Sculpture For Sale - Price Range: $4000 - $4999

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Discover 116 original sculpture artworks for sale between $4000 - $4999. Contemporary emerging artists: James Johnson, Bob Dornberg, Mac Worthington, Robin Antar, Ted Schaal, Plamen Yordanov, Andrea Waxman Mulcahy, Ildiko Toth, Harry Weisburd, Michael Kehrlein, Mikael Hansen, Depasquale Sculptures, Jane Jaskevich, Yves Goyatton, Tzipi Biran, Suzanne Benton, Pavel Sorokin, Jack Hill, Stan Harmon are exhibiting their affordable original art. You can buy artwork online and browse 4 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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James Johnson: 'midnight walk', 2021 Other Sculpture, Animals.  Free shipping within the continental USA.  In some ways, 2020 was a transition from one way of thinking to another.  Expressed well by William Blake as a crossing from innocence to experience.  Created using a cold cast coat method where bronze powder is incorporated into another media.  The patina is...
Animals - Sculpture
14 x 6 inches (35.6 x 15.2 cm)
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James Johnson: 'joseph and child', 2021 Other Sculpture, Figurative. Free shipping within the continental USA.  A nod to the other members of the Family.  Gold plated bronzesteel.  Available as a NFT at
Figurative - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
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James Johnson: 'Bear and Mothman Rest', 2021 Other Sculpture, Figurative. Free shipping within the continental USA.  Gold plated bronze.  An ancient and contemporary myth join forces to caution us, They have been working over- time and now they must rest.
Figurative - Sculpture
6 x 4 inches (15.2 x 10.2 cm)
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Bob Dornberg: 'blade', 2020 Steel Sculpture, Abstract. Abstract Steel Sculpture...
, 2020
Abstract - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Bob Dornberg: 'flag', 2020 Steel Sculpture, Abstract. welded steel sculpture...
, 2020
Abstract - Sculpture
12 x 10 inches (30.5 x 25.4 cm)
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Bob Dornberg: 'pipe', 2020 Steel Sculpture, Abstract. Abstract steel...
, 2020
Abstract - Sculpture
13 x 9 inches (33.0 x 22.9 cm)
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Mac Worthington: 'traveler', 2020 Aluminum Sculpture, Abstract. Welded aluminum. Abstract outdoor sculpture. Located now at the Mac Worthington Sculpture Park...
, 2020
Abstract - Sculpture
42 x 115 inches (106.7 x 292.1 cm)
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James Johnson: 'deject  Selected as Best in show', 2020 Bronze Sculpture, Figurative. Free shipping within the continental USA.  Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition Abandoned and alone on an emotion island, nothing above, nothing below.  Create in bronze and polished to a mirror finish. ...
Figurative - Sculpture
4 x 2 inches (10.2 x 5.1 cm)
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Robin Antar: 'decorative bowl fluorite', 2015 Stone Sculpture, Undecided. a decorative bowl...
Undecided - Sculpture
13 x 3 inches (33.0 x 7.6 cm)
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Ted Schaal: 'small dropsy', 2016 Mixed Media Sculpture, Abstract. Cast bronze and hand polished stainless steel contemporary abstract sculpture...
Abstract - Sculpture
13 x 21 inches (33.0 x 53.3 cm)
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Plamen Yordanov: 'Right Angle Mobius Strip', 2009 Steel Sculpture, Abstract.  Materials: soldered steel, patina, wax....
Abstract - Sculpture
18 x 11 inches (45.7 x 27.9 cm)
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Andrea Waxman Mulcahy: 'Source', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
47 x 37 inches (119.4 x 94.0 cm)
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Andrea Waxman Mulcahy: 'Occluded Front', 2011 Steel Sculpture, undecided.
undecided - Sculpture
36 x 43 inches (91.4 x 109.2 cm)
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Andrea Waxman Mulcahy: 'Color Void', 2010 Steel Sculpture, undecided.
, 2010
undecided - Sculpture
28 x 27 inches (71.1 x 68.6 cm)
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Andrea Waxman Mulcahy: 'Converging Vortices', 2010 Steel Sculpture, undecided.
undecided - Sculpture
38 x 47 inches (96.5 x 119.4 cm)
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Ildiko Toth: 'Malaga Installation3', 1994 Ceramic Sculpture, Architecture. Wet wall for Powder Room...
