotive - Sculpture
16 x 24 inches (40.6 x 61.0 cm)
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Sakhuja Sushil: 'Indian arts', 2008 Bronze Sculpture, Ethnic. Artist Description:  cow and calf ...
Ethnic - Sculpture
7 x 6 inches (17.8 x 15.2 cm)
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Deborah Robinson: 'Celtic Faery Princess Erin', 2006 Other Sculpture, Fantasy. Artist Description:   Erin is totally handcrafted and I feel she represents celtic fantasy ...
Fantasy - Sculpture
12 x 20 inches (30.5 x 50.8 cm)
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Max Tolentino: 'ANA BOTAFOGO ', 2007 Wood Sculpture, Abstract. Artist Description:  Wood assembling sculpture, resulting from natural fire in a forestphoto by  www. studiofotografos. com. not available ...
Abstract - Sculpture
14 x 14 cm (5.5 x 5.5 inches)
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Gadadhar Das: 'DANCING DEER', 2005 Wood Sculpture, Animals. Artist Description:  This Art work was made from two pieces discarded tree roots. These pieces were collected from our garden. I made it in 2005. This Sculpture completely covered by a special type of wood coating for protect from termite  & borar. Weight of this Art Work is 0. 085 Kilos ...
Animals - Sculpture
10 x 17 cm (3.9 x 6.7 inches)
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Gadadhar Das: 'HORN OF DEAR', 2005 Wood Sculpture, Animals. Artist Description:  This Art work was made from a single piece discarded tree root. This piece was collected from our garden. I made it in 2005. This Sculpture completely covered by a special type of wood coating for protect from termite  & borar. Weight of this Artwork is . 005 Kilos. ...
Animals - Sculpture
20 x 8 cm (7.9 x 3.1 inches)
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Gadadhar Das: 'SNAKE COPULATION', 2006 Wood Sculpture, Love. Artist Description:  This Art work was made from two pieces discarded tree roots. These pieces were collected from our garden. I made it in 2006. This Sculpture completely covered by a special type of wood coating for protect from termite  & borar. Weight of this Artwork is . 010 Kilos. ...
Love - Sculpture
17 x 13 cm (6.7 x 5.1 inches)
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(Page 2 of 3) - MORE ARTWORKS
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Artists Describing Their Art:

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Richard Hays - I started sculpting while studying art at Goddard College in Vermont. Personal tragedies prevented me from completing my college education but my love of sculpture never died. Originally I worked in a number of mediums including metals, plaster, cement, fiberglass, and plastic. Today I work primarily in welded steel representing ideas, questions and cliches. I am always aware of the emotions and conundrums of daily life and work to ask universal questions, display emotion, and are either obvious or ambiguous. My work may make you think, groan, or smile. I call my figures in my sculptures "Almas", which is Spanish for souls. The Almas are in context offering interesting questions, cliches, and emotions which are sometimes obvious and sometimes not. Associations Member, Pacific Northwest Sculptors ...

Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. As I work on my sculptures ...

Debbi Chan - I am going to do an updated artist's statement. But until I submit it you have a short temporary one. As an artist I an fullfilled and contend. But at the same time I seek more , absorb more, and enjoy more. Art fills and fullfills me..I am always being an artist. My eyes see art always. This is not a hobby that I partake of when time suits. Art feeds me. Art consoles me. And being prolific it also takes my time. And for this I am thankful that i listened to my inner self. I am thankful for a following that grows by the minute. I enjoy you enjoying my portfolio. I also have come to realize that the coined phrase "starving artist" is a reality for some of us. But if you take another quote, my own , you will see that starving and rich pertain to material $. because of you the viewers , and because art is my life and my passion I can truly say that I AM RICH.. RICH WITH NO MONEY... and I can also say with truth that I am happy. I chose the path that allowed this rich life. There will continue ...

James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Jen Pratt - There is a certain type of elegance to nature, and to all living things. It's almost possible to find a meaning to existence, to find God himself, through the things that He has created. Thus my work could be considered an homage, a tribute to the things that I find to be beautiful in this world. I create my sculptures from clay because of the exceptional attributes of this medium. Clay is an inviting, earthy material; it's also quite durable. It's perfectly suited to figurative sculptures because of the wide range of emotion and movement that can be captured. A finished clay sculpture is unique from other sculptures - when you touch the surface, your hand follows a path that was not created by a tool, or by machine, or transferred from another medium; it's the exact paths and grooves that the artist's hands created....

Deborah Robinson - I was once told that "to be taken seriously as an artist you need to think of yourself as one"....a very true thought. In the beginning I had thought of myself as someone who made dolls..just to give for gifts to friends and family....then a fantastic doll artist saw my creations and questioned as to why I wasn't thinking of myself as an artist..that I had talent and a love of what I do..yet I wasn't letting others enjoy my art...and that I needed to promote myself and let others have the means to purchase one of my sculptures. To humor her I listed one of my dolls..a faery named Fuchsia and another an elf I named Mugwort..pricing my work was an adventure in itself but with help I was taught what was required...2 days later both dolls were sold! Lesson learned...believe in yourself and others will too!...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Gadadhar Das - Artist Statement: The Proper Counseling & Guidance can change the neglected & destitute street Children as a perfect human being. I think, the discarded Tree Roots & Branches would be an attractive Art object in the same way. I collect the discarded tree roots from Forest & roadside those are lying for destroy by fire or any other way. I try to identify the basic structural pieces of the roots and branches of various trees, driven by naturally possessed artistic vision and then shaping them to various final forms like Hindu Deities, Animals and various others objects etc., which are entirely hand made sculptors out of specially selected single pieces of roots and branches of trees of various shapes and sizes. I look forward sincerely for my work to earn its due appreciation among the art lovers. ...