Sculpture For Sale - Price Range: $5000 - $10000

Page 7 of 14
Discover 384 original sculpture artworks for sale between $5000 - $10000. Contemporary emerging artists: Jack Hill, Kum-thong Ngim, Cheryl Ehmann, Catherine Auvil, Sue Jacobsen, Luc Bihan, Alvin Sparks, Michael Leyton, Stephanie Grimes, Alexander Efimov, Zoja Trofimiuk, Valentina Savic, Jim Calder, Maris Grosbahs, Stefan Van Der Ende, John Searles, Bryan Patterson, Richard Becker, Don Dougan, Zahava Sherez are exhibiting their affordable original art. You can buy artwork online and browse 14 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jack Hill: 'Peppers', 2003 Bronze Sculpture, Fantasy.  The full title of this piece is Red Hot Sex Appeel.  Chili peppers are transforming into human torsos. ...
, 2003
Fantasy - Sculpture
10 x 18 inches (25.4 x 45.7 cm)
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Kum-thong Ngim: 'To feel to touch to experience the divine', 2006 Mixed Media Sculpture, undecided.
undecided - Sculpture
12 x 30 inches (30.5 x 76.2 cm)
Kum-thong Ngim: 'Change', 2006 Steel Sculpture, undecided.
, 2006
undecided - Sculpture
3 x 3 inches (7.6 x 7.6 cm)
Cheryl Ehmann: 'The Hostile', 2004 Bronze Sculpture, Abstract Figurative. Indian abstract atop horse with spear. Large wall high relief mount. ...
Abstract Figurative - Sculpture
3 x 5 feet (0.91 x 1.52 m)
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Catherine Auvil: 'Dress Form', 2006 Mixed Media Sculpture, Figurative. A dress form sculpture. ...
, 2006
Figurative - Sculpture
1 x 5 feet (0.30 x 1.52 m)
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Sue Jacobsen: 'Rodent Free Garden', 2000 Bronze Sculpture, Representational. This life- sized Red Fox is pouncing on prey she hears below. So life- like sheis occasionally visited by a live neighborhood fox, seemingly to see if she has come to earth as yet! ...
Representational - Sculpture
27 x 33 inches (68.6 x 83.8 cm)
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Sue Jacobsen: 'Cassidy', 1996 Bronze Sculpture, Dogs. A commissioned portrait originally, she now is a memorial to an old friend, watching the birds in her garden. A second edition accepts pats on the head on a downtown Corvallis Oregonsidewalk, part of the city' s public art program. ...
, 1996
Dogs - Sculpture
18 x 30 inches (45.7 x 76.2 cm)
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Luc Bihan: 'Serenity', 2002 Bronze Sculpture, Portrait. I'm a figment of Luc's imaginationA patina of spiritual radiationInspired by the impression of his second wife who stood by his side for 8 years in life. I was the second sculpture made by him in TorontoI represent a light life, floating, and coping canto....
, 2002
Portrait - Sculpture
8 x 25 inches (20.3 x 63.5 cm)
Luc Bihan: 'Breast Tree', 2003 Bronze Sculpture, Erotic. We've buried a lot of breasts on our climb to success. Let more than just our hands explore.  Build up from our centre core. It was our mothers, sisters, aunts, and daughters who ushered it away. No man can forget the day. That it took their women awayReach ...
Erotic - Sculpture
11 x 29 inches (27.9 x 73.7 cm)
Alvin Sparks: 'Killer whale', 1980 Wood Sculpture, Mythology. Killer whale was a feared creature long ago until raven the mythical frend of native tribes picked up killer whale from the fishing grounds and carried him out to sea. ...
Mythology - Sculpture
4 x 4 feet (1.22 x 1.22 m)
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Michael Leyton: 'Plant Life', 1999 Other Sculpture, Architecture.
, 1999
Architecture - Sculpture
100 x 50 inches (254.0 x 127.0 cm)
Michael Leyton: 'Night Monument', 1999 Aluminum Sculpture, Architecture.
Architecture - Sculpture
100 x 75 inches (254.0 x 190.5 cm)
Stephanie Grimes: 'Addiction', 2005 Bronze Sculpture, Portrait. Any way you look at it, addiction is an ugly thing.  Have you ever had a friend or a relative who became dependent on drugs or alcohol?  If so, you know what I am talking about. You watched as this person whom you loved and respected turned into someone you ...
, 2005
Portrait - Sculpture
13 x 23 inches (33.0 x 58.4 cm)
