Sculpture For Sale - Price Range: $4000 - $4999

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Discover 144 original sculpture artworks for sale between $4000 - $4999. Contemporary emerging artists: James Johnson, Depasquale Sculptures, Robin Antar, Bob Dornberg, Andrea Waxman Mulcahy, Sue Jacobsen, Ildiko Toth, Harry Weisburd, Mikael Hansen, Jane Jaskevich, Yves Goyatton, Zlatan Stoilov, Tzipi Biran, Pavel Sorokin, Jack Hill, Stan Harmon, Gabor Bertalan are exhibiting their affordable original art. You can buy artwork online and browse 5 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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James Johnson: 'MERMAID', 2019 Steel Sculpture, Figurative. A magical being caught between two worlds.  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear ...
, 2019
Figurative - Sculpture
9 x 13 inches (22.9 x 33.0 cm)
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James Johnson: ' REST', 2019 Steel Sculpture, Figurative.  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear slightly different with variations.  archetype, nude, female...
, 2019
Figurative - Sculpture
10 x 9 inches (25.4 x 22.9 cm)
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James Johnson: ' RAIN', 2019 Steel Sculpture, Figurative. Spring rain showers come and go.  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear slightly ...
, 2019
Figurative - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Depasquale Sculptures: 'genesis 1 21', 2018 Stone Sculpture, Marine. This piece entitled Genesis121Let the waters team with living creaturesis sculpted from California alabaster.  It has several marine life creatures, Killer Whale straight up, Shark regular side ways, Hammerhead Shark coming up , Dolphin right side , Dolphin tail, Shark tail left side and a Manta ray underside left fluke and head.  ...
Marine - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Robin Antar: 'decorative bowl fluorite', 2015 Stone Sculpture, Undecided. a decorative bowl...
Undecided - Sculpture
13 x 3 inches (33.0 x 7.6 cm)
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Robin Antar: 'flight', 2015 Stone Sculpture, Abstract. onyx, abstract, energy...
, 2015
Abstract - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Bob Dornberg: 'SPINNAKER  copyright', 2016 Steel Sculpture, Abstract. FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Bob Dornberg: 'SHOVEL  copyright', 2016 Steel Sculpture, Abstract. FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Bob Dornberg: 'THRUST  copyright', 2016 Steel Sculpture, Abstract. FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Bob Dornberg: 'FLIGHT  copyright', 2015 Steel Sculpture, Abstract.  FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Andrea Waxman Mulcahy: 'Occluded Front', 2011 Steel Sculpture, undecided.
undecided - Sculpture
36 x 43 inches (91.4 x 109.2 cm)
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Andrea Waxman Mulcahy: 'Converging Vortices', 2010 Steel Sculpture, undecided.
undecided - Sculpture
38 x 47 inches (96.5 x 119.4 cm)
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Sue Jacobsen: 'Set Point', 2004 Bronze Sculpture, Sports. Exhibited in
, 2004
Sports - Sculpture
9 x 28 inches (22.9 x 71.1 cm)
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Ildiko Toth: 'Malaga Installation3', 1994 Ceramic Sculpture, Architecture. Wet wall for Powder Room...
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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Harry Weisburd: 'Artist and 2 Models', 2001 Ceramic Sculpture, Erotic. Painted Ceramic  and Wood Sculpture  ...
Erotic - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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Mikael Hansen: 'model', 1995 Other Sculpture, Architecture. Model in cement and wood for public sculpture in large scale...
, 1995
Architecture - Sculpture
16 x 35 cm (6.3 x 13.8 inches)
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Mikael Hansen: 'model', 2005 Other Sculpture, Architecture. Model in cement, plaster and iron for public sculpture in large scale. ...
, 2005
Architecture - Sculpture
45 x 25 cm (17.7 x 9.8 inches)
