Sculptures For Sale

Page 6 of 114
David Vanorbeek, Tanya Preminger, Morris Docktor, Elizabeth Frank, Michael Kehrlein, Robert Pulley, Kelly Courtney, Mark Dedrie, Zamin Sangtarash, Joe Xuereb, Djan Mulderij, Lawrence Tuber offering original Sculptures artworks.


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David Vanorbeek: 'tarentule', 2016 Steel Sculpture, Figurative. Spider- art...
, 2016
Figurative - Sculpture
25 x 25 cm (9.8 x 9.8 inches)
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David Vanorbeek: 'grey metal wallhanging', 2018 Steel Sculpture, Abstract. This wallhanging will look nice in a modern indoor setting   It s brutal but soft at the same time. Unique piece, like all of my works. ...
Abstract - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Tanya Preminger: 'fundamental dinner', 2008 Marble Sculpture, Abstract. Food for thought  Figurative immediacy is fused with an intense symbolic and evocative power in this small mixed media piece. ...
Abstract - Sculpture
12 x 38 cm (4.7 x 15.0 inches)
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Morris Docktor: 'abe lincoln', 2021 Bronze Sculpture, Representational. I did this portrait of Lincoln to illustrate to potential portrait sculpture clients that my likenesses are undeniable.  Commissioned sculptural portraits in bronze from life or photo.  Morris Docktor ...
Representational - Sculpture
12 x 16 inches (30.5 x 40.6 cm)
Elizabeth Frank: 'together flying through the sky', 2020 Mixed Media Sculpture, Archetypal. Carved from found aspen wood with cast bronze components.  Painted with acrylic.  Finished with wax. ...
Archetypal - Sculpture
16 x 20 inches (40.6 x 50.8 cm)
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Michael Kehrlein: 'lingam shaft of light', 1984 Bronze Sculpture, Abstract. Selferotic shaft of light. 5kgs of homeoerotic pleasure...
Abstract - Sculpture
6 x 23 cm (2.4 x 9.1 inches)
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Robert Pulley: 'organicgeometry', 2019 Clay Sculpture, Abstract. This abstract organic sculpture made of hand built clay is a cluster of loose geometric forms glazed in mottled natural colors. It is very much an in- the- round sculpture with views dramatically changing as one moves around it. Install indoors or outside in the garden or patio. ...
Abstract - Sculpture
24 x 29 inches (61.0 x 73.7 cm)
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Robert Pulley: 'heart', 2019 Clay Sculpture, Abstract. This tall, human scale ceramic sculpture is unique, hand built and fired to stoneware temperatures. It rests in the year around garden as easily as it does in the home or office. ...
, 2019
Abstract - Sculpture
22 x 49 inches (55.9 x 124.5 cm)
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Robert Pulley: 'composition in black', 2019 Clay Sculpture, Abstract. This robust human scale abstract sculpture possesses mystery and strength.  It looks great in a garden setting as well as in doors. ...
Abstract - Sculpture
26 x 39 inches (66.0 x 99.1 cm)
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Robert Pulley: 'Stolen Glance', 2020 Clay Sculpture, Abstract. Stolen Glance is an evocative title, but this is a purely abstract, organic sculpture.  Two forms are connected at the base.  On would have been a thick spear point except for a right angled negative cut out of it.  The other form wraps around slightly, creating a sheltering gesture.  Maybe ...
Abstract - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Robert Pulley: 'Plain of Stone', 2019 Clay Sculpture, Abstract. This sculpture is part of a new series that plays with a shallow concavity with sharp chasms at the edges.  At the same time, the form is squat and anchored, like a tree trunk.  There are architectural passages, cave, tunnelsOn this piece melted iron and ash glaze activates the stoney ...
Abstract - Sculpture
17 x 9 inches (43.2 x 22.9 cm)
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Robert Pulley: 'Conic Oculus', 2019 Clay Sculpture, Abstract. The term oculus refers to the conical piercing of this simple form that frames a view.  This could be installed outdoors on a patio or in a garden.  A hole in the bottom can anchor it to a stone or steel plate for stability.  Hardware available on request. ...
Abstract - Sculpture
22 x 17 inches (55.9 x 43.2 cm)
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Robert Pulley: 'Fetish', 2019 Clay Sculpture, Abstract. An evocative little table or pedestal scale sculpture.  An organic humped form is pierced by two rectangular open passages.  The brown clay is flecked with a light clay in scratch marks, textures and an incised white line that runs along the back.  There is some question what this is.  Ancient, ...
, 2019
Abstract - Sculpture
14 x 10 inches (35.6 x 25.4 cm)
