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Sculpture For Sale - Price Range: $3000 - $3999 (196)

Page 6 of 7
Discover 196 original sculpture artworks for sale between $3000 - $3999. Contemporary emerging artists: Burhan Sabir, John Northington, Richard Pitts, Phil Parkes, George Hart, Nathera Allam, Ahki Bui, Serdar Seremet, Jack Hill, Kum-thong Ngim, Daniel Fiorda, Miroslaw Baca, Deepak Mahakul, Paul Vauchelet, Khurshid Khatak, Sakhuja Sushil, Sue Jacobsen, Mariam Hakobyan, Peter Roller, Marques Vickers, Donna Bernstein are exhibiting their affordable original art. You can buy artwork online and browse 7 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Burhan Sabir: 'woman bodey', 2007 Other Sculpture, Abstract. Artist Description:  sculpture  ...
Abstract - Sculpture
55 x 180 cm (21.7 x 70.9 inches)
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John Northington: 'Miro', 2002 Mixed Media Sculpture, Abstract. Artist Description:  Steel & Glass ...
, 2002
Abstract - Sculpture
48 x 31 inches (121.9 x 78.7 cm)
Richard Pitts: 'Leaping Lizard', 2007 Wood Sculpture, Abstract. Artist Description:  This is a woodcut image printed on Fabriano papers and mounted on wood supports. The subtle color is the color of the paper stock.  ...
Abstract - Sculpture
54 x 48 inches (137.2 x 121.9 cm)
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Phil Parkes: 'Sailing Away', 2007 Stone Sculpture, undecided. Artist Description:  White Marble sculpture floating on a grey Granite base  ...
undecided - Sculpture
12 x 30 inches (30.5 x 76.2 cm)
George Hart: 'Whoville', 1998 Aluminum Sculpture, Geometric. Artist Description:  Whoville can be seen as 60 identical
, 1998
Geometric - Sculpture
35 x 35 inches (88.9 x 88.9 cm)
Nathera Allam: 'Sculpture Goddess', 2007 Mixed Media Sculpture, undecided. Artist Description:  Large and arresting, this sculpture of the Goddess will add serenity and style to any modern home or collection.  ...
undecided - Sculpture
55 x 73 cm (21.7 x 28.7 inches)
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Ahki Bui: 'Asexual reproduction ', 2006 Ceramic Sculpture, Life. Artist Description:  life  ...
Life - Sculpture
43 x 50 cm (16.9 x 19.7 inches)
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Serdar Seremet: 'TIMPANI', 2004 Mixed Media Sculpture, Abstract. Artist Description:  Sculpture made of brass, wire and stone. ...
, 2004
Abstract - Sculpture
24 x 46 cm (9.4 x 18.1 inches)
Jack Hill: 'Apple', 2003 Bronze Sculpture, Fantasy. Artist Description:  The full title of this piece is Love at First Bite. ...
, 2003
Fantasy - Sculpture
6 x 12 inches (15.2 x 30.5 cm)
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Jack Hill: 'Garlic', 2004 Bronze Sculpture, Fantasy. Artist Description:  The full title of this piece is Garlic Breath. ...
, 2004
Fantasy - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Jack Hill: 'Grinning', 2006 Bronze Sculpture, Fantasy. Artist Description:  The full title of this piece is Grinning from Ear to Ear. ...
, 2006
Fantasy - Sculpture
23 x 12 inches (58.4 x 30.5 cm)
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Kum-thong Ngim: 'Embodiment I', 2006 Other Sculpture, undecided.
undecided - Sculpture
3 x 3 inches (7.6 x 7.6 cm)
Daniel Fiorda: 'totems red', 2005 Steel Sculpture, Architecture. Artist Description:  Totems are a geometrically balanced structure. In this series I work the rectangular and square forms, in a repetitive assemblage process; the works may be viewed as a meditative, as and object to concentrate your mind.The Totems  can be interrelated and interconnected in group forms or they ...
, 2005
Architecture - Sculpture
4 x 27 inches (10.2 x 68.6 cm)
Daniel Fiorda: 'totem metal', 2005 Steel Sculpture, Architecture. Artist Description:  Totems are a geometrically balanced structure. In this series I work the rectangular and square forms, in a repetitive assemblage process; the works may be viewed as a meditative, as and object to concentrate your mind.The Totems  can be interrelated and interconnected in group forms or they ...
Architecture - Sculpture
4 x 27 inches (10.2 x 68.6 cm)
Daniel Fiorda: 'totem yellow', 2006 Steel Sculpture, Architecture. Artist Description:  same as totems ...
Architecture - Sculpture
