Sculpture For Sale - Price Range: $900 - $999

Page 1 of 3
Discover 60 original sculpture artworks for sale between $900 - $999. Contemporary emerging artists: Mac Worthington, Austen Pinkerton, Eric Jacobson, Martin Glick, Ted Schaal, Richard Lazzara, Harry Weisburd, Micha Nussinov, Rufus Adeniyi, Bart Soutendijk, Gunnel Watkins, Robert Hargrave, Scott Mohr, Cris Orfescu, Marty Scheinberg, Keith Francis, Suzanne Noll, Angela Treat Lyon, Cecile Tissot are exhibiting their affordable original art. You can buy artwork online and browse 3 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Mac Worthington: 'the chase', 2020 Aluminum Sculpture, Abstract. Acrylic on stretched canvas. Available. Signed   dated. Certificate of Authenticity. Ready to hang.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com	...
, 2020
Abstract - Sculpture
60 x 12 inches (152.4 x 30.5 cm)
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Austen Pinkerton: 'GRIFFIN', 2015 Ceramic Sculpture, Mythology.      animals greeks ancient history beasts   ...
, 2015
Mythology - Sculpture
46 x 28 cm (18.1 x 11.0 inches)
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Eric Jacobson: 'Brass Mobile V', 2011 Other Sculpture, Abstract.      This organic sculpture is made of brass tubing, has a mobile, creates clanging sounds when the elements hit one another, and could be part of a small water feature.                 ...
Abstract - Sculpture
19 x 35 inches (48.3 x 88.9 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Ted Schaal: 'Forget me not', 1994 Steel Sculpture, Floral.  Stainless steel keepsake treasury. Blank area for engraving. Sacred space for a special gift. Please allow 3 months for production and delivery....
Floral - Sculpture
4 x 4 inches (10.2 x 10.2 cm)
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Richard Lazzara: 'family affair ear ornaments', 1989 Mixed Media Sculpture, Fashion. family affair ear ornaments from the folio LAZZARA ILLUMINATION DESIGN are available at
Fashion - Sculpture
2 x 2 inches (5.1 x 5.1 cm)
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Harry Weisburd: 'Sleeping Woman', 1999 Ceramic Sculpture, Figurative. Sleeping Woman is a Limited Edition of 25 bas relief sculpture...
Figurative - Sculpture
9 x 4 inches (22.9 x 10.2 cm)
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Harry Weisburd: 'NIGHT COUPLE', 2002 Bronze Sculpture, Figurative. Night Couple is a bronze bas relief sculpture. Couple going  to sleep at night...
Figurative - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Micha Nussinov: 'Trapeze', 2002 Mixed Media Sculpture, Other. Piano hammers and other recycled materials are combined with screws, nuts, springs, wires, canvas and carved sandstone to form figurative sculpture. ...
, 2002
Other - Sculpture
450 x 450 mm ( x )
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Rufus Adeniyi: 'queen mother head', 1977 Bronze Sculpture, Culture. Queen mother head. Ancient Benin Kingdom, Western Nigeria...
Culture - Sculpture
4 x 10 inches (10.2 x 25.4 cm)
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Bart Soutendijk: '7206 smoker', 2017 Wire Sculpture, Figurative. This is a wire sculpture of a girl smoking a cigarette.  It is made out of 9 gauge about 4 mm diameter low carbon steel wire that I bend by hand and weld, then powder coat gloss black with a weather resistant material.  It is easily installed temporarily on finishing ...
Figurative - Sculpture
24 x 36 inches (61.0 x 91.4 cm)
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Gunnel Watkins: 'intention', 2016 Other Sculpture, Abstract.  context: the creation of fluid sculpturesthis sculpture is included in my RAW series ...
, 2016
Abstract - Sculpture
47 x 19 cm (18.5 x 7.5 inches)
Gunnel Watkins: 'unfolding', 2015 Mixed Media Sculpture, Abstract.  life unfolding...
, 2015
Abstract - Sculpture
40 x 15 cm (15.7 x 5.9 inches)
Robert Hargrave: 'The Magestic Mirror', 2015 Wood Sculpture, Home.  Mirror ...
Home - Sculpture
24 x 32 inches (61.0 x 81.3 cm)
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Scott Mohr: 'Kundalini', 1996 Bronze Sculpture, Figurative.   It's al about here back, the original stone before I started carving had this spinelike curve I just brought out the rest of the figure, I just got out of the way and let her come out! Now she' s eternal in bronze     ...
, 1996
Figurative - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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Cris Orfescu: 'Halloween Night', 2013 Other Sculpture, Abstract Landscape.  Nanosculpture: mixture of graphite nano and microparticles visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences in Costa Mesa, California) . The image was captured in a computer and printed on canvas with archival inks specially formulated to last for a long time. This way, the nanosculpture could be...
Abstract Landscape - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Marty Scheinberg: 'He and She', 2013 Stone Sculpture, Abstract Figurative.  Alabaster - White/ Dark Grey/ Caramel  ...
, 2013
Abstract Figurative - Sculpture
4 x 12 inches (10.2 x 30.5 cm)
