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Sculpture For Sale - Price Range: $500 - $599 (100)

Page 3 of 4
Discover 100 original sculpture artworks for sale between $500 - $599. Contemporary emerging artists: Phil Schubert, Kerry La Mountain, Christopher Crooks, Johan Nieuwborg, Marcin Biesek, Marty Scheinberg, Louise Parenteau, Pim Van Der Wel, Paul Orzech, Jen Pratt, Berthold Neutze, Dermot O'brien, Bart Soutendijk, Massimo Duroni, David Rocky Aguirre, Max Tolentino, Gadadhar Das, Augie Nkele, Tracy Buchanan, Frederique Azais, Cecilia Mariel Leiva, David Chang, Tamar Sorkin are exhibiting their affordable original art. You can buy artwork online and browse 4 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Phil Schubert: 'A bike with a difference', 2011 Steel Sculpture, Automotive. Artist Description:   This bike has been made from many different parts, see if you know what they are from. .  ...
Automotive - Sculpture
18 x 8 cm (7.1 x 3.1 inches)
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Kerry La Mountain: 'pastpresent', 2009 Bronze Sculpture, Figurative. Artist Description:  The passage of time and  life experiences change us. This is a bronze mask inspired by past and present images of my 79 yr old mother....
Figurative - Sculpture
5 x 10 inches (12.7 x 25.4 cm)
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Christopher Crooks: 'Aqua Sun 1 Steel Wall Sculpture with fish, water, kelp and sun', 2011 Steel Sculpture, Seascape. Artist Description:  The Piece:This one of a kind sculpture measures just over 62 inches wide and is about 18 inches tall from the tip of the sun to the base. It is constructed of 18 gauge mild steel and 1/ 2 inch steel flat bar. The entire piece is ...
Seascape - Sculpture
62 x 18 inches (157.5 x 45.7 cm)
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Johan Nieuwborg: 'The lonely Rabbit', 2011 Other Sculpture, Animals.
Animals - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Marcin Biesek: 'She and he', 2010 Wood Sculpture, Spiritual.
, 2010
Spiritual - Sculpture
25 x 50 cm (9.8 x 19.7 inches)
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Marty Scheinberg: 'Horatio', 2010 Other Sculpture, Life. Artist Description:  Roman Style Bust ...
, 2010
Life - Sculpture
10 x 20 inches (25.4 x 50.8 cm)
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Louise Parenteau: 'ALANIS', 2010 Mixed Media Sculpture, Ethnic. Artist Description:        Scrap material:wood, metal, found objects sculpture, art, ethnic, tribal, wood, metal, scrap, recycled, contemporary, actual, african                 ...
, 2010
Ethnic - Sculpture
48 x 87 cm (18.9 x 34.3 inches)
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Pim Van Der Wel: 'Maya', 2009 Stone Sculpture, Abstract. Artist Description:  A sculpture of KIISI- stone ...
, 2009
Abstract - Sculpture
15 x 21 cm (5.9 x 8.3 inches)
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Paul Orzech: 'The Golden Gift', 2010 Bronze Sculpture, Love. Artist Description:  The Golden Gift - There is no gift more pure than that of the heart.  ...
Love - Sculpture
4 x 9 inches (10.2 x 22.9 cm)
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Jen Pratt: 'Journey Original Clay Horse Sculpture', 2009 Ceramic Sculpture, Equine. Artist Description:  This sculpture is fired clay on a wooden base and measures 20
Equine - Sculpture
20 x 13 inches (50.8 x 33.0 cm)
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Berthold Neutze: 'Dont argue with me', 2010 Wood Sculpture, Abstract. Artist Description:     beechwood, oiled, 2010   ...
Abstract - Sculpture
22 x 24 cm (8.7 x 9.4 inches)
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Dermot O'brien: 'Flame5', 2009 Wood Sculpture, Abstract. Artist Description:  Light sculpture red alder ...
, 2009
Abstract - Sculpture
20 x 51 cm (7.9 x 20.1 inches)
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Bart Soutendijk: 'Kissing Cowboy', 2007 Steel Sculpture, Figurative. Artist Description:     Wire Wall Art made of 9 gauge steel wire.    ...
Figurative - Sculpture
19 x 33 inches (48.3 x 83.8 cm)
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Bart Soutendijk: 'Buddies', 2001 Steel Sculpture, Figurative. Artist Description:    Wire Wall Art made of 9 gauge steel wire.   ...
, 2001
Figurative - Sculpture
28 x 24 inches (71.1 x 61.0 cm)
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Massimo Duroni: 'allunaggio in cortile', 2009 Other Sculpture, undecided.
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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David Rocky Aguirre: ' Matador study ', 2009 Ceramic Sculpture, Figurative. Artist Description:   Matador study- wire test. This has wire inside, as the clay shrunk the head was partly detached and in the process giving it a more realistic tilt. The left arm has been detached and reset, has wire frame inside, you can see the molten metal drips on the ...
