Sculpture For Sale - Price Range: $700 - $799

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Discover 81 original sculpture artworks for sale between $700 - $799. Contemporary emerging artists: James Johnson, Bob Hill, Sue Jacobsen, Esmoreit Koetsier, Rufus Adeniyi, Bart Soutendijk, Gunnel Watkins, Daniel Oliveira, Robert Pulley, Stéphane Terrière, Don Dougan, Marty Scheinberg, Paul Orzech, Dermot O'brien are exhibiting their affordable original art. You can buy artwork online and browse 3 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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James Johnson: 'why', 2019 Steel Sculpture, Figurative. Free will, choice, or predetermination  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch. These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number. Each piece may appear ...
, 2019
Figurative - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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Bob Hill: 'Leaves Cycle  Proposal', 2008 Steel Sculpture, nature.  Here is a proposed piece, like others I have done. You can pick the overall size and the patina that you would like! Bronze, red, gold . . . . whatever looks good to you! ...
nature - Sculpture
38 x 24 inches (96.5 x 61.0 cm)
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Sue Jacobsen: 'Loyal Friend Cody', 2002 Bronze Sculpture, Dogs. Both Cody and his owner are avid birdhunters. Small edition available in black and blond patina. ...
Dogs - Sculpture
52 x 8 inches (132.1 x 20.3 cm)
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Bob Hill: 'Triumph', 2001 Ceramic Sculpture, Figurative. This terracotta version won first prize for sculpture at the Kent Art Association' s 2001 Spring Show. It has a great bronze patina. A casting of
, 2001
Figurative - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
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Esmoreit Koetsier: 'aero', 2018 Wood Sculpture, Abstract. Aero did not even start out as a sculpture.  I started experimenting with laminating plywood sheets.  Then cutting at mitered angles.  Once this all matched, I felt I had a sculptural body taking shape and I started adding more features as they came to mind.  This piece is true experimentation ...
, 2018
Abstract - Sculpture
11 x 17 inches (27.9 x 43.2 cm)
Rufus Adeniyi: 'warrior', 1976 Bronze Sculpture, Culture. Warrior in the Ancient Benin Kingdom...
, 1976
Culture - Sculpture
3 x 7 inches (7.6 x 17.8 cm)
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Bart Soutendijk: 'kissing her knee', 2016 Steel Sculpture, Figurative. wire wall art of girl in thought holding her knee...
Figurative - Sculpture
33 x 35 inches (83.8 x 88.9 cm)
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Bart Soutendijk: 'woman in the wind', 2016 Steel Sculpture, Figurative. wire wall art of a girl standing in the wind...
Figurative - Sculpture
13 x 40 inches (33.0 x 101.6 cm)
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Bart Soutendijk: 'lovers', 2014 Steel Sculpture, Figurative. wire wall art of man holding a female lover...
, 2014
Figurative - Sculpture
30 x 36 inches (76.2 x 91.4 cm)
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Bart Soutendijk: 'rock singer', 2017 Steel Sculpture, Figurative. wire wall art of female rock singer...
Figurative - Sculpture
22 x 34 inches (55.9 x 86.4 cm)
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Gunnel Watkins: 'intent', 2016 Mixed Media Sculpture, Abstract.
, 2016
Abstract - Sculpture
35 x 15 cm (13.8 x 5.9 inches)
Daniel Oliveira: 'Untitled 11FL', 2013 Stone Sculpture, Abstract.           Abstract, limestone, sculpture          ...
Abstract - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Daniel Oliveira: 'Untitled 9FL', 2013 Stone Sculpture, Abstract.          Abstract, limestone, sculpture         ...
Abstract - Sculpture
7 x 8 inches (17.8 x 20.3 cm)
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Daniel Oliveira: 'Untitled 8FL', 2013 Stone Sculpture, Abstract.         Abstract, limestone, sculpture        ...
Abstract - Sculpture
8 x 9 inches (20.3 x 22.9 cm)
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Daniel Oliveira: 'Untotled 7FL', 2013 Stone Sculpture, Abstract.        Abstract, limestone, sculpture       ...
Abstract - Sculpture
6 x 8 inches (15.2 x 20.3 cm)
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Daniel Oliveira: 'Untitled 6FL', 2013 Stone Sculpture, Abstract.       Abstract, limestone, sculpture      ...
Abstract - Sculpture
8 x 10 inches (20.3 x 25.4 cm)
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Daniel Oliveira: 'Untitled 5FL', 2013 Stone Sculpture, Abstract.      Abstract, limestone, sculpture     ...
Abstract - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Daniel Oliveira: 'Untitled 4FL', 2013 Stone Sculpture, Abstract.     Abstract, limestone, sculpture    ...
Abstract - Sculpture
8 x 9 inches (20.3 x 22.9 cm)
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Daniel Oliveira: 'Untitled 3FL', 2013 Stone Sculpture, Abstract.    Abstract, limestone, sculpture   ...
Abstract - Sculpture
7 x 10 inches (17.8 x 25.4 cm)
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Daniel Oliveira: 'Untitled 2FL', 2013 Stone Sculpture, Abstract.   Abstract, limestone, sculpture  ...
Abstract - Sculpture
8 x 9 inches (20.3 x 22.9 cm)
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Daniel Oliveira: 'Untitled 1FL', 2013 Stone Sculpture, Abstract.  Abstract, limestone, sculpture ...
Abstract - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Robert Pulley: 'Turn Around', 2012 Ceramic Sculpture, Abstract.  Hand built stoneware clay sculpture.  Organic form.Rose, blue grey, tan, grey green glaze over copper stain. ...
Abstract - Sculpture
18 x 16 inches (45.7 x 40.6 cm)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.    elements de rateau, acier, glycero.     ...
, 2009
undecided - Sculpture
21 x 53 cm (8.3 x 20.9 inches)
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Don Dougan: 'CROSS THE RIVER RED', 2010 Mixed Media Sculpture, Abstract Figurative.   plaster, bronze powder, dyed Indiana limestone, ceramic, steel, pigment...
Abstract Figurative - Sculpture
12 x 7 inches (30.5 x 17.8 cm)
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Marty Scheinberg: 'On all other nights', 2010 Stone Sculpture, Abstract Figurative.  Reclining thoughtful figure ...
Abstract Figurative - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.   rateau, acier, glycero.   ...
, 2009
undecided - Sculpture
37 x 53 cm (14.6 x 20.9 inches)
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Paul Orzech: 'Touch', 2008 Bronze Sculpture, Love.  Touch was commissioned by a patron as
, 2008
Love - Sculpture
4 x 12 inches (10.2 x 30.5 cm)
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Paul Orzech: 'Triumph', 2010 Bronze Sculpture, Motivational.  Triumph -Heart Triumphant! A testimony to the power of the human heart to overcome great obstacles. ...
, 2010
Motivational - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Dermot O'brien: 'Resonance1', 2009 Wood Sculpture, Abstract.   Light sculpture birch ...
, 2009
Abstract - Sculpture
20 x 52 cm (7.9 x 20.5 inches)
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Stéphane Terrière: 'sans titre', 2009 Mixed Media Sculpture, undecided.     balai a gazon, acier, glycero   ...
, 2009
undecided - Sculpture
70 x 74 cm (27.6 x 29.1 inches)
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(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