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Jane Jaskevich: 'reverie', 2017 Mixed Media Sculpture, Figurative. Calcite Alabaster oak dreamlike figurative sculpture, stone, abstract...
, 2017
Figurative - Sculpture
11 x 35 inches (27.9 x 88.9 cm)
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Yves  Goyatton: 'Untitled III', 2008 Bronze Sculpture, Abstract Figurative. Untitled III is part of a series of architectural legs made around that era in 2008 ...
Abstract Figurative - Sculpture
8 x 23 inches (20.3 x 58.4 cm)
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Yves  Goyatton: 'Weighless', 2016 Bronze Sculpture, Figurative. Yves Goyatton bronze contemporary sculpture was created in 2016 Weightless is a tribute to life. This body is floating but remains strong defying gravitational pull. Like an imaginary line who can represent the good bad of human spirit. ...
, 2016
Figurative - Sculpture
7 x 14 inches (17.8 x 35.6 cm)
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Zlatan Stoilov: 'pegas2', 2017 Bronze Sculpture, Conceptual. horses animals fantasy figurative mythology...
, 2017
Conceptual - Sculpture
20 x 24 inches (50.8 x 61.0 cm)
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Zlatan Stoilov: 'pegas1', 2017 Bronze Sculpture, Animals. horses animals figurative mythology nature...
, 2017
Animals - Sculpture
20 x 24 inches (50.8 x 61.0 cm)
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Zlatan Stoilov: 'pegas', 2017 Bronze Sculpture, Figurative. horses animals cows fantasy figurajive history mythology...
, 2017
Figurative - Sculpture
20 x 24 inches (50.8 x 61.0 cm)
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Tzipi Biran: 'Curious woman', 2014 Glass Sculpture, Figurative.  A woman made of broken glass and resin.Differents transperity and colores, depend on the glass. ...
Figurative - Sculpture
40 x 70 inches (101.6 x 177.8 cm)
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Pavel Sorokin: 'Pair of decorative interior vases carved of wood', 2011 Wood Sculpture, Floral. This small decorative vase is from my WOODIUS collection called BirdsFlowers. The carving is extremely delicate, made by famous wood- carver of Vietnam from my sketches and models. The quality is unique and rarely exists in the World, as a rose- wood used for this lamp. There are two more ...
Floral - Sculpture
25 x 40 cm (9.8 x 15.7 inches)
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Jack Hill: 'Tuba Toothpaste', 2008 Bronze Sculpture, Fantasy.    two lovers sculpted as spoons in an amorus embrace    A tooth brush as teeth and toothpaste squeezed into a tuba shape  ...
Fantasy - Sculpture
10 x 11 inches (25.4 x 27.9 cm)
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Stan Harmon: 'Harmonic Symbiosis Vorticity Threshold ', 2014 Glass Sculpture, nature.       Kiln formed glass with copper, bronze, steel   Fused Glass, copper, bronze, steel  ...
nature - Sculpture
3 x 7 feet (0.91 x 2.13 m)
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Stan Harmon: 'Venus Pertinacious', 2013 Glass Sculpture, nature.     Kiln formed glass with copper, bronze, steel   ...
nature - Sculpture
4 x 4 feet (1.22 x 1.22 m)
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Gabor Bertalan: 'Little Prince', 2014 Bronze Sculpture, Figurative.  Little prince. sculpture. By the novel Antoine de Saint- Exupery. Bronze. ...
Figurative - Sculpture
44 x 148 cm (17.3 x 58.3 inches)
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John Searles: 'Mixed Metals Wall Sculpture', 2008 Other Sculpture, Abstract.  Sold - welcoming commissions in any size. Cut out shapes of stainless steel, bronze and copper were finished in interesting ways, then assembled in layers to create a wall sculpture. All pieces lacquered to preserve finish.  ...
Abstract - Sculpture
36 x 24 inches (91.4 x 61.0 cm)
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(Page 1 of 5) - MORE ARTWORKS

Artists Describing Their Art:

James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

James Johnson - Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. I'm intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpure and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....

Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...

Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...