Figurative - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
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Jen Pratt: 'Wandering Soul', 2009 Ceramic Sculpture, Wildlife. Artist Description:  This panther sculpture is finished in dark spanish copper with silver highlights and ebony shadowing. High- polished finish. Fired clay sculpture with a black base.This is an original, one- of- a- kind wildlife sculpture. ...
Wildlife - Sculpture
14 x 16 inches (35.6 x 40.6 cm)
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Jen Pratt: 'Spirited', 2006 Ceramic Sculpture, Wildlife. Artist Description:
, 2006
Wildlife - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Max Tolentino: 'LINES AND SHADOWS ', 2008 Steel Sculpture, Abstract Figurative. Artist Description: steel sculpture in drawn wire.part of new series of abstract scultuptures with a focus on empty spaces. the sculptor aims at representing in abstract form a special couple of friends who are married for fifty years, Mr. Gumercindo Machado and Mrs. Berenice Machadotechniquectting, bending and welding . ...
Abstract Figurative - Sculpture
19 x 31 cm (7.5 x 12.2 inches)
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Max Tolentino: 'REAR  WINDOW', 2006 Steel Sculpture, Abstract. Artist Description: Steel sculpturetechnique  cutting, welding and grindingphoto by  www. studiofotografias. com . Not available ...
Abstract - Sculpture
38 x 19 cm (15.0 x 7.5 inches)
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Max Tolentino: 'the van Gogh Cat', 2008 Steel Sculpture, Abstract. Artist Description:   steel sculpture in wire rods.technique : bending , welding, painting.the original work was a linear drawing which derived to the idea of producing a steel sculpture made of three wire rod elements. the sculpture inspired a second piece which be exhibited in Swiss combined with a poem by ...
Abstract - Sculpture
31 x 31 cm (12.2 x 12.2 inches)
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Gadadhar Das: 'OPRESSED', 2005 Wood Sculpture, Abstract. Artist Description:  This Art work was made from a singal piece discarded tree root. This piece was collected from Forest at Banbirsingha, Bankura, West Bengal, India. I made it in 2005. This Sculpture completely covered by a special type of wood coating for protect from termite  & borar. Weight of this ...
, 2005
Abstract - Sculpture
19 x 15 cm (7.5 x 5.9 inches)
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Augie Nkele: 'Man With Talking Drum', 2007 Mixed Media Sculpture, World Culture. Artist Description:  Gutter Guard, Galvanized Wire, Window Screen, Aluminum ...
World Culture - Sculpture
11 x 13 inches (27.9 x 33.0 cm)
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Tracy Buchanan: 'figure 2', 2007 Ceramic Sculpture, Abstract Figurative. Artist Description:  Hand built ceramic sculpture.  Made with procelain, burnished at leather hard, fired twice and sealed ...
, 2007
Abstract Figurative - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Frederique Azais: 'KIOU SIOU', 2006 Mixed Media Sculpture, Abstract. Artist Description:  sculpture en materiaux de recuperation ...
, 2006
Abstract - Sculpture
10 x 40 cm (3.9 x 15.7 inches)
Paul Orzech: 'Maryland Thinker', 2003 Bronze Sculpture, Figurative. Artist Description:  Please visit my web site WWW. PAULORZECH. COM to see all the views of this work. Maryland Thinker ( Uncle Dave) was commissioned as a humorous portrait of a jolly man who lives in Maryland. The pose of the sculpture gained its inspiration from famous French sculptor Rodin' s ...
Figurative - Sculpture
9 x 8 inches (22.9 x 20.3 cm)
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Cecilia Mariel Leiva: 'bailarina', 2005 Other Sculpture, Dance.
, 2005
Dance - Sculpture
40 x 74 cm (15.7 x 29.1 inches)
David Chang: 'Eye of the Wind', 2004 Wood Sculpture, Abstract.
Abstract - Sculpture
18 x 26 inches (45.7 x 66.0 cm)
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Tamar Sorkin: 'On relations between water and roots', 2003 Other Sculpture, Nature. Artist Description: A symbolic description of the subject...
Nature - Sculpture
35 x 20 cm (13.8 x 7.9 inches)
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Michal Staszczak: 'iron tree', 2005 Mixed Media Sculpture, Nature. Artist Description: Trees have always inspired me...
, 2005
Nature - Sculpture
25 x 20 cm (9.8 x 7.9 inches)
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Artists Describing Their Art:

Kerry La Mountain - I am drawn to events and images that are powerful. The human spirit that is challenged oftentimes becomes fragile and small. I want to convey the emotion of the situation through the figures in relation to their surroundings. Cosmos Series My work explores my love of abstraction, and finds inspiration in the incredible power and beauty of the universe, its colors, light, and mystery. My inspiration came from brightly colored photographs of galaxies, star nebula, and comets, as well as the theoretical shape of the universe and time. This series, entitled, Cosmos, explores translucent painting surfaces, such as glassine paper, acetate paper and plexiglass, as well as various methods of paint application in order to achieve various effects. The transparency is important in that the viewer can look deeper into the work, the light can shine through it and allow for viewing from both sides. I am working with formal concerns, such as composition and figure/ground relationships. I want the composition to bring about the feeling of chaos within a mysterious order. Darfur, Sudan Series The conflict in the Darfur region of Sudan in 2004 was a horror. Many people had to flee from certain death from militia groups. ...

Marcin Biesek - I present in this place some part of my art. Especially wood&plaster sculpture,ceramics and mixed media paintings. I live in Kingston upon Hull ( East Riding of Yorkshire- UK) .I am a memeber of Kingston Art Group.(kingstonartgroup.co.uk) I have started ceramics course in Hull College and I really enjoyed.I try keep my arts and it give me a lot's of satisfy. I found some new ways to develop my ideas and project's. I had some exhibitions-personal also group exhibitions(Reveal Open Studios ,Hull College, Middleton Hall Gallery(Hull University) and Ferens Art Gallery in Hull. And still I try to find new ways to show what I do. Subject's of my art is usually human. I try observe a people in move also relation's between. I try develop ideas of Giacometti ,Manuel Neri and school of Contemporary art. But I still learn all masters(like Rodin) work's. ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Pim Van Der Wel - Pim van der Wel (1950) combines the art of making watercolours with his work as a business economist. After lessons in all the basic drawing techniques by two Dutch painters in the periods 1980/1987 and 1994/1996 he specialised himself in watercolours. Watercolour offers hardly any limitations, so he can show what he likes and that is light and shadow in dents, creases and gloss etc. His objects are sports (mainly football), cans, torsos, animals (cows, sheep, dogs and chicken). In the last 10 years his work has been shown at (group-)exhibitions in the Netherlands. Some galleries have his works permanently in stock. ...

Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

Jen Pratt - There is a certain type of elegance to nature, and to all living things. It's almost possible to find a meaning to existence, to find God himself, through the things that He has created. Thus my work could be considered an homage, a tribute to the things that I find to be beautiful in this world. I create my sculptures from clay because of the exceptional attributes of this medium. Clay is an inviting, earthy material; it's also quite durable. It's perfectly suited to figurative sculptures because of the wide range of emotion and movement that can be captured. A finished clay sculpture is unique from other sculptures - when you touch the surface, your hand follows a path that was not created by a tool, or by machine, or transferred from another medium; it's the exact paths and grooves that the artist's hands created....

Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

Dermot O'Brien - Over the past fifteen years i have developed my own very unique art form working with wood and light. Using light as an added dimension to highlight the spaces between the wood a new sculpture is created. The sculptures always consist of several shapes the light exploring and defining the relationship between the bodies....

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

David Rocky Aguirre - ************** To me, Art seems to be a universal language. It can be used to portray something beautiful and uplifting, or to portray a tragedy to motivate and move people to act. To motivate them to help in some way as in Picasso's "Guernica 1937". I have a wide range in creative interests, from most forms of painting- oil to watercolor and on to print forms, sculpture, photography, film and computer animation. Contact me for any creative projects you may have....

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Gadadhar Das - Artist Statement: The Proper Counseling & Guidance can change the neglected & destitute street Children as a perfect human being. I think, the discarded Tree Roots & Branches would be an attractive Art object in the same way. I collect the discarded tree roots from Forest & roadside those are lying for destroy by fire or any other way. I try to identify the basic structural pieces of the roots and branches of various trees, driven by naturally possessed artistic vision and then shaping them to various final forms like Hindu Deities, Animals and various others objects etc., which are entirely hand made sculptors out of specially selected single pieces of roots and branches of trees of various shapes and sizes. I look forward sincerely for my work to earn its due appreciation among the art lovers. ...

Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...

Tracy Buchanan - By using the human figure as a point of departure for sculpture I am trying to communicate an earthly, and emotional experience, an experience that could perhaps recall for someone an emotion or memory, or possibly generate a new sensation. We can all relate to the human figure, because we all inhabit one. The body acts as its own language, one of which is universal. We all occupy our own unique form, yet physically we share our makeup with all humankind. The work that I am producing is figurative in form and emotional in content. ...

Frederique Azais - D'abord toucher la toile, la caresser, vierge, blanche, et s'en impregner L'apprivoiser pour la mieux dominer. Ensuite choisir les couleurs, les pigments, les sentir, les regarder, les mixer dans sa tete. Le tableau existe deja, les formes sont palpables, la lumiere irradie. Souvent un roman, une rencontre, un moment magique, hors du temps, donnent vie a une creation. Des mots, oui, des mots, lisibles, illisibles, rayes, voles, ratures, enfouis, reecris, et des papiers aussi : quelques pages arrachees, des journaux oublies, des papiers de soie recuperes, un premier cadeau Le tableau s'est forme il ne reste qu'a le transcrire, la nuit, quand tout dort autour de soi mais que l'ecran tout proche continue de debiter images et sons, coups de feu et mots d'amour. Magie, violence, tendresse le geste au couteau absorbe tout et l'histoire que je raconte deviendra votre .. ...

David Chang - Sharing My Artistic View By David K. Chang Art is an expression of the spirit that is not limited by time or space. Although artistic styles differ depending on the artist's background, rationales, interests, and feelings, the intent of all artwork is to guide audiences into a specific mood. Therefore, art arouses an echo between the audience and the artist. This echo can be one of excitement or agony, of humor or anger, of comfort or sadness, of oppression or complete release, or one of inexpressible description. Artists continue to explore their own finished work as well as to encourage audiences to gain a deeper understanding of that work. Excellent artwork often comes from self-examination. Even though an artist may believe he is developing and refining his style by intuition, this intuition is usually the artist's unrecognized expression of his reflection, which has embedded itself into his subconscious. My inspiration frequently comes from my reflection on and enjoyment of nature, from my loving it and studying it. The artwork that comes from this reflection can express the resolution of conflict between man and nature, or the connection between them. These ideas can be articulated in the freedom ...

Tamar Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...