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Alexander Efimov: 'Not Complete', 2000 Bronze Sculpture, Portrait.
Portrait - Sculpture
22 x 39 cm (8.7 x 15.4 inches)
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Zoja Trofimiuk: 'Mr and Mrs Trofimiuk', 2005 Bronze Sculpture, Abstract. By juxtaposing human forms over coffins sculptor tries to postpone death. The piece is inspired by Rene Magritte coffins.Sculpture is part of upcoming Zoja Trofimiuk solo exhibition in November at Adam Galleries in Melbourne....
Abstract - Sculpture
50 x 25 cm (19.7 x 9.8 inches)
Valentina Savic: 'mamma', 2002 Ceramic Sculpture, undecided. The bricks are in position of Pithagorean mathematical order named Tetraktis Glazed and paint with gold....
, 2002
undecided - Sculpture
84 x 24 cm (33.1 x 9.4 inches)
Jim Calder: 'koi feeding', 2005 Wood Sculpture, Fish. 9 koi feeding carved from one piece of teak...
Fish - Sculpture
18 x 6 inches (45.7 x 15.2 cm)
Maris Grosbahs: 'Made in Latvia Nr7', 2003 Mixed Media Sculpture, undecided.  Polyurethane relieve  shows accurate copie of significantly enlarged detail, small point and area of the artist' s face, creating an intimate self- portrait with peculiar fragments of facial topography....
undecided - Sculpture
90 x 120 cm (35.4 x 47.2 inches)
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Stefan Van Der Ende: 'Only you', 1999 Bronze Sculpture, Inspirational.
, 1999
Inspirational - Sculpture
35 x 28 cm (13.8 x 11.0 inches)
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Stefan Van Der Ende: 'whithout title', 2001 Bronze Sculpture, Abstract. There is and will be only one copy of this sculpture made .Bronze whith two lightbulbs...
Abstract - Sculpture
44 x 88 cm (17.3 x 34.6 inches)
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Stefan Van Der Ende: 'only you', 1999 Aluminum Sculpture, Abstract. casted aluminium...
, 1999
Abstract - Sculpture
35 x 28 cm (13.8 x 11.0 inches)
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John Searles: 'Aluminum Reverse S', 2003 Aluminum Sculpture, Geometric. Sold - Welcoming Commissions in any color.Two sheets of brushed aluminum are laminated to 1/ 4
Geometric - Sculpture
50 x 97 inches (127.0 x 246.4 cm)
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Bryan Patterson: 'Evolution Too', 2003 Mixed Media Sculpture, Abstract. Sculpture of wood and stone portrays the evolution of thought from here to the vast spiritual energies of beyond....
Abstract - Sculpture
14 x 52 inches (35.6 x 132.1 cm)
Bryan Patterson: 'Evolution Too', 2003 Mixed Media Sculpture, Abstract. Detail of the sculpture of wood and stone portrays the evolution of thought from here to the vast spiritual energies of beyond....
Abstract - Sculpture
14 x 52 inches (35.6 x 132.1 cm)
Richard Becker: 'Serenity ', 2002 Bronze Sculpture, Figurative.
, 2002
Figurative - Sculpture
16 x 36 inches (40.6 x 91.4 cm)
Don Dougan: 'GODSPEED BARSOOM DEJAH', 2000 Stone Sculpture, Representational. Italian Arabescato Orobico Rosso, Spanish Negro Marquina, Alabama White Cloud, and Belgian Black marbles GODSPEED BARSOOM: DEJAH is one of the newest series I am working on - the Stone Boat series.  The series of ship hulls that contain objects are metaphors for memory and my voyage through life.  This particular ...
Representational - Sculpture
29 x 12 inches (73.7 x 30.5 cm)
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Zahava Sherez: 'Flower Arrangement', 1993 Bronze Sculpture, Figurative.
Figurative - Sculpture
22 x 17 inches (55.9 x 43.2 cm)
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Bryan Patterson: 'To The Core', 2002 Mixed Media Sculpture, Abstract. This one tells varied stories.  See what it does for you.  Touching really helps....
Abstract - Sculpture
12 x 48 inches (30.5 x 121.9 cm)
Richard Becker: 'Serenity', 2002 Bronze Sculpture, Figurative.
, 2002
Figurative - Sculpture
16 x 36 inches (40.6 x 91.4 cm)
Vadim Kirillov: 'A Boat', 2002 Bronze Sculpture, Sports. mainstrim. ...
, 2002
Sports - Sculpture
30 x 170 cm (11.8 x 66.9 inches)
(Page 7 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