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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Harry Weisburd: 'Artist and 2 Models', 2001 Ceramic Sculpture, Erotic. Painted Ceramic  and Wood Sculpture  ...
Erotic - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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Michael Kehrlein: 'lingam shaft of light', 1984 Bronze Sculpture, Abstract. Selferotic shaft of light. 5kgs of homeoerotic pleasure...
Abstract - Sculpture
6 x 23 cm (2.4 x 9.1 inches)
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Mikael Hansen: 'model', 1995 Other Sculpture, Architecture. Model in cement and wood for public sculpture in large scale...
, 1995
Architecture - Sculpture
16 x 35 cm (6.3 x 13.8 inches)
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Mikael Hansen: 'model', 2005 Other Sculpture, Architecture. Model in cement, plaster and iron for public sculpture in large scale. ...
, 2005
Architecture - Sculpture
45 x 25 cm (17.7 x 9.8 inches)
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Depasquale Sculptures: 'genesis 1 21', 2018 Stone Sculpture, Marine. This piece entitled Genesis121Let the waters team with living creaturesis sculpted from California alabaster.  It has several marine life creatures, Killer Whale straight up, Shark regular side ways, Hammerhead Shark coming up , Dolphin right side , Dolphin tail, Shark tail left side and a Manta ray underside left fluke and head.  ...
Marine - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Jane Jaskevich: 'reverie', 2017 Mixed Media Sculpture, Figurative. Calcite Alabaster oak dreamlike figurative sculpture, stone, abstract...
, 2017
Figurative - Sculpture
11 x 35 inches (27.9 x 88.9 cm)
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Yves  Goyatton: 'Untitled III', 2008 Bronze Sculpture, Abstract Figurative. Untitled III is part of a series of architectural legs made around that era in 2008 ...
Abstract Figurative - Sculpture
8 x 23 inches (20.3 x 58.4 cm)
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Yves  Goyatton: 'Weighless', 2016 Bronze Sculpture, Figurative. Yves Goyatton bronze contemporary sculpture was created in 2016 Weightless is a tribute to life. This body is floating but remains strong defying gravitational pull. Like an imaginary line who can represent the good bad of human spirit. ...
, 2016
Figurative - Sculpture
7 x 14 inches (17.8 x 35.6 cm)
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Tzipi Biran: 'Curious woman', 2014 Glass Sculpture, Figurative.  A woman made of broken glass and resin.Differents transperity and colores, depend on the glass. ...
Figurative - Sculpture
40 x 70 inches (101.6 x 177.8 cm)
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Suzanne Benton: 'Secret Treasure Box', 1990 Mixed Media Sculpture, History.  copper, wood, multilayers, multicultural Locked until the year 2000, never opened, collage ...
History - Sculpture
10 x 18 inches (25.4 x 45.7 cm)
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Pavel Sorokin: 'Pair of decorative interior vases carved of wood', 2011 Wood Sculpture, Floral. This small decorative vase is from my WOODIUS collection called BirdsFlowers. The carving is extremely delicate, made by famous wood- carver of Vietnam from my sketches and models. The quality is unique and rarely exists in the World, as a rose- wood used for this lamp. There are two more ...
Floral - Sculpture
25 x 40 cm (9.8 x 15.7 inches)
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Jack Hill: 'Tuba Toothpaste', 2008 Bronze Sculpture, Fantasy.    two lovers sculpted as spoons in an amorus embrace    A tooth brush as teeth and toothpaste squeezed into a tuba shape  ...
Fantasy - Sculpture
10 x 11 inches (25.4 x 27.9 cm)
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Stan Harmon: 'Harmonic Symbiosis Vorticity Threshold ', 2014 Glass Sculpture, nature.       Kiln formed glass with copper, bronze, steel   Fused Glass, copper, bronze, steel  ...
nature - Sculpture
3 x 7 feet (0.91 x 2.13 m)
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Stan Harmon: 'Venus Pertinacious', 2013 Glass Sculpture, nature.     Kiln formed glass with copper, bronze, steel   ...
nature - Sculpture
4 x 4 feet (1.22 x 1.22 m)
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(Page 1 of 4) - MORE ARTWORKS

Artists Describing Their Art:

James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. Im intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpture and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...

Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

Tzipi Biran - Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...