3 x 29 inches (7.6 x 73.7 cm)
Miroslaw Baca: 'GOLDEN THOUGHTS 1', 2002 Stone Sculpture, Abstract. Artist Description: A series of six heads made from stone ( marble from Debnice) and from wood, in 2002. The sculptures are covered with gold. All pieces are fixed on metal round basis aprox. 1m high ( variable depending on the piece)Not suitable for outdoor displayPreferably to be sold ...
Abstract - Sculpture
25 x 45 cm (9.8 x 17.7 inches)
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Miroslaw Baca: 'GOLDEN THOUGHTS 2', 2002 Stone Sculpture, Abstract. Artist Description: A series of six heads made from stone ( marble from Debnice) and from wood, in 2002. The sculptures are covered with gold. All pieces are fixed on metal round basis aprox. 1m high ( variable depending on the piece)Not suitable for outdoor displayPreferably to be sold ...
Abstract - Sculpture
25 x 65 cm (9.8 x 25.6 inches)
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Miroslaw Baca: 'GOLDEN THOUGHTS 3', 2002 Stone Sculpture, Abstract. Artist Description: A series of six heads made from stone ( marble from Debnice) and from wood, in 2002. The sculptures are covered with gold. All pieces are fixed on metal round basis aprox. 1m high ( variable depending on the piece)Not suitable for outdoor displayPreferably to be sold ...
Abstract - Sculpture
25 x 60 cm (9.8 x 23.6 inches)
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Miroslaw Baca: 'Untitled', 1999 Wood Sculpture, Figurative.
, 1999
Figurative - Sculpture
60 x 230 cm (23.6 x 90.6 inches)
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Deepak Mahakul: 'Aleo Vera', 2006 Stone Sculpture, Nature.
, 2006
Nature - Sculpture
15 x 18 inches (38.1 x 45.7 cm)
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Paul Vauchelet: 'Crucifix', 2006 Steel Sculpture, Christian. Artist Description: A 10 ga. stainles steel and copper crucifix....
, 2006
Christian - Sculpture
48 x 52 inches (121.9 x 132.1 cm)
Khurshid Khatak: 'Woman Bhind Man', 2003 Wood Sculpture, Fantasy. Artist Description: She put out her lover from complexity...
Fantasy - Sculpture
26 x 61 inches (66.0 x 154.9 cm)
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Sakhuja Sushil: 'mother and child', 2005 Bronze Sculpture, Ethnic.
Ethnic - Sculpture
19 x 37 inches (48.3 x 94.0 cm)
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Sue Jacobsen: 'Eve', 2003 Bronze Sculpture, Figurative. Artist Description: I was moved by this casual pose my youthful model struck, evoking many emotional possibilities. ...
, 2003
Figurative - Sculpture
7 x 25 inches (17.8 x 63.5 cm)
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Sue Jacobsen: 'Ferret Family on Full Alert', 2002 Bronze Sculpture, Animals. Artist Description: The sleek form and intense movement of these animals captivated me, beautiful bodies. ...
Animals - Sculpture
17 x 19 inches (43.2 x 48.3 cm)
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Mariam Hakobyan: 'Visit', 1992 Bronze Sculpture, undecided.
, 1992
undecided - Sculpture
18 x 23 cm (7.1 x 9.1 inches)
Peter Roller: 'Pyramid', 2004 Steel Sculpture, undecided.
, 2004
undecided - Sculpture
100 x 200 cm (39.4 x 78.7 inches)
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Marques Vickers: 'Neo Formalism Sculptures', 2003 Mixed Media Sculpture, Figurative. Artist Description: Neo- Formalism is a contemporary articulation of the human figure incorporating 20th century introduced design and form elements including abstract color fields, textile and fiber materials and industrial polyurethane resigns.The formative roots and influences originate from a synthesis of the San Francisco Bay Area Figurative movement of ...
Figurative - Sculpture
24 x 70 inches (61.0 x 177.8 cm)
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Donna Bernstein: 'Gosling', 2001 Bronze Sculpture, Animals. Artist Description: Abstract Equine. Movement and joy. Bronze Collection....
, 2001
Animals - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
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Venelin Ivanov: 'muse', 2004 Bronze Sculpture, Mythology.
, 2004
Mythology - Sculpture
15 x 43 cm (5.9 x 16.9 inches)
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Artists Describing Their Art:

John Northington - I have always looked at materials as a representation of a place in time. This idea about materials comes directly from the way I have learned to organize history. I place stone in the far past or in ancient times , I look at metal and consider it to be now and I put glass or plastic as future materials, Wood seems to be linked with history. I feel I have to link materials to a time period to better understand them, this idea is a way for me to understand what I am looking at. I have always found inspiration by the way sculpture moves or changes over time. I have always been fascinated by the Archeological find, to uncover something to never been seen in modern times or forgotten until it was discovered . I have always seemed to find a way to use something that has been overlooked and recycle the material over and over. My work develops from Geology, the Archeological discovery and the work ethic from Ancient Times. ...

Richard Pitts - My work ,as the totem format may indicate, digs deep withing certain traditional forms of art. Ancient cave art forms a space orientation not dissimilar to the space of a temple or of a cathedral. The sculptural direction in my work establish and reflect a felt environment and evoke a staged space. Like columns in a temple or cathedral, they make space for a kind of thought. My totems reflect space. They are about making viable the invisible that surround them. A single fragment of sculpture like a single Greek column makes visible the wonder of a whole building. This wonder is the space, the building block of scared thoughts not just about making visable the invisible but emphasizing that which is not seen as most important and without boundaries. In fact this obelisk, totem like format condenses and implodes, drawing in the invisible and showing for a brief moment the visible cathedral of natural forms within a new pictorial format without boundaries and briefly holding time still. www.richardpitts.com ...

Richard Pitts - George Hart - As a sculptor of constructive geometric forms, my work deals with patterns and relationships derived from classical ideals of balance and symmetry. Mathematical yet organic, these abstract forms invite the viewer to partake of the geometric aesthetic. I use a variety of media, including paper, wood, plastic, and metal. Classical forms are pushed in new directions, so viewers can take pleasure in their Platonic beauty yet recognize how they are updated for our complex high-tech times. I share with many artists the idea that a pure form is a worthy object, and select for each piece the materials that best carry that form. Because my works invite contemplation, slowly revealing their content, some viewers see them as meditation objects. A lively dancing energy moves within each piece and flows out to the viewer. The integral wholeness of each self-contained sculpture presents a crystalline purity, a conundrum of complexity, and a stark simplicity....

Nathera Allam - I was born in the Middle East and traveled to Britain to settle and have been living here for the past 25 years. Having lived in the east and west of this world for equal times I feel I have mixed the magic of the Middle East from thousands of years of historic art with the sophisticated tones, colours and new subjects of western art. Although I found many similarities with art between my two cultures I have lived I found my self attracted to the more changing cycles and genres of art here in Europe. Though I am still very connected to the geometric architectural repeated patterns of many Middle Eastern artists using bold and bright colours, I have experienced many phases of my life dedicated to figurative and sculptural art but I realized now I want to be free. I regard myself as a sensitive person to nature, I love the remaining beauty of untouched parts of the world but I find it a necessity to include the effect of humans on nature and for every painting of beauty, one of the ugly sides of humanity emerges. For me my art is open and I find with each ...

Ahki Bui - My inspiration created the source of art tradition .The same sculpture of communal house in the village,sculpture of Buddhism and line of drawing genius antique.I want to show event fell of modern sculpture.There are a certain number of philosophy profound cuture traditional.All the to harmonize in the artwork... ...

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Daniel Fiorda - Daniel Fiorda's sculpture breaks up the logic of representation characteristic of traditional Western-art sculpture. His works are made with discarded metals assembled in a complex and busy structure that recalls a Neo-baroque approach to art. The sculpture's material becomes a morphological generator of its figurative shape. As an archeologist, Fiorda captures the "presence" and the elusive meaning of each fragment, - a glaring coin made of copper, a motor screw, part of a car chassis, discarded remnants of the industrial world. Each fragment forms an intricate and tactile vision, full of dramatic resonance. A "horror vacui" seems to guide the complex and busy construction of each piece. Multi-layered disparate metal parts have been put together creating a logic of excess. An overloaded structure emerges organized in a Baroque composition....