    Cheryl Ehmann - Originally from Michigan, I now live in Montana where I studied under master woodcarver, Dan Schnetter. I have always been interested in modeling a shape from either wood or clay. I worked in commercial art in Denver in 1978-1979 and began sculpting seriously in clay for the past 12 years. I have always had an intererst in the "Old West" and the diversified cultures that inhabited the plains. I study my subjects well and try to depict eye pleasing results and spirtual awareness in the sculptures I create. I sculpt with a realistic perspective. I hope to visually stimulate you to identify with each piece. To sense the pain, the joy and many journeys traveled. Look beyond lifes "template" - look into the soul! Feel the pride, the passion, the will to live! All of my sculptures are finely detailed so that you may feel the message of each piece. I shape, smooth and etch each line & contour to depict the proud, the fight, the playful. Each piece is then taken to the foundry, and under my supervision, cast in bronze with various tones of Patina to clarify and bring out the effect I am looking for. Each piece has ...

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

    Luc Bihan - Luc is an internationally known French sculptor, trained in San Francisco Art Institute. He has directed animation in both France and Canada and has supervised animation in China, North Korea, Poland, and Romania. As an artist, Luc feels art creation is a therapeutic meditative process, reflecting the subconscious and releasing inner thoughts and feelings. 30 years of clay sculpture Luc Bihan's interest is the relationship between the human and the organic world which makes clay his favorite medium for any sculpting project. The natural earthy essence of clay makes it the most ecological medium available and he believes "the language of time talks to me through my fingers tips." While self-expressive, his art is also a form of communication with his audience: the symbolic images he develops are frequently ambiguous and encourage the viewer to consider different layers of meaning. Whether it is his organic figurative sculpture or his whimsical drawings, the work of Luc Bihan is a statement of texture and sensuality. ...

    Alvin Sparks - Hello my name is Alvin sparks and I have been carving the northwest coast totem plaque style carvings for some 30 years now,native american culture has always fasinated me and when an old indian named red cloud showed me how to carve i just fell in love. I hope that you will also fall in love with this artwork as it is rare and it takes a lot of patience and detail to create one of these carvings. All my artwork is carfully shipped with there own special hand made cases,stories and care instructions. All of my artwork is (original) no two will ever be exactly alike and when you place an order for a carving I will sit down to carve you a master peice that only you will own. Please viset my website and browse all of our artwork.

    Michael Leyton - In his MIT Press book, Symmetry, Causality, Mind (630pages) and his book in Springer-Verlag, A Generative Theory of Shape (550pages), Michael Leyton has elaborated an extensive theory of why art has such a powerful impact on the human mind. This results in an ability to intensify the content of artworks through an increased understanding of compositional organization, that Leyton has provided in his scientific work, which includes his mathematical foundations for geometry. For example, theorems of his, such as the Symmetry-Curvature Duality Theorem, which are now used in over 40 disciplines including many branches of medicine and engineering, also explain the human perceptual response to art-works. Not only has he demonstrated this in his lengthy published analyses of classical and modern artists, but he has also demonstrated that it is possible to surpass the intensity of these artists. This he has done by using the theory developed in his books in the creation of his own artworks - his paintings, his published architectural designs, and the published scores of his musical compositions. The portfolio at the present site is currently under construction. While this is in progress, the reader can gain an extensive introduction to Leyton's artistic ...

    Stephanie Grimes - Education 2003- University of North Carolina at Pembroke (UNCP)- B.A. in Studio Art 2003- Fayetteville Technical Community College- Welding 1997-2000 Fayetteville Technical Community College- Various art classes 1983- North Carolina State University- B.S. in Zoology Exhibitions 2007- Gala Corina "Iluminacion", Tampa, Florida 2007- Platforum Floida "Fusion" Art Party ...

    Alexander Efimov - Alexander Efimov was born on Sakhalin Island in a small town. All his childhood he drew and made sculptures. After school and the army he decided to study art seriously and went to Leningrad City (now St. Petersburg) and became a student of the Art Institute. It was not easy, because after the bester applicants ware selected there were examinations only one out of five of the best applicants became a student of the Art Institute. Alexander Efimov showed capability as a portrait sculptor while he was still a student at the Art Institute. His teacher of sculpture said to students about Alexander's degree portrait (portrait of the girl "Marina") <
    Zoja Trofimiuk - Artisti?1/2s Statement My Art is my Statement. Volume and Space are concepts that have influenced my art. I am particularly fascinated by their appearance in the human body. I am interested in exploring dialogue both internal dialogue, which exists within oneself, and external connection that moves between two people or objects. My art explores i?1/2contradictionsi?1/2 which are attracted to each other and create a new whole. The human figure appeals to me as an adequate form for expressing these ideas. Working with glass has given me the opportunity to stretch the boundaries of these concepts to new limits, as well as offering me the joyful experience of playing with colour. I would like to concentrate my attention on capturing absence, an impression, commemorate memory, fleeing presence, give physical form to a spiritual value. The absence transferred into visual terms, long after it ceased to exist. In both instances, when working with bronze or glass, I apply a casting technique called i?1/2Lost Waxi?1/2. ...

