Sculpture For Sale - Price Range: $300 - $399 (124)

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Discover 124 original sculpture artworks for sale between $300 - $399. Contemporary emerging artists: Natalia Sofyina, Louise Parenteau, Steve Kiene, Diana Carey, Max Tolentino, Sharad Tarde, Constantin Ciprian Irimia, Dan Woodard, Asa Wood, Robert Pulley, Suzanne Noll, Paul Orzech, L.f.w. Sterk, Veronica Brutosky are exhibiting their affordable original art. You can buy artwork online and browse 5 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Louise Parenteau: 'HOCHELAGA', 2013 Mixed Media Sculpture, Mask. Artist Description:  Wood, leather, found objects.    ...
, 2013
Mask - Sculpture
28 x 61 cm (11.0 x 24.0 inches)
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Steve Kiene: 'Dancer', 2015 Wood Sculpture, Abstract Figurative. Artist Description: wood sculpture carving face branch tree barktree- spirit forest- friend  ...
, 2015
Abstract Figurative - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
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Steve Kiene: 'Dancer closeup', 2015 Wood Sculpture, Abstract Figurative. Artist Description: wood sculpture carving face branch tree barktree- spirit forest- friend    ...
Abstract Figurative - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
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Diana Carey: 'Geese In Flight', 2014 Steel Sculpture, Abstract. Artist Description:  steel sculpture abstract tabletop...
Abstract - Sculpture
19 x 11 inches (48.3 x 27.9 cm)
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Max Tolentino: 'Le Rouge et le Noir', 2013 Wood Sculpture, Abstract. Artist Description:  Wood painted sculpture combining two pieces which may be placed in various positions . dimensions are simply a reference since there are two parts. ...
Abstract - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Sharad Tarde: 'Group', 2013 Mixed Media Sculpture, Abstract Figurative. Artist Description:
, 2013
Abstract Figurative - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Constantin Ciprian Irimia: 'Natasha', 1987 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1987, Iasi, Romania.Technique: metalloplastic.Size: 24 / 33 centimeters.Frame: wood. ...
, 1987
Portrait - Sculpture
24 x 33 cm (9.4 x 13.0 inches)
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Constantin Ciprian Irimia: 'Two friends 2', 1984 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1984, Iasi, Romania.Technique: metalloplastic.Size: 29 / 39. 5 centimeters.Frame: wood. ...
Figurative - Sculpture
29 x 40 cm (11.4 x 15.7 inches)
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Constantin Ciprian Irimia: 'Augusta 2', 1984 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1984, Iasi, Romania.Technique: metalloplastic.Size: 25. 5 / 39 centimeters.Frame: wood. ...
, 1984
Portrait - Sculpture
28 x 39 cm (11.0 x 15.4 inches)
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Constantin Ciprian Irimia: 'Portrait', 1992 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1992, Iasi, Romania.Technique: metalloplastic.Size: 24 / 33. 5 centimeters.Frame: wood ...
, 1992
Portrait - Sculpture
24 x 34 cm (9.4 x 13.4 inches)
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Constantin Ciprian Irimia: 'Spring', 1993 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1993, Iasi, Romania.Technique: metalloplastic.Size: 24. 5 / 40. 5 centimeters.Frame: wood. ...
, 1993
Figurative - Sculpture
24 x 40 cm (9.4 x 15.7 inches)
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Constantin Ciprian Irimia: 'Portrait', 1991 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1991, Iasi, Romania.Technique: metalloplastic.Size: 27 / 17. 5 centimeters.Frame: wood. ...
, 1991
Portrait - Sculpture
18 x 27 cm (7.1 x 10.6 inches)
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Constantin Ciprian Irimia: 'Winter', 1992 Other Sculpture, Landscape. Artist Description:  A vintage artwork in copper sheet, dated from 1992, Iasi, Romania.Technique: metalloplastic.Size: 20 / 29 centimeters.Frame: wood. ...
, 1992
Landscape - Sculpture
20 x 29 cm (7.9 x 11.4 inches)
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Constantin Ciprian Irimia: 'Maternity', 1997 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1997, Iasi, Romania.Technique: metalloplastic.Size: 39 / 54 centimeters.Frame: wood. ...
, 1997
Figurative - Sculpture
40 x 54 cm (15.7 x 21.3 inches)
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Dan Woodard: 'Seed Pod', 2009 Mixed Media Sculpture, Abstract. Artist Description:
, 2009
Abstract - Sculpture
12 x 7 inches (30.5 x 17.8 cm)
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Dan Woodard: 'Burning Sun', 2009 Mixed Media Sculpture, Abstract. Artist Description:
Abstract - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Asa Wood: 'Nest For Man', 2011 Wood Sculpture, Abstract. Artist Description:   sculptur, figurine, rustic, driftwood, wood carving, porch, patio, garden, tree, last, abstract, nature, natural, outdoors,   ...
Abstract - Sculpture
37 x 37 inches (94.0 x 94.0 cm)
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Robert Pulley: 'Marker', 2009 Bronze Sculpture, Abstract. Artist Description:       Unique bronze sculpture with a rich dark  brown patina.  ...
, 2009
Abstract - Sculpture
5 x 9 inches (12.7 x 22.9 cm)
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Suzanne Noll: 'Lions Pride', 2009 Mixed Media Sculpture, Wildlife. Artist Description:        Lion's Pride is a high fired, ceramic, Lion & Lioness mask of various glazes. They are inlaid in handmade tiles, gold mirror and broken glass inside of a barnwood frame. The whiskers are of gold toned wire and gold toned balls at the ends.As with all my ...
Wildlife - Sculpture
15 x 15 inches (38.1 x 38.1 cm)
Suzanne Noll: 'Orange Crush', 2010 Ceramic Sculpture, Dogs. Artist Description:    Orange Crush is a handmade Poodle sculpture made of high fire clay with various glazes. The whiskers are made of gold toned wire with gold toned balls at the ends. The dog tag is a metal locket that can open for very small pictures. ...
Dogs - Sculpture
6 x 10 inches (15.2 x 25.4 cm)
Louise Parenteau: 'EROS', 2005 Mixed Media Sculpture, Erotic. Artist Description:   Recycled material  ...
, 2005
Erotic - Sculpture
0 x 70 cm (0.0 x 27.6 inches)
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Paul Orzech: 'Aero Bunny  Powder Coated', 2010 Bronze Sculpture, Animals. Artist Description:  The stylized bunny has the look of a race car. Its streamlined body and oversized ears allow the bunny to look fast as does the bicycle racer and down hill skier when they use a tuck positions to reduce their wind resistance and to maximize their speed.The ...
Animals - Sculpture
5 x 2 inches (12.7 x 5.1 cm)
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L.f.w. Sterk: 'muur', 2008 Steel Sculpture, Abstract. Artist Description:  als een stalen muur ...
, 2008
Abstract - Sculpture
33 x 21 cm (13.0 x 8.3 inches)
L.f.w. Sterk: 'last time', 2009 Steel Sculpture, Abstract Figurative. Artist Description:  its a steel hedge in time ...
, 2009
Abstract Figurative - Sculpture
44 x 29 cm (17.3 x 11.4 inches)
Max Tolentino: 'Cat Stevens ', 2008 Steel Sculpture, Abstract Figurative. Artist Description: steel sculpture in drawn wire. part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and welding. Not available, sold to a private collection ...
Abstract Figurative - Sculpture
23 x 33 cm (9.1 x 13.0 inches)
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Max Tolentino: 'Sergio de Paula Cat ', 2008 Steel Sculpture, Abstract Figurative. Artist Description:  steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and welding . Not available ...
Abstract Figurative - Sculpture
23 x 33 cm (9.1 x 13.0 inches)
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Veronica Brutosky: 'Listening: A Seated Figure', 2008 Other Sculpture, Figurative. Artist Description:  The rhythms in this sculpture from every angle are beautiful. The title: Listening is expressed by the uplifted face. This piece deserves a slowly revolving sculpture stand.  ...
Figurative - Sculpture
15 x 15 inches (38.1 x 38.1 cm)
L.f.w. Sterk: 'schouwburcht', 2006 Steel Sculpture, Abstract. Artist Description:  people are looking in the theater ...
Abstract - Sculpture
30 x 23 cm (11.8 x 9.1 inches)
Max Tolentino: 'VICTORs  DOG ', 2007 Steel Sculpture, Abstract. Artist Description:     Steelsculpture : 3 elementstechnique : cutting, welding grinding and spray finishing.photo by: www. studiofotografos. com private collection : Angela Peret , Belo Horizonte     ...
Abstract - Sculpture
17 x 26 cm (6.7 x 10.2 inches)
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Nestor Esteban Olivera: 'clock', 2004 Mixed Media Sculpture, Trains. Artist Description:  this clock maked with old wood and old iron of trains in argentine. ...
, 2004
Trains - Sculpture
102 x 192 cm (40.2 x 75.6 inches)
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(Page 2 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Steve Kiene - My art expresses fundamental cosmological and spiritual concepts such as the balances in nature, regeneration and growth, and the interdependence of all things. I want to express how man & nature are interconnected. In today's modern culture, many have forgotten, that all things, living and inert, have a part in our relationship with life itself. The tree branch carvings illustrate how man is just a branch of the larger organic cosmos. Where Man and Nature become one....

Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Dan Woodard - Archetypes...Myths...Rituals. I have long been intrigued and fascinated by these concepts. In my sculptures, both figurative and abstract, I employ these aspects of a collective unconscious to evoke an emotional state within the viewer. In my figurative work, my goal is to capture the myriad changing state of the human condition through subtle changes in facial countenance and body language. The end result shows how the inner condition is expressed by the outward form while also conveying a sense of this expression transcending both time and history. In my abstract sculptures, I have recreated the numinous quality of subconsciously shared images, stories, and ceremonial rites. The sculptures, themselves, are composed of abstract forms that are covered with a rich, textural surface. The end result is a complex organic piece that evokes a sense of ancient artifacts, of ritualistic objects from some unknown culture, or of imagined landscapes. However, be it figurative or abstract, my ultimate goal is to have the viewer feel a sense of familiarity with the work...a sense of having experienced this before. I believe this feeling of deja vu arises from both the collective unconscious and a mystical center we all share. ...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Robert Pulley - Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

Veronica Brutosky - Figurative work has a place in my endeavors. However, the subjects are not portraiture. The paintings use elements of exaggeration to express deeper element of life. I sometimes paint diptychs and triptychs. Now that I am doing print designs on the computer, I find that being able to create suites of images in which I can shift colors and create beautiful blends is vey satisfying. I still do watercolors. ...