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Sculpture For Sale - Price Range: $400 - $499 (325)

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Discover 325 original sculpture artworks for sale between $400 - $499. Contemporary emerging artists: Rheta-mari Kotze, Geert Vanderplancke, Djan Mulderij, Vladimiras Nikonovas, Dave Martsolf, Constantin Ciprian Irimia, Christos Alevras, Ali Gallo, Sal Villano, Phil Schubert, Johan Nieuwborg, Aaron Gullmes, Louise Parenteau, Berthold Neutze, L.f.w. Sterk, Massimo Duroni, Max Tolentino, Malke, Bob Hill are exhibiting their affordable original art. You can buy artwork online and browse 12 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Geert Vanderplancke: 'BIRD', 2012 Wood Sculpture, Abstract.
, 2012
Abstract - Sculpture
35 x 32 cm (13.8 x 12.6 inches)
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Djan Mulderij: 'Space', 2013 Ceramic Sculpture, undecided. Artist Description:  Also used ceramic wheel. ...
, 2013
undecided - Sculpture
20 x 17 cm (7.9 x 6.7 inches)
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Vladimiras Nikonovas: 'Chrom vanadium', 2013 Mixed Media Sculpture, Surrealism. Artist Description:  made from old metal parts on wood board ...
Surrealism - Sculpture
80 x 40 cm (31.5 x 15.7 inches)
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Dave Martsolf: 'Knossos', 2013 Wood Sculpture, Architecture. Artist Description: Wood sculpture' Knossos' uses small pieces of poplar stained in two shades, polished with Minwax and assembled with small interlayer pieces of black- stained square pine pieces glued to a stained pine base 16 x 17 x 5 high, suitable for table or wall- hanging display. ...
, 2013
Architecture - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Dave Martsolf: 'Woodhenge', 2013 Wood Sculpture, Architecture. Artist Description:   Wood sculptures - After many years of inventing illusionistic space using two- dimensional formats, I am now beginning to explore real space with sculptural materials and concepts.  This second wood construction reminds me of ancient post and lintel construction such as was used in very early religious architecture. ...
, 2013
Architecture - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Dave Martsolf: 'Wood Construction 1', 2013 Wood Sculpture, Architecture. Artist Description: Wood Sculpture - After many years of inventing illusionistic space using two- dimensional formats, I am now beginning to explore real space with sculptural materials and concepts.  This first wood construction is very architectural, bringing back fond memories of childhood, exploring, playing, and fantasizing in my father and grandfather& # ...
Architecture - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Constantin Ciprian Irimia: 'The virgin Mary and Jesus Christ', 1979 Other Sculpture, Religious. Artist Description:  A vintage artwork in copper sheet, christian icon, dated from 1979, Iasi, Romania.Technique: metalloplastic.Size: 28 / 32 centimeters.Frame: wood. ...
Religious - Sculpture
28 x 32 cm (11.0 x 12.6 inches)
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Christos Alevras: 'Y', 2009 Stone Sculpture, Minimalism.
, 2009
Minimalism - Sculpture
19 x 30 cm (7.5 x 11.8 inches)
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Ali Gallo: 'agave americana', 2010 Bronze Sculpture, Abstract.
Abstract - Sculpture
16 x 18 inches (40.6 x 45.7 cm)
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Sal Villano: 'Winter Bird Nest   wire tree sculpture', 2011 Steel Sculpture, Nature. Artist Description:  sculpture, art, wire, metal, nature, metalwork, steel, copper, beads, glass, jade, instruction books, bonsai, trees, art work, artists, mixed media, sal villano, create wire trees, twisted wire trees, how to create wire trees  ...
Nature - Sculpture
14 x 18 inches (35.6 x 45.7 cm)
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Phil Schubert: 'Mertle the Turtle', 2011 Steel Sculpture, Sea Life. Artist Description:  Mertle the Turtle     ...
Sea Life - Sculpture
35 x 12 cm (13.8 x 4.7 inches)
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Phil Schubert: 'Serving platter', 2011 Steel Sculpture, Interior. Artist Description:  Serving platter      ...
Interior - Sculpture
35 x 20 cm (13.8 x 7.9 inches)
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Johan Nieuwborg: 'Red Kiss', 2011 Mixed Media Sculpture, Animals.
, 2011
Animals - Sculpture
20 x 20 cm (7.9 x 7.9 inches)
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Aaron Gullmes: 'resonance', 2010 Wood Sculpture, Abstract. Artist Description:  solid maple and walnut combined to create a harmonious sculpture. can be hung vertical or horizontal   ...
, 2010
Abstract - Sculpture
28 x 6 inches (71.1 x 15.2 cm)
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Louise Parenteau: 'PABLO', 2007 Mixed Media Sculpture, Representational. Artist Description:      Scrap material: Wood, metal, cloth, found objects.    Scrap material:wood, metal, leather, found objects     ...
, 2007
Representational - Sculpture
0 x 63 cm (0.0 x 24.8 inches)
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Louise Parenteau: 'X', 2007 Mixed Media Sculpture, Representational. Artist Description:       Scrap material: Wood, metal, cloth, found objects.    Scrap material:wood, metal, leather, found objects      ...
, 2007
Representational - Sculpture
0 x 162 cm (0.0 x 63.8 inches)
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Louise Parenteau: 'THE LADY SINGS THE BLUES', 2008 Mixed Media Sculpture, Ethnic. Artist Description:   Scrap material: Wood, metal, leather, found objects.    Scrap material:wood, metal, leather, found objects  ...
Ethnic - Sculpture
0 x 55 cm (0.0 x 21.7 inches)
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Berthold Neutze: 'Why She Couldnt Stay', 2010 Wood Sculpture, Abstract. Artist Description:      beechwood, oiled, 2010    ...
Abstract - Sculpture
21 x 37 cm (8.3 x 14.6 inches)
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Berthold Neutze: 'Last Call For Umberto', 2010 Wood Sculpture, Abstract. Artist Description:       beechwood, oiled, 2010     ...
Abstract - Sculpture
22 x 30 cm (8.7 x 11.8 inches)
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L.f.w. Sterk: 'tekkel', 2008 Steel Sculpture, Animals. Artist Description:  a tekkel ...
, 2008
Animals - Sculpture
33 x 17 cm (13.0 x 6.7 inches)
Massimo Duroni: 'heartquake', 2009 Other Sculpture, undecided.
, 2009
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Massimo Duroni: 'heartquake', 2009 Other Sculpture, undecided.
, 2009
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Massimo Duroni: 'heartquake', 2009 Other Sculpture, undecided.
, 2009
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Max Tolentino: 'the Felix Cat ', 2008 Steel Sculpture, Abstract Landscape. Artist Description: steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. private collection , Mrs. Rosangela Almeida , top endocrinologist in Braziltechnique  cutting, bending and welding...
Abstract Landscape - Sculpture
16 x 28 cm (6.3 x 11.0 inches)
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Max Tolentino: 'the Picasso Cat ', 2008 Steel Sculpture, Abstract Figurative. Artist Description: steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and weldingprivate collection  Mrs. Carolina Occhi...
Abstract Figurative - Sculpture
43 x 53 cm (16.9 x 20.9 inches)
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 Malke: 'Femme Plante aux ailes naines  Dwar  winged Plant Woman', 2009 Other Sculpture, Representational. Artist Description:  Sculpture or 3D collage.  Mixed media: ceramic, feathers, metal, plastic, metal, beads  ...
Representational - Sculpture
7 x 19 inches (17.8 x 48.3 cm)
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Bob Hill: 'It is Spring', 2009 Steel Sculpture, Abstract Figurative. Artist Description:  A leaping, lyrical figure in celebration! ...
Abstract Figurative - Sculpture
36 x 50 inches (91.4 x 127.0 cm)
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Max Tolentino: 'BRIDGE TO THE INFINITE ', 2008 Steel Sculpture, Abstract. Artist Description:     abstract geometric steel sculpture focusing empty spaces.folding technique .private collection, Dr. Abrahao Salomao Filho, world known  Nephrologist    ...
Abstract - Sculpture
25 x 35 cm (9.8 x 13.8 inches)
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Max Tolentino: 'SONG BIRD ', 2008 Steel Sculpture, Abstract Figurative. Artist Description: steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. technique  cutting, bending and welding. To be ordered ...
, 2008
Abstract Figurative - Sculpture
22 x 33 cm (8.7 x 13.0 inches)
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Lolita Sadauskaite: 'bicycle', 2008 Glass Sculpture, Abstract.
, 2008
Abstract - Sculpture
18 x 20 cm (7.1 x 7.9 inches)
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Artists Describing Their Art:

Rheta-Mari Kotze - "My biggest challenge was leaving the corporate world and a good job to pursue an uncertain career in Fine Art. Following my passion for art and teaching myself to create the hand beaten sculptures I make now, has been an incredible journey of blood, sweat and tears but mostly greatly rewarding and most satisfying to see the technique evolving over the years". ...

Geert Vanderplancke - SCULPTING IS FOR ME THE CONQUERING OF SPACE WITHOUT LOSING THE SPIRITUAL CONTENTS OF EACH VOLUME OUT OF LIGHT.MY TOTEM-LIKE SCULPTURES RISE LIKE GHOSTS FROM THE INGNEOUS GROUND AND EVOKE, BY THE MATERIAL THAT IS USED,BY THE VERTICAL STRUCTURES AND THE EXOTIC MOTIVES,ASSOCIATIONS XITH THE "PRIMITIVE"ART OF BLACK AFRICA. I'M ALSO FASINATED BY THE NORTH SEA....

Dave Martsolf - Dave Martsolf I have a hand-drawing personal style that I love, but also use photorealistic collage style for some surreal work. In addition, I continue to enjoy explorations in every direction. My surreal visionary style is conceived in the bowels of endless empty space. Worlds come out of nowhere to define and fill empty space with form and reflected light. I use posed photographs with specific viewpoints that join seamlessly with other images to develop a hallucinogenic, some say gut-wrenching realistic space where mind-bending visions rule. My personal drawing style is in its simplest essence the line the drawn line and what it represented as the delineation of a form, a space, almost the way a topographical line feels out the form of a hill, or the way a blind man feels out the tender forms of his or her lover. That line is also the signature of the vibration of life and lifes emotions, twisted by the influence of others, fighting for a day in the sun, learning the way of calm, the mastery of the surf of life and the swell of love and anger. Brownian motion, cosmic ray decay, elemental particles, the paths of ...

Ali Gallo - Uncovering and bringing to the surface what boils beneath creates the tension necessary for a dialog to begin between the idea and the artist and/or the art and the viewer. Finding anyway to create this tension, gouging, scratching, laying, etc in a painting or sculpture allows for deeper inspection, providing the incredible power of metaphor for the human condition....

Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Max Tolentino - Max Tolentino -