    Valentina Savic - VALENTINA SAVIC was born in Prizren, Serbia 1970. 2007 Completed Master of Arts at the Ceramic Sculpture Department from the Faculty of Applied Arts (FAA) at the Ceramic Department 1998- 2000 received scholarship from the Greek Government for School of Fine Arts in Athens, sculpture department 2000 Graduated from the Faculty of Applied Arts (FAA) at the Ceramic Department ...

    Maris Grosbahs - By creating my work, I tray to understand, and educate myself and the viewer through my findings, even though I do not really believe in seeking and I do not believe in finding. ...

    Stefan Van Der Ende - My sculptures are Solutions for Non/existing Problems . Now is the time to collect them. They are rare and unique ,and there are not many of them , also due to the big amount of time it takes to make the biggerones in wood and stone . They are made dreaming/thinking and working intensively , whith the intention to be able communicate emotion through their abstract/associative visual appearence which relate to subconcious processes in the human mind .(specialy mine ofcourse ) There are often more pictures of one sculpture , because ,as you know you have to see sculptures from more sides , to get a good impression . Mijn sculpturen zijn oplossingen voor niet /bestaande problemen . het is nu de tijde om ze te gaan verzamelen Ze zijn zeldzaam en speciaal , en er zijn er niet zoveel te koop , ook als gevolg van het feit dat het een grote hoeveelheid tijd kost om ze te maken ( speciaal die in hout en steen ) Ze worden gemaakt in een intensief proces van denken dromen en werken . Met het doel uiteindelijk via hun abstract/associatieve visuele aanwezigheid emoties via abstracte vorm te communiceren via de interpreatie van de beschouwer .door het raken van onderbewuste oude lagen in ...

    John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

    Bryan Patterson - Bryan Patterson is a Vermont artist and designer. Bryan is directly descended from Johannes Lapp, a founder of the Amish community in America. Among his relatives is Henry Lapp of the late 1800's. Henry was an amazing deaf mute carpenter/craftsman and has his work displayed in The Philadelphia Museum of Art. Bryan says, i?1/2I've always had a love of wood and began creating with it before learning of my Lapp ancestors.i?1/2 Bryan started woodworking professionally in 1977 and has had his work featured in several publications over the years. Concretions have added the newest development to Bryani?1/2s work. He and his family harvest these treasures while swimming in the gorgeous rivers of Vermont. The real enjoyment comes from their display of as many wonderful pictures they make in the mind's eye like those you see in the clouds. Mythology of the Abenaki Indian says that "Wana-games-ak, reckless creatures or those who have lost their minds, are little people of another genus, who inhabit rivers. They have narrow faces'like the blade of a hatchet', so only the profile has an outline. Their noses are high and aquiline,'so large as to be all ...

    Richard Becker - I believe in the positive potential of humankind and art's role in making the world a better place. And I am committed to do important things with this gift -- to make significant contributions where I can. I also enjoy creating works that just flow from my head. I believe that my progressing deafness plays a profound role; in what I see and how I communicate ideas thru this art. Right now my time is split between these head-works and the exhilarating world of commissions. Perhaps this is all in preparation for my "Hanging Heart," a modern day Trevi Fountain -- and a medal that inspires a great deed. -- rb 2008...

    Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

    Zahava Sherez - Perfect Moment December 2009 My definition of a Perfect Moment: when two entities, be they human, object, animal, or nature, are able to hold on to their inner core, to the integrity of their identity, yet find a place of connection where they mold to each other creating mutual support. Why vessels? I have been attracted to vessels since an early age. I grew up in a country where archeology is everywhere, where holding a piece of clay from a broken vessel awakens the imagination. Who was that person that created that container hundreds or thousands of years ago? What was stored in this vessel? Food, coins, stories? What secrets? To me vessels are a metaphor for anything that contains a treasure, be it tangible or emotional, spiritual. Here are two entities captured in a perfect moment of connection sharing, if only for that brief moment, their inner treasures. Technique I work with clay as a carver. I mix various clays, of different textures and colors, to achieve the look of an archeological vessel that has been reassembled. I begin with a solid mound of clay and use my body, a mallet and knives to rough the form. When I'...