Sculpture For Sale - Price Range: $500 - $1000

Page 1 of 16
Discover 445 original sculpture artworks for sale between $500 - $1000. Contemporary emerging artists: Andrea Mulcahy, Ted Schaal, Mac Worthington, James Johnson, Bob Hill, Austen Pinkerton, Diana Carey, Eric Jacobson, Martin Glick, Vincenzo Montella, Michael Pickett, Micha Nussinov, Andrew Wielawski are exhibiting their affordable original art. You can buy artwork online and browse 16 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Andrea Mulcahy: 'energy study 3', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
13 x 9 inches (33.0 x 22.9 cm)
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Andrea Mulcahy: 'energy study 2', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Andrea Mulcahy: 'energy study 1', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Ted Schaal: '12 inch compass rose', 2020 Bronze Sculpture, Travel. This bronze compass rose comes complete with hardware to be mounted on any flat surface. If desired it can come mounted on a square 18 inch red sandstone stepper. ...
Travel - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Mac Worthington: 'the chase', 2020 Aluminum Sculpture, Abstract. Acrylic on stretched canvas. Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
, 2020
Abstract - Sculpture
60 x 12 inches (152.4 x 30.5 cm)
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Mac Worthington: 'perfect couple', 2019 Aluminum Sculpture, Abstract Figurative. Perfect Couple hearts are aluminum painted automotive enamel.Signed   dated. Certificate of Authenticity. Ready to hang. ...
Abstract Figurative - Sculpture
40 x 30 inches (101.6 x 76.2 cm)
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James Johnson: 'why', 2019 Steel Sculpture, Figurative. Free will, choice, or predetermination  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch. These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number. Each piece may appear ...
, 2019
Figurative - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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James Johnson: 'MESSENGER', 2019 Steel Sculpture, Birds. Of the earth and sky, connecting what is unseen.  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  ...
, 2019
Birds - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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James Johnson: 'REPRISE', 2019 Steel Sculpture, Nudes. The quiet pulse of the Moon calls.  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece ...
, 2019
Nudes - Sculpture
5 x 6 inches (12.7 x 15.2 cm)
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Bob Hill: 'celestial flow', 2015 Steel Sculpture, Abstract.
Abstract - Sculpture
12 x 33 inches (30.5 x 83.8 cm)
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Austen Pinkerton: 'GRIFFIN', 2015 Ceramic Sculpture, Mythology.      animals greeks ancient history beasts   ...
, 2015
Mythology - Sculpture
46 x 28 cm (18.1 x 11.0 inches)
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Diana Carey: 'Infinitree', 2015 Steel Sculpture, Abstract. The vastness of infinity captured in this abstract tabletop steel sculpture. Each ring bringing infinity to your tabletop. ...
, 2015
Abstract - Sculpture
16 x 18 inches (40.6 x 45.7 cm)
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Eric Jacobson: 'Brass Mobile V', 2011 Other Sculpture, Abstract.      This organic sculpture is made of brass tubing, has a mobile, creates clanging sounds when the elements hit one another, and could be part of a small water feature.                 ...
Abstract - Sculpture
19 x 35 inches (48.3 x 88.9 cm)
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Eric Jacobson: 'BrassMobile III', 2011 Other Sculpture, Abstract.    This organic sculpture is made of brass tubing, has a mobile, creates sound when the elements hit one another, and could be part of a small water feature.               ...
Abstract - Sculpture
15 x 31 inches (38.1 x 78.7 cm)
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Eric Jacobson: 'BrassMobile II', 2010 Other Sculpture, Abstract.   This organic sculpture is made of brass tubing, has a mobile, creates sound when the elements hit one another, and could be part of a small water feature.              ...
Abstract - Sculpture
21 x 37 inches (53.3 x 94.0 cm)
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Eric Jacobson: 'BrassMobile I', 2010 Other Sculpture, Abstract.  This organic sculpture is made of brass tubing, has a mobile, and could be part of a small water feature.             ...
Abstract - Sculpture
12 x 14 inches (30.5 x 35.6 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Vincenzo Montella: 'Lady', 2009 Aluminum Sculpture, Abstract.
, 2009
Abstract - Sculpture
22 x 48 cm (8.7 x 18.9 inches)
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Vincenzo Montella: 'Alien zoology 3', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
25 x 20 cm (9.8 x 7.9 inches)
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Vincenzo Montella: 'Alien zoology 2', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
28 x 25 cm (11.0 x 9.8 inches)
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Vincenzo Montella: 'Alien zoology 1', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
26 x 28 cm (10.2 x 11.0 inches)
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Bob Hill: 'Natures Harmony', 2009 Steel Sculpture, Abstract.  These golden/ vertigris pods flow beautifully in a timeless rhythm in this harmonious wall sculpture ...
Abstract - Sculpture
38 x 38 inches (96.5 x 96.5 cm)
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Michael Pickett: 'Angel Corner Wall Hanging', 2006 Other Sculpture, Inspirational.  I have this statue on exhibit at the Applegate Arts Guild in Veneta, Oregon ( USA) .I don't remember the details of this work, like the size and height or price. if you give them a call they can give you that information. 1- ( 541) - 935- 4286 ...
Inspirational - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Bob Hill: 'Leaves Cycle  Proposal', 2008 Steel Sculpture, nature.  Here is a proposed piece, like others I have done. You can pick the overall size and the patina that you would like! Bronze, red, gold . . . . whatever looks good to you! ...
nature - Sculpture
38 x 24 inches (96.5 x 61.0 cm)
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Bob Hill: 'Golden Fall', 2008 Steel Sculpture, Representational.  Five huge Maple leaves are falling gracefully through the Fall breeze     in this stunning wall sculpture. ...
Representational - Sculpture
32 x 40 inches (81.3 x 101.6 cm)
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Micha Nussinov: 'Contraption', 2007 Mixed Media Sculpture, Conceptual.  The work expresses the flow of energy between outside and inside. Using recycled material of vacume cleaner and water container suggest suction of air and its storage.   ...
Conceptual - Sculpture
48 x 98 cm (18.9 x 38.6 inches)
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Andrew Wielawski: 'Satyr and Nymph', 2005 Stone Sculpture, Erotic.  A Satyr stares from just near the edge of the composition at a self composed Nymph, relaxing within the framework of two barely suggested columns. The whole is patinaed by being left outside to accumulate color, which adds to the sense of depth. A trace of previously painted background elements...
Erotic - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Ted Schaal: 'Forget me not', 1994 Steel Sculpture, Floral.  Stainless steel keepsake treasury. Blank area for engraving. Sacred space for a special gift. Please allow 3 months for production and delivery....
Floral - Sculpture
4 x 4 inches (10.2 x 10.2 cm)
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Tamara Sorkin: 'On relations between water and roots', 2003 Other Sculpture, nature. A symbolic description of the subject...
nature - Sculpture
35 x 20 cm (13.8 x 7.9 inches)
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(Page 1 of 16) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as "Little Chicago", Mac was privileged to be molded around a family of artists. His father John "Jack" Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60's era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    James Johnson - Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...