James Johnson - Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

Esmoreit Koetsier - Sculpture for me has been redefined by where life has taken me. When I started in my early twenties, I had no idea that my simple flat pieces of steel were going to lead to mixed-materials and colorful fluid shapes. With each piece I challenge myself and push the envelope just a little more. I look outside of the traditional materials and discover new techniques. What has stayed true is that my work is an experiment with shapes, forms, objects, colors, arrangements, and materials. IaEURtmm inspired by my surroundings and journeys as well as artists working with different medias. ...

Rufus Adeniyi - I am a widely traveled Nigerian Aesthetics consultant. A graduate of University of London, Goldsmith. I believed in Art as a way of life and a reflection of the spiritual and socio-economic life of the people. My flair for natural things of beauty has no measure. Apart from my Art gallery, I also run a consultancy firm in all forms of artistic embellishment in fine furnishing for corporate bodies, private individuals and diplomatic missions. Married and strongly believe in modesty and fair play....

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

Daniel Oliveira - My art is about line and space / chaos and order. The search for this visual metaphor drove me into working with stone. I start by looking at each rock to seek for it's inner structure. These sculptures result from a similar building process, where the intersection of lines cut through the irregular formless matter revealing a secret structure embedded within each individual stone. By doing so, a new visual dimension created by matter and the absence of matter is revealed, as if each sculpture was made of individual building blocks organized to create an abstract entity or system and the combination of these units were the key to what defines the sculptural shape and ultimately the original untouched rock, as a group of things or parts connected in some way so as to form a whole. Daniel Oliveira...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

Dermot O'Brien - Over the past fifteen years i have developed my own very unique art form working with wood and light. Using light as an added dimension to highlight the spaces between the wood a new sculpture is created. The sculptures always consist of several shapes the light exploring and defining the relationship between the bodies....