Sculpture For Sale - Price Range: $500 - $1000

Page 4 of 12
Discover 340 original sculpture artworks for sale between $500 - $1000. Contemporary emerging artists: Lou Lalli, Tosic Aleksandar, Marty Scheinberg, Suzanne Noll, Louise Parenteau, Pim Van Der Wel, Cris Orfescu, Stéphane Terrière, Paul Orzech, Berthold Neutze, Angela Treat Lyon, Dermot O'brien, Cecile Tissot are exhibiting their affordable original art. You can buy artwork online and browse 12 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Lou Lalli: 'Paleovenus I', 2007 Stone Sculpture, Figurative.     Persian travertine   ...
Figurative - Sculpture
5 x 15 inches (12.7 x 38.1 cm)
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Tosic Aleksandar: 'old man', 2011 Wood Sculpture, undecided.
, 2011
undecided - Sculpture
35 x 18 cm (13.8 x 7.1 inches)
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Marty Scheinberg: 'Horatio', 2010 Other Sculpture, Life.  Roman Style Bust ...
, 2010
Life - Sculpture
10 x 20 inches (25.4 x 50.8 cm)
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Marty Scheinberg: 'On all other nights', 2010 Stone Sculpture, Abstract Figurative.  Reclining thoughtful figure ...
Abstract Figurative - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Suzanne Noll: 'Chipper', 2007 Ceramic Sculpture, Dogs.    Chipper is a Boston Terrier Dog Sculpture made of high fired clay and glazes with mosaics of stained glass, broken mirror and beads. The whiskers are made of copper wire with polymer clay balls at the ends.As with all my creations, Chipper is a handmade, signed, one- of- a...
, 2007
Dogs - Sculpture
18 x 13 inches (45.7 x 33.0 cm)
Louise Parenteau: 'ALANIS', 2010 Mixed Media Sculpture, Ethnic.        Scrap material:wood, metal, found objects sculpture, art, ethnic, tribal, wood, metal, scrap, recycled, contemporary, actual, african                 ...
, 2010
Ethnic - Sculpture
48 x 87 cm (18.9 x 34.3 inches)
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Louise Parenteau: 'SITTING BULL', 2010 Mixed Media Sculpture, Ethnic.  Scrap material: Wood, metal, leather, found objects.     ...
Ethnic - Sculpture
0 x 158 cm (0.0 x 62.2 inches)
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Pim Van Der Wel: 'Fiesta', 2007 Stone Sculpture, Abstract.    A sculpture of Brazilian softstone ...
, 2007
Abstract - Sculpture
16 x 30 cm (6.3 x 11.8 inches)
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Pim Van Der Wel: 'Linea Ciocco', 2010 Stone Sculpture, Abstract.   A sculpture of Asian serpentine  ...
Abstract - Sculpture
19 x 23 cm (7.5 x 9.1 inches)
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Pim Van Der Wel: 'Maya', 2009 Stone Sculpture, Abstract.  A sculpture of KIISI- stone ...
, 2009
Abstract - Sculpture
15 x 21 cm (5.9 x 8.3 inches)
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Cris Orfescu: 'NanoGhost', 2010 Other Sculpture, Fantasy.  Nanosculpture: nanoporous polymer skin after one microparticle removal. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photographic paper with archival inks specially formulated to last for a long...
, 2010
Fantasy - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.   rateau, acier, glycero.   ...
, 2009
undecided - Sculpture
37 x 53 cm (14.6 x 20.9 inches)
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Paul Orzech: 'Triumph', 2010 Bronze Sculpture, Motivational.  Triumph - Heart TriumphantA testimony to the power of the human heartto overcome great obstacles....
, 2010
Motivational - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Paul Orzech: 'The Golden Gift', 2010 Bronze Sculpture, Love.  The Golden Gift -There is no gift more pure than that of the heart. ...
Love - Sculpture
4 x 9 inches (10.2 x 22.9 cm)
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Cris Orfescu: 'Molecular Tentacles', 2010 Other Sculpture, Science.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long...
Science - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'Quantum Tunneling', 2010 Other Sculpture, Science.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer, digital painted and manipulated, and printed on canvas with archival inks specially formulated to last for a long...
Science - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'NanoWaterfall', 2010 Other Sculpture, Technology.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long...
Technology - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Cris Orfescu: 'Nano Hammocks: Relaxation at Nano Level', 2010 Other Sculpture, Technology. Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer and printed on luster ultra premium photo paper with archival inks specially formulated to last for a long ...
Technology - Sculpture
48 x 33 cm (18.9 x 13.0 inches)
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Berthold Neutze: 'Dont argue with me', 2010 Wood Sculpture, Abstract.     beechwood, oiled, 2010   ...
Abstract - Sculpture
22 x 24 cm (8.7 x 9.4 inches)
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Angela Treat Lyon: 'Celebrate', 2010 Stone Sculpture, Equine.  Shape- Shifter celebrates the miracle of new life Within. . . . ...
, 2010
Equine - Sculpture
6 x 12 inches (15.2 x 30.5 cm)
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Angela Treat Lyon: 'Rock Slide', 2010 Stone Sculpture, Equine.  In ancient Hawaii, a popular past time was sliding down the lava ridges on slides made out of branches and woven grasses. . . . ...
, 2010
Equine - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Angela Treat Lyon: 'Body Surfing', 2010 Stone Sculpture, Equine.  Who said all body surfers had to be huuman? ...
Equine - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Dermot O'brien: 'Resonance1', 2009 Wood Sculpture, Abstract.   Light sculpture birch ...
, 2009
Abstract - Sculpture
20 x 52 cm (7.9 x 20.5 inches)
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Dermot O'brien: 'Flame5', 2009 Wood Sculpture, Abstract.  Light sculpture red alder ...
, 2009
Abstract - Sculpture
20 x 51 cm (7.9 x 20.1 inches)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.     balai a gazon, acier, glycero   ...
, 2009
undecided - Sculpture
70 x 74 cm (27.6 x 29.1 inches)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.    elements de balai a gazon, acier, glycero  ...
, 2009
undecided - Sculpture
42 x 52 cm (16.5 x 20.5 inches)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.  dents et virole de balai a gazon, glycero ...
, 2009
undecided - Sculpture
31 x 67 cm (12.2 x 26.4 inches)
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Cecile Tissot: 'Petit support ', 2009 Wood Sculpture, undecided.  Carved oak in small box ...
undecided - Sculpture
15 x 15 cm (5.9 x 5.9 inches)
Cecile Tissot: 'Petit support ', 2009 Wood Sculpture, undecided.  Carved oak in small box ...
undecided - Sculpture
15 x 15 cm (5.9 x 5.9 inches)
David Rocky Aguirre: ' Matador study ', 2009 Ceramic Sculpture, Figurative. Matador study- wire test.  This has wire inside, as the clay shrunk the head was partly detached and in the process giving it a more realistic tilt.  The left arm has been detached and reset, has wire frame inside, you can see the molten metal drips on the base.  Stoneware ...
Figurative - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
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(Page 4 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lou Lalli - The shaping and use of stone is a vital part of the human endeavor. The fashioning of tools and implements by stone age peoples, the votive Venus figures of the Neolithic period, cycladic sculpture of the eighth millennium BC, classical sculpture of Greece and Egypt and all the sculpture to the present indicates that stone sculpture is intrinsic to human expression. Sculpting in stone directly links me to the people of the past. The subject and ideas I choose are derived from the past thus strengthening that link. The resolutions of the technical problems are the same that sculptors in the past confronted and solved. Although modern tools and implements facilitate my work I am still doing what all sculptors and stone carvers have done in the past; chipping, abrading and polishing the stone to release the form contained therein. My ideas and subjects are borrowed from antiquity with each piece telling a story. Antiquity provides a wealth of resources for my work; warriors, the myths, Venus figures, beasts, demigods and shaman/priests are the subjects I appropriate. In executing an idea, the importance of light and shadow, through the use of negative space is a primary concern in the ...

    Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

    Pim Van Der Wel - Pim van der Wel (1950) combines the art of making watercolours with his work as a business economist. After lessons in all the basic drawing techniques by two Dutch painters in the periods 1980/1987 and 1994/1996 he specialised himself in watercolours. Watercolour offers hardly any limitations, so he can show what he likes and that is light and shadow in dents, creases and gloss etc. His objects are sports (mainly football), cans, torsos, animals (cows, sheep, dogs and chicken). In the last 10 years his work has been shown at (group-)exhibitions in the Netherlands. Some galleries have his works permanently in stock. ...

    Cris Orfescu - NANOART I create Art from Science using Technology. My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century raising the public awareness of Nanotechnology and its impact on our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. I bring the small world in front of my audience by visualizing with a scanning electron microscope the nanolandscapes and the nanosculptures I create by physical and chemical processes. I paint and manipulate digitally the monochromatic electron images and print them on canvas or fine art paper with archival inks specially formulated to last for a long time (giclee prints). This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable. ...

    Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

    Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

    Angela Treat Lyon - I make art because I must. It's a cellular need. It's a compulsion, an addiction, a Beingness I cannot deny. Simply put: Art is Spirit moving through any particular medium, whether it be stone, music, cooking, dance, speech, or whatever. Create an intention, take action, results follow, fine or not. Images dwell within me getting fat and juicy until they just simply will not allow me to sit on them one more minute. Many many nights I'll wake up with designs in my head, all clamoring to come out at once, and I'll have to get up and draw furiously till they're out and happy. When I was very young, I made a pact with myself not to do any artwork that depicts pain and suffering - why paint that when we see so much of it all around us, every day? What I wanted to see and surround myself with was expressions of the feeling I had in my heart about how I felt it could be, and really is, on levels we don't normally think about or have visual access to during the glaring light of day. I want my work to do ...

    Dermot O'Brien - Over the past fifteen years i have developed my own very unique art form working with wood and light. Using light as an added dimension to highlight the spaces between the wood a new sculpture is created. The sculptures always consist of several shapes the light exploring and defining the relationship between the bodies....

    Cecile Tissot - Statement in English and French/ Presentation en anglais et francais * * * * * * * * * * * * Born in 1970, currently lives and works in Paris and Boulogne-Billancourt. I have been sculpting for about 15 years, after I discovered carving in London in 1997. I have been since then following a personal way in sculpture, mostly in stone and wood carving. I also work directly in nature through landart projects. Most of my works deal with the sacred, emptiness, traces, and link presence and absence - I attempt to emphasise the shy, the almost-nothing, the sensitive. My latest works tend towards verticality and nomadism, in an attempt to create, through their installation, ephemerical holy places - small or big. * * * * * * * * * * * * Nee en 1970, vit et travaille a Paris et Boulogne-Billancourt. Artiste-sculpteur depuis une quinzaine d'annees, j'ai decouvert la taille directe a Londres en 1997 et suis depuis dans un chemin personnel de sculpture en taille directe - je travaille la pierre et le bois. J'interviens aussi directement dans la nature a travers des projets de landart. La plupart de mes travaux traitent du sacre, de l'absence-presence, du vide, des traces - je tente de mettre en valeur le tenu, ...