Sculpture For Sale - Price Range: $3000 - $3999

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Discover 182 original sculpture artworks for sale between $3000 - $3999. Contemporary emerging artists: Jack Hill, Khurshid Khatak, Sushil Sakhuja, Donna Bernstein, Sue Jacobsen, Venelin Ivanov, Stefan Van Der Ende, Sylvia Volpi, Jorge Llaca are exhibiting their affordable original art. You can buy artwork online and browse 7 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jack Hill: 'Grinning', 2006 Bronze Sculpture, Fantasy.  The full title of this piece is Grinning from Ear to Ear. ...
, 2006
Fantasy - Sculpture
23 x 12 inches (58.4 x 30.5 cm)
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Khurshid Khatak: 'Woman Bhind Man', 2003 Wood Sculpture, Fantasy. She put out her lover from complexity...
Fantasy - Sculpture
26 x 61 inches (66.0 x 154.9 cm)
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Sushil Sakhuja: 'mother and child', 2005 Bronze Sculpture, Ethnic.
Ethnic - Sculpture
19 x 37 inches (48.3 x 94.0 cm)
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Donna Bernstein: 'Buck Equestrian Bronze', 2011 Bronze Sculpture, Animals. equine, bronze, sculpture, lost wax, cast bronze, tabletop, horse, equestrian, horses...
Animals - Sculpture
8 x 15 inches (20.3 x 38.1 cm)
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Sue Jacobsen: 'Ferret Family on Full Alert', 2002 Bronze Sculpture, Animals. The sleek form and intense movement of these animals captivated me, beautiful bodies. ...
Animals - Sculpture
17 x 19 inches (43.2 x 48.3 cm)
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Sue Jacobsen: 'Eve', 2003 Bronze Sculpture, Figurative. I was moved by this casual pose my youthful model struck, evoking many emotional possibilities. ...
, 2003
Figurative - Sculpture
7 x 25 inches (17.8 x 63.5 cm)
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Donna Bernstein: 'Brown Colt', 2011 Bronze Sculpture, Animals. equine, bronze, sculpture, lost wax, cast bronze, tabletop, horse, equestrian, horses...
, 2011
Animals - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
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Venelin Ivanov: 'muse', 2004 Bronze Sculpture, Mythology.
, 2004
Mythology - Sculpture
15 x 43 cm (5.9 x 16.9 inches)
Stefan Van Der Ende: 'fishlungshoe', 2002 Bronze Sculpture, Abstract Figurative. There is and will be only one copy made of this sculpture...
Abstract Figurative - Sculpture
17 x 27 cm (6.7 x 10.6 inches)
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Stefan Van Der Ende: 'Shine you shoe', 2002 Bronze Sculpture, Abstract.
Abstract - Sculpture
14 x 20 cm (5.5 x 7.9 inches)
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Venelin Ivanov: 'locked song', 1983 Bronze Sculpture, undecided.
undecided - Sculpture
17 x 63 cm (6.7 x 24.8 inches)
Venelin Ivanov: 'woman with child', 1983 Bronze Sculpture, Figurative.
Figurative - Sculpture
12 x 52 cm (4.7 x 20.5 inches)
Venelin Ivanov: 'face', 1979 Bronze Sculpture, undecided.
, 1979
undecided - Sculpture
7 x 38 cm (2.8 x 15.0 inches)
Sylvia Volpi: 'Tied', 2001 Mixed Media Sculpture, Figurative.
, 2001
Figurative - Sculpture
120 x 80 cm (47.2 x 31.5 inches)
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Venelin Ivanov: 'neadle X X', 1990 Bronze Sculpture, Architecture.
, 1990
Architecture - Sculpture
9 x 72 cm (3.5 x 28.3 inches)
Jorge Llaca: 'Cinco Hombres', 2000 Bronze Sculpture, Figurative.
Figurative - Sculpture
40 x 45 cm (15.7 x 17.7 inches)
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Venelin Ivanov: 'obelisk', 1989 Bronze Sculpture, Architecture. 0...
, 1989
Architecture - Sculpture
4 x 24 inches (10.2 x 61.0 cm)
(Page 4 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Khurshid Khatak - I see and I have practiced hard to see. through and through and deep inside, because the every existence does have shape, a definitive imagery a consolidated perception at least one of the unseen horizons. one of unsung melodies and those who can see, must feel it and those who can feel, must bear the anguish of sense and those who can bear the pain of creations up on them must preserve this pain into existence of beauty. and these statues are the creations of this pain. that I am still passing through, I have often enter into the realms of unconsciousness, the real self, the true experience and thus I see the faces, montages, ideas, and colors in my mediums. Stone and rocks are wrapping the figure and forms. Which, I only unfold. Log and woods commonly steal the ideas and imagery, which I just enhance. When the colors are speaking to you. And words magnifying their presence in persona. When rocks liquefy to the cast able ideologies and woods carve them selves. In front of you. Then must you have entered the flowing world of liberated self "Surrealisms". ...

Donna Bernstein - PLEASE VISIT MY WEBSITE AT:

Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

Sylvia Volpi - PHILOSOPHY: To be an artist is to be creative, autonomous, conscious, bold... It is to dare and allow yourself the delirium, reach the imaginary, the fantasy, the pleasure, the beauty ... To wish for the real and to wish for the impossible. It's to open wide, through your work, desires, fights and sorrows in a disclosure. The creative process is the product of the hand , the mind, the imagination and of the work, which is motivated by the search for a conquer: THE CONSTRUCTION OF YOUR OWN SELF. ...

Jorge Llaca - Introduction. The main features that best describe my work, are closely related to the unconscious images of death and eroticism. Both present as methaphors of life and death, and a clearly intended physical resolution of the symbolos behind the myth of "Eros & Thanatos". "Our existence is embedded in an endless circle of life and death. We are forced into the conflict, surrounded by metaphors of beginnings and endings". "Today, we find the real truth of our existence in recycling and composting: giving to the universe that which has been given to us in life, with the payment of our own death, so life can emerge again." Life-death-life. (Jorge Llaca, winter 2001) Professional career. The first period starts back in early 70's, as a fine arts student. Times in which I was involved working in private workshops and art centres, with an extense list of teachers and mentors. Some of which had a long course experience and recognition within the national art circles in Mexico, as it is the case of Teresa Citto a well known Italian painter. Also as part of this learning period, I attended private Universities such as the University of the Claustro de Sor ...