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Robert Pulley: 'Orator', 2006 Bronze Sculpture, Abstract Figurative. This table scale bronze sculpture mounted on a black marble block has a simple elegance and is made from a single twisting, rolling plane intersected by a smaller, flat geometric plane.  Two small organic found wax chips suggest the figure.  A beautiful, mottled warm patina adds to the uplifting gesture ...
, 2006
Abstract Figurative - Sculpture
9 x 11 inches (22.9 x 27.9 cm)
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Kelly  Courtney: 'redwingblackbird', 2020 Wire Sculpture, Birds. Hand bent wire, 16  gauge black wire and enameled with color accent...
Birds - Sculpture
13 x 6 inches (33.0 x 15.2 cm)
Kelly  Courtney: 'the real pandemic is fear', 2020 Wire Sculpture, Activism. This is the latest in an ongoing street art series called PSA that began in 2004.  Wire words strung together with fishing line looking for a mind to hook. ...
Activism - Sculpture
13 x 12 inches (33.0 x 30.5 cm)
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Mark Dedrie: 'woodland kingfisher', 2020 Bronze Sculpture, Birds. The bronze kingfisher stands on a bronze palm leaf. This whole sculpture is on a granite. ...
Birds - Sculpture
25.5 x 19.3 inches (64.8 x 49.0 cm)
Zamin Sangtarash: 'carl alexander', 2020 Clay Sculpture, People. This is a proposal for Goetheplatz in Weimar, Germany. ...
People - Sculpture
5 x 7 inches (12.7 x 17.8 cm)
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Zamin Sangtarash: 'hassan koozagar', 2019 Clay Sculpture, People. This is a study for future work: Hassan Koozagar  Hassan the pot- maker  is a character from N. M. Rashid s poetry. The set- up is medieval Baghdad that the master crafts- man falls in love with a girl. His unrequited love destroyed his life. He suffered for nine years ...
People - Sculpture
7.4 x 3 inches (18.8 x 7.6 cm)
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Mark Dedrie: 'take a bath', 2019 Bronze Sculpture, Birds. Robin on a bronze palm leaf...
Birds - Sculpture
45.5 x 7.7 inches (115.6 x 19.6 cm)
Mark Dedrie: 'green woodpecker', 2018 Bronze Sculpture, Birds. Green woodpecker...
Birds - Sculpture
7.7 x 16.1 inches (19.6 x 40.9 cm)
Elizabeth Frank: 'all souls angel', 2020 Mixed Media Sculpture, Figurative. The All Souls Angel is from a series called Ghosts and Angels.  It s carved from found aspen wood.  The legs are reclaimed wood.  The base is architectural salvage, an antique corbel from India.  The wings and frame in the figures hand are made from antique ceiling tin.  Inside the ...
Figurative - Sculpture
32 x 41 inches (81.3 x 104.1 cm)
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Joe Xuereb: 'sensation', 2015 Limestone Sculpture, Abstract Figurative. This sculpture is hand carved from Malta limestone  Globigerina  in an abstracted figure type. It portrays an expressive and sensational form. ...
, 2015
Abstract Figurative - Sculpture
28 x 54 cm (11.0 x 21.3 inches)
Joe Xuereb: 'engrossed', 2015 Limestone Sculpture, Abstract Figurative. At times we find ourselves enthralled  and obsessed in deep thinking  Carved from Malta limestone  Globigerina ...
, 2015
Abstract Figurative - Sculpture
49 x 68 cm (19.3 x 26.8 inches)
Joe Xuereb: 'deep feelings', 2015 Limestone Sculpture, Abstract Figurative. For most times we are always obsessed looking in the inner self for the feelings that we experience in our daily life. Sculpture is hand carved from the Malta Limestine  Globigerina . ...
Abstract Figurative - Sculpture
39 x 64 cm (15.4 x 25.2 inches)
Joe Xuereb: 'searching for solution', 2015 Limestone Sculpture, Abstract Figurative. The human figure is always searching deep in one s inner self to solve one s preoccupations in the daily life. ...
Abstract Figurative - Sculpture
28 x 56 cm (11.0 x 22.0 inches)
Joe Xuereb: 'comfort', 2015 Stone Sculpture, Love. Two loving figures are in total comfort, one against the other. Sculpture hand carved from the Malta limestone  Globigerina ...
, 2015
Love - Sculpture
28 x 57 cm (11.0 x 22.4 inches)
Djan Mulderij: 'communicate', 2019 Ceramic Sculpture, Figurative. Porcelain, wheel thrown, sculptured ...
Figurative - Sculpture
5 x 23 cm (2.0 x 9.1 inches)
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Lawrence Tuber: 'sculptural award', 2019 Glass Sculpture, Business. Black and White Sculptural Award...
Business - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Elizabeth Frank: 'Illumination', 2019 Mixed Media Sculpture, Archetypal. This figure is carved from fallen aspen branches.  It stands on a wall mounted carved wooden sconce.  Atop the head is a crown made with carved and reclaimed wood, found objects and tiny carved flowers and leaves.  There s an antique skeleton key nailed in the figure s body.  Inlaid ...
Archetypal - Sculpture
15 x 30 inches (38.1 x 76.2 cm)
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(Page 6 of 114) - MORE ARTWORKS
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  • Artists Describing Their Art:

    David Vanorbeek - Metal speaks to me. Firstly it calls to me, drawing me to it with a magnetic pull that is impossible to resist. I might be walking or driving when suddenly I know for certain that discarded and abandoned metal is nearby, waiting for me to find it. And I always do. And then, when I see the beauty of the metal, it speaks to me again, telling me how it must be worked and shaped into a piece of sculpture that everyone can enjoy and share. For me, the great joy in my work comes from turning something considered worthless into the artwork it becomes. In this way I am showing my respect for the metal. The thread that runs like red wire through all my work is recycling. If I could, I would turn all the old metal and scrap iron I find into a museum of modern art. Just thinking of this idea makes my heart beat faster. My work has developed and taken different directions over the past twenty years, but was originally inspired by insects. In the same way, I see the beauty in these tiny and delicate, but at the same time immensely strong and ...

    Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

    Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...

    Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

    Kelly Courtney - My work arises from a need to visualize and document my spiritual journey. Evolving from my one continuous line drawing style, I have developed a way to bring those drawings to life in wire. I call these FLUIDIKONS. A line telling a story, relating a message. Other works arrive from a love of mixed media and found objects. To view larger, and sometimes better versions of pictures seen here, please see:

    Mark Dedrie - Mark Dedrie, an artist in motion by Robin d'Arcy Shillcock The first things you notice when confronted by work of Belgian sculptor Mark Dedrie (1962) are the stylized shapes and their highly polished finish. Although working within the tradition in which colour is omitted in favour of form, his approach is not so much classical an literal as turning a refined distillation of visual reality into a sculptural statement. He transforms a world of colour and movement into a world of presences, of volumes and elegant lines, and manages weightlessness in heavy bronze. This results in tactile, visually attractive sculptures. There aren't too many sculptors who know how to stylize animal shapes well, and even fewer that seek the degree of refinement Dedrie is striving for. It results in soft and sensual surfaces that underline the exquisite grace of birds like ducks and long-legged waders. There are honestly merely a few I can name. Francois Pompon (France 1855-1933) worked on Rodin's marble sculptures before becoming one of the greatest animal sculptors of the modern era. His work instigated what I call the Movement of Form, comprising the sculptors who preferred to distance themselves from ...

    Joe Xuereb - My work is inspired by the remains of the Neolithic era of Maltese pre-history. Malta's Neolithic past is among its most precious heritages. I focus mainly on the female figure with its obvious manifestation of fertility and on emotions and relationships emerging from this archetype. I have based my philosophy of art on this figure because it highlights the maternal aspect of our Maltese civilization where the figure of the female principle has been a recurrent leitmotif, not least in the religious sphere. While my sculpture is rooted in the fertile soil of my country's prehistory, it tries to transcend this basic heritage by treating universal themes such as love, protection, unity and fecundity arising naturally from its premises. My subconscious plays a central role in my artistic philosophy. I have been influenced by certain basic themes which recur in my thoughts even my dreams and which inspire my oeuvre. ...

    Lawrence Tuber - My Newest work involves blowing a multi layered blank on which I carve intricate decoration. I am using images ideas that I have been drawing since childhood. I am from Mars. I also make multi-vessel sculptures using blown and optical glass components creating families of vessels. I have been a vessel maker for 30 years. heck out my Etsy site at