Miroslaw Baca - I am a Polish sculptor currently working and living both in England and Poland. I have experience in many mediums as stone, wood, bronze casting, metal welding, ceramics. A lot of my works are displayed in public places in Mexico, where I lived before and realized a sculptor's project in El Jardin de las Esculturas in Xalapa, Veracruz, as a Mexican government scholarship. I was responsible for holding workshops with local people, indigenous groups, of all ages and backgrounds, engaging them in the realization of the project. In Poland, the final piece of my graduation work from the Academy of Fine Arts in Krakow ( Cracow ) was on public permanent display near the Jagiellonian University. In 2005 I obtained the Royal British Society of Sculptors Bursary Award, gaining the membership and exhibiting sculpture works in RBS Gallery in London. Sculpture is a means of expression, among others. This one, however, is difficult and specific. For me, it is the one that has appealed to me the most, not as a result of a deep thinking, but intuitively - language, form of communication, way of life. I am at the beginning of my way, struggling to learn about the chosen form...

Paul Vauchelet - Thank you for visiting my portfolio. As far as a brief background, I was an Art major at SBVJC, I then did frelance work for a couple of national magazines and was the Creative Art Director for Robert Keith and Co. The bottom line that matters here is whether you derive pleasure from my work or not. Those of you that do not. That is fine. Diversity is what makes life such a glorious experience. Keep looking! There is an artist out there whose work will stir a pleasure center in you like no other. Those of you that do find some degree of enjoyment in my work confirm my belief that we as humans really do enjoy life when we "Stop long enough to smell the roses". Everything in our world is exquisitely beautiful when we take the time to fully relish it in minute detail. When I paint it is solely for egocentric pleasure. The hyper realism of my work reflects my delight in discovering even the smallest nuance of my subject matter. I consume my subject visually, savoring it like a fine wine. My eyes become my palate, tasting even the subtlest of changes in textures and ...

Khurshid Khatak - I see and I have practiced hard to see. through and through and deep inside, because the every existence does have shape, a definitive imagery a consolidated perception at least one of the unseen horizons. one of unsung melodies and those who can see, must feel it and those who can feel, must bear the anguish of sense and those who can bear the pain of creations up on them must preserve this pain into existence of beauty. and these statues are the creations of this pain. that I am still passing through, I have often enter into the realms of unconsciousness, the real self, the true experience and thus I see the faces, montages, ideas, and colors in my mediums. Stone and rocks are wrapping the figure and forms. Which, I only unfold. Log and woods commonly steal the ideas and imagery, which I just enhance. When the colors are speaking to you. And words magnifying their presence in persona. When rocks liquefy to the cast able ideologies and woods carve them selves. In front of you. Then must you have entered the flowing world of liberated self "Surrealisms". ...

Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

Mariam Hakobyan - The talent to create is given to an artist from above, and the artworks she creates bear trace of her soul and nature. The horizons and layers from where she receives her inspiration determine the light or dark, divine or evil nuances in her art. Every artwork incorporates the artist's soul, her way of thinking and circumstances of her times. With my art I seek for and try to awaken the heavenly sparkle embodied in people from the very beginning. I try to introduce them to the sometimes harmonious, and at other times restless lines, forms and playful colors of the artwork, and to open up an opportunity to contemplate, analyze and finally admire the beauty. ...

Marques Vickers - PAINTING Painting is a personal battleground, a composition process of revealing the complexity of oneself. The artist cannot separate their passions from the canvas. It is the core of their inspiration-the surrogate therapist. Figurative abstract painting is a process of stripping away the veils of the external to expose the soul. This unveiling process is accomplished through stratum brushwork, the layering of color until a slow realization of the image emerges. The laboriously intense scraping and slashing of brushstrokes ultimately isolates the solitary figure in a transitional movement. With my dancer paintings, the movements of dance are successive brushstrokes from the color palette. The passion radiated to the audience is expressed by the depth and intensity of each stroke. The integrating of color represents each transitional passage formed by the motion of each successive step. My intent is to blur the sequence between positioning and transitioning the demands of a well executed dance sequence. NEO-FORMALISM SCULPTURE Neo-Formalism is a contemporary articulation of the human figure incorporating 20th century introduced design and form elements including abstract color fields, textile and fiber materials and industrial polyurethane resigns. The formative roots and influences originate from a synthesis of the San ...

Donna Bernstein - PLEASE VISIT MY WEBSITE AT: