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Sculpture For Sale - Price Range: $300 - $399 (147)

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Discover 147 original sculpture artworks for sale between $300 - $399. Contemporary emerging artists: Merlin Mccormick, Felix Velez, Bart Soutendijk, Max Tolentino, Charalambos Lambrou, Nazar Havrulyik, Dimitri Sonkeng, Malke, Andrew Wielawski, Liubka Kirilova, Bertrand Beaufour, Natalia Sofyina, Louise Parenteau, Steve Kiene, Richard Hays, Diana Carey, Sharad Tarde, Constantin Ciprian Irimia are exhibiting their affordable original art. You can buy artwork online and browse 6 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Felix Velez: 'vintage bird', 2017 Bronze Sculpture, Birds. Artist Description: Small Bronze Bird standing sculpture,Little Dipper Bird on a vintage Pulley Wheel, sculpture statuette for sale for Indoors Inside Interior display by the Very Original American Sculptor Felix Velez who writes. . . Thank you for your visit. Each of my bronze vintage have a little story. First I ...
Birds - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Bart Soutendijk: 'nude', 2016 Steel Sculpture, Figurative. Artist Description: wire wall art of female nude...
, 2016
Figurative - Sculpture
13 x 23 inches (33.0 x 58.4 cm)
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Bart Soutendijk: 'balerina', 2010 Steel Sculpture, Figurative. Artist Description: wire wall art of young balarina tying her slipper...
, 2010
Figurative - Sculpture
16 x 24 inches (40.6 x 61.0 cm)
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Bart Soutendijk: 'fixing her hair', 2016 Steel Sculpture, Figurative. Artist Description: wire wall art of girl fixing her hair...
Figurative - Sculpture
20 x 24 inches (50.8 x 61.0 cm)
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Max Tolentino: 'ETHIOPIA', 2016 Wood Sculpture, Abstract. Artist Description:  Sculpture in brazilian nobel wood named Canela with a cooper ring . Sold to a private collection ...
, 2016
Abstract - Sculpture
19 x 50 cm (7.5 x 19.7 inches)
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Charalambos  Lambrou: 'Saint George ', 2012 Other Sculpture, Religious. Artist Description:  A Vintage handmade artwork of copper presented Saint George. Technique: Repousse in copper sheet50* 61 centimeters included wood frame.St. George was a great miracle worker and martyr lived in the latter part of the third century A. D. , during Diocletian' s rule of the Roman Empire. ...
Religious - Sculpture
50 x 61 cm (19.7 x 24.0 inches)
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Nazar Havrulyik: 'Jesus', 2016 Wood Sculpture, Biblical. Artist Description:  Jesos religion bible wood oak ...
, 2016
Biblical - Sculpture
22 x 38 cm (8.7 x 15.0 inches)
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Dimitri Sonkeng: 'Wine holder crocodile', 2015 Wood Sculpture, undecided. Artist Description:  A Wine holder carved with ebony wood  ...
undecided - Sculpture
12 x 38 cm (4.7 x 15.0 inches)
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 Malke: 'Bird Woman', 2014 Mixed Media Sculpture, Life. Artist Description:               celebration of the woman, Clay/ metal / wood / ribbon              ...
, 2014
Life - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
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Andrew Wielawski: 'Trauma', 2016 Stone Sculpture, Representational. Artist Description:   This is carved from a large chip of Statuario di Michelangelo, which came off a large block during shipping to the United States. It's part of the collection of the Downing Museum in Kentucky.       ...
, 2016
Representational - Sculpture
5 x 4 inches (12.7 x 10.2 cm)
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Liubka Kirilova: 'Bronze abstract sculprure NIKE ', 2016 Bronze Sculpture, Abstract Figurative. Artist Description:  Sculpture Bronze NIKE - Victory Goddess abstract statue ...
Abstract Figurative - Sculpture
8 x 24 cm (3.1 x 9.4 inches)
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Bertrand Beaufour: 'premier essai', 2015 Mixed Media Sculpture, Abstract Figurative. Artist Description:      For a dA(c)pliante sculpture has kinetic elements.      ...
Abstract Figurative - Sculpture
48 x 36 cm (18.9 x 14.2 inches)
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Natalia Sofyina: 'Confessions', 2015 Clay Sculpture, Abstract. Artist Description:  wall sculpture, clay, acrylic, abstract, organic, minimalist, surreal, biomorphic, contemporary, modern, mixed media    ...
Abstract - Sculpture
20 x 30 inches (50.8 x 76.2 cm)
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Louise Parenteau: 'HOCHELAGA', 2013 Mixed Media Sculpture, Mask. Artist Description:  Wood, leather, found objects.    ...
, 2013
Mask - Sculpture
28 x 61 cm (11.0 x 24.0 inches)
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Steve Kiene: 'Dancer', 2015 Wood Sculpture, Abstract Figurative. Artist Description: wood sculpture carving face branch tree barktree- spirit forest- friend  ...
, 2015
Abstract Figurative - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
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Steve Kiene: 'Dancer closeup', 2015 Wood Sculpture, Abstract Figurative. Artist Description: wood sculpture carving face branch tree barktree- spirit forest- friend    ...
Abstract Figurative - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
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Richard Hays: 'Empties', 2014 Steel Sculpture, Abstract. Artist Description:  Empties is a metaphor: The limits of conventional thinking, aka thinking inside the box. Conventional thinking has its limits and runs out pretty quickly in the context of creativity and satisfaction.Welded steel rust patina 10d x 10w x 16h ...
, 2014
Abstract - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
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Diana Carey: 'Geese In Flight', 2014 Steel Sculpture, Abstract. Artist Description:  steel sculpture abstract tabletop...
Abstract - Sculpture
19 x 11 inches (48.3 x 27.9 cm)
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Max Tolentino: 'Le Rouge et le Noir', 2013 Wood Sculpture, Abstract. Artist Description:  Wood painted sculpture combining two pieces which may be placed in various positions . dimensions are simply a reference since there are two parts. ...
Abstract - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Sharad Tarde: 'Group', 2013 Mixed Media Sculpture, Abstract Figurative. Artist Description:
, 2013
Abstract Figurative - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Constantin Ciprian Irimia: 'Natasha', 1987 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1987, Iasi, Romania.Technique: metalloplastic.Size: 24 / 33 centimeters.Frame: wood. ...
, 1987
Portrait - Sculpture
24 x 33 cm (9.4 x 13.0 inches)
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Constantin Ciprian Irimia: 'Two friends 2', 1984 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1984, Iasi, Romania.Technique: metalloplastic.Size: 29 / 39. 5 centimeters.Frame: wood. ...
Figurative - Sculpture
29 x 40 cm (11.4 x 15.7 inches)
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Constantin Ciprian Irimia: 'Augusta 2', 1984 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1984, Iasi, Romania.Technique: metalloplastic.Size: 25. 5 / 39 centimeters.Frame: wood. ...
, 1984
Portrait - Sculpture
28 x 39 cm (11.0 x 15.4 inches)
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Constantin Ciprian Irimia: 'Portrait', 1992 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1992, Iasi, Romania.Technique: metalloplastic.Size: 24 / 33. 5 centimeters.Frame: wood ...
, 1992
Portrait - Sculpture
24 x 34 cm (9.4 x 13.4 inches)
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Constantin Ciprian Irimia: 'Spring', 1993 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1993, Iasi, Romania.Technique: metalloplastic.Size: 24. 5 / 40. 5 centimeters.Frame: wood. ...
, 1993
Figurative - Sculpture
24 x 40 cm (9.4 x 15.7 inches)
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Constantin Ciprian Irimia: 'Portrait', 1991 Other Sculpture, Portrait. Artist Description:  A vintage artwork in copper sheet, dated from 1991, Iasi, Romania.Technique: metalloplastic.Size: 27 / 17. 5 centimeters.Frame: wood. ...
, 1991
Portrait - Sculpture
18 x 27 cm (7.1 x 10.6 inches)
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Constantin Ciprian Irimia: 'Winter', 1992 Other Sculpture, Landscape. Artist Description:  A vintage artwork in copper sheet, dated from 1992, Iasi, Romania.Technique: metalloplastic.Size: 20 / 29 centimeters.Frame: wood. ...
, 1992
Landscape - Sculpture
20 x 29 cm (7.9 x 11.4 inches)
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Constantin Ciprian Irimia: 'Maternity', 1997 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1997, Iasi, Romania.Technique: metalloplastic.Size: 39 / 54 centimeters.Frame: wood. ...
, 1997
Figurative - Sculpture
40 x 54 cm (15.7 x 21.3 inches)
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Constantin Ciprian Irimia: 'The song', 1983 Other Sculpture, Figurative. Artist Description:  A vintage artwork in copper sheet, dated from 1983, Iasi, Romania.Technique: metalloplastic.Size: 28. 5 / 34. 5 centimeters.Frame: wood. ...
, 1983
Figurative - Sculpture
28 x 40 cm (11.0 x 15.7 inches)
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Constantin Ciprian Irimia: 'Two friends ', 1989 Other Sculpture, Figurative. Artist Description:   A vintage artwork in copper sheet, dated from 1989, Iasi, Romania.Technique: metalloplastic.Size: 29 / 41 centimeters.Frame: wood. ...
Figurative - Sculpture
29 x 41 cm (11.4 x 16.1 inches)
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(Page 2 of 6) - MORE ARTWORKS
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Artists Describing Their Art:

Merlin Mccormick - I am new to the art world and still trying to feel my way through. I have lived through the free love era of years gone by and now wonder what have happened to that spirit of enlightenment. That mind set that the body is a beautiful thing to marvel at and that sexual expressions of love and openness was something to strive for. That does not seem to be the case presently. It seems as though there is a push to view the human body as something to be ashamed of and not displayed in its nude form and viewed as something vulgar. The art works that I have created express that spirit of free love and appreciation for the human body and the freedom and awareness gained from sexual interactions of the body and mind. It is my hope that my creations re-light that flame from the past and that people fine my work appealing and would want to own one or more pieces. I only show a few here but I have many more ready to offer. They are truly unique one of a kind items that will grow in value as time goes by. ...

Felix Velez - My art work is a combination of life, striving to create what influences me by everything I see, feel and experience. I focus on the environment and human nature. I like to bring history into our time by recreating life-like sculptures from famous personalities like Einstein. While I use a variety of materials and processes in each project, my methods are consistent. When working with clay or any medium, it is important to acknowledge the meaning of the sculpture. The topic matter of each body of work determines the materials I need to incorporate in the making of the sculpture, like clay, wood or metal. The experience is very rewarding when molding with my hands and capturing that moment in time. Sculpting is my way of being creative without limits. I continuously look for ways to discover new possibilities to challenge my imagination. Each piece of art, whether figurative or abstract, is an original and innovative design. It is delivered with excellence, performance and integrity....

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Steve Kiene - My art expresses fundamental cosmological and spiritual concepts such as the balances in nature, regeneration and growth, and the interdependence of all things. I want to express how man & nature are interconnected. In today's modern culture, many have forgotten, that all things, living and inert, have a part in our relationship with life itself. The tree branch carvings illustrate how man is just a branch of the larger organic cosmos. Where Man and Nature become one....

Richard Hays - I started sculpting while studying art at Goddard College in Vermont. Personal tragedies prevented me from completing my college education but my love of sculpture never died. Originally I worked in a number of mediums including metals, plaster, cement, fiberglass, and plastic. Today I work primarily in welded steel representing ideas, questions and cliches. I am always aware of the emotions and conundrums of daily life and work to ask universal questions, display emotion, and are either obvious or ambiguous. My work may make you think, groan, or smile. I call my figures in my sculptures "Almas", which is Spanish for souls. The Almas are in context offering interesting questions, cliches, and emotions which are sometimes obvious and sometimes not. Associations Member, Pacific Northwest Sculptors ...

Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. As I work on my sculptures ...