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Cris Orfescu: 'Igneous Rocks No1', 2012 Other Sculpture, Abstract Landscape.  Nanolandscape: colloidal graphite dried on a substrate and visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences in Costa Mesa, California) . The image was captured in a computer and printed on Epson Ultra Premium Photo Paper Luster with archival inks specially formulated to last for a long time...
Abstract Landscape - Sculpture
48 x 33 cm (18.9 x 13.0 inches)
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Cris Orfescu: 'Remember those 30s Hats', 2012 Other Sculpture, Fashion.  Nanosculpture: carbon film nanobubble with colloidal graphite decorations visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences in Costa Mesa, California) . The image was captured in a computer and printed on Epson Ultra Premium Photo Paper Luster with archival inks specially formulated to last for a long time...
Fashion - Sculpture
48 x 33 cm (18.9 x 13.0 inches)
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Cris Orfescu: 'Nano Canyons', 2012 Other Sculpture, Science.  Nanosculpture: arrays of vertically aligned carbon nanotubes visualized with a scanning electron microscope. The image was captured in a computer and printed on Epson Ultra Premium Photo Paper Luster with archival inks specially formulated to last for a long time. This way, the nanosculpture could be viewed by large audiences...
Science - Sculpture
48 x 33 cm (18.9 x 13.0 inches)
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Cris Orfescu: 'NanoColibri 2', 2012 Other Sculpture, Abstract.  Nanosculpture: mixture of graphite nano and microparticles visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences in Costa Mesa, California) . The image was captured in a computer and printed on canvas with archival inks specially formulated to last for a long time. This way, the nanosculpture could be...
Abstract - Sculpture
48 x 33 cm (18.9 x 13.0 inches)
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Keith Francis: 'Eros', 2010 Wood Sculpture, Abstract Figurative.  Wood with a stainless steel base ...
, 2010
Abstract Figurative - Sculpture
4 x 29 inches (10.2 x 73.7 cm)
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Suzanne Noll: 'Chipper', 2007 Ceramic Sculpture, Dogs.    Chipper is a Boston Terrier Dog Sculpture made of high fired clay and glazes with mosaics of stained glass, broken mirror and beads. The whiskers are made of copper wire with polymer clay balls at the ends.As with all my creations, Chipper is a handmade, signed, one- of- a...
, 2007
Dogs - Sculpture
18 x 13 inches (45.7 x 33.0 cm)
Cris Orfescu: 'Quantum Tunneling', 2010 Other Sculpture, Science.  Nanosculpture: graphite microparticles embedded in a polymer matrix. The structure was visualized with a scanning electron microscope ( courtesy of Applied Analytical Sciences, Costa Mesa, California) . The image was captured in a computer, digital painted and manipulated, and printed on canvas with archival inks specially formulated to last for a long...
Science - Sculpture
33 x 48 cm (13.0 x 18.9 inches)
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Angela Treat Lyon: 'Celebrate', 2010 Stone Sculpture, Equine.  Shape- Shifter celebrates the miracle of new life Within. . . . ...
, 2010
Equine - Sculpture
6 x 12 inches (15.2 x 30.5 cm)
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Angela Treat Lyon: 'Rock Slide', 2010 Stone Sculpture, Equine.  In ancient Hawaii, a popular past time was sliding down the lava ridges on slides made out of branches and woven grasses. . . . ...
, 2010
Equine - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Angela Treat Lyon: 'Body Surfing', 2010 Stone Sculpture, Equine.  Who said all body surfers had to be huuman? ...
Equine - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Cecile Tissot: 'Petit support ', 2009 Wood Sculpture, undecided.  Carved oak in small box ...
undecided - Sculpture
15 x 15 cm (5.9 x 5.9 inches)
Cecile Tissot: 'Petit support ', 2009 Wood Sculpture, undecided.  Carved oak in small box ...
undecided - Sculpture
15 x 15 cm (5.9 x 5.9 inches)
(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as "Little Chicago", Mac was privileged to be molded around a family of artists. His father John "Jack" Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60's era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

Rufus Adeniyi - I am a widely traveled Nigerian Aesthetics consultant. A graduate of University of London, Goldsmith. I believed in Art as a way of life and a reflection of the spiritual and socio-economic life of the people. My flair for natural things of beauty has no measure. Apart from my Art gallery, I also run a consultancy firm in all forms of artistic embellishment in fine furnishing for corporate bodies, private individuals and diplomatic missions. Married and strongly believe in modesty and fair play....

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...

Cris Orfescu - NANOART I create Art from Science using Technology. My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century raising the public awareness of Nanotechnology and its impact on our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. I bring the small world in front of my audience by visualizing with a scanning electron microscope the nanolandscapes and the nanosculptures I create by physical and chemical processes. I paint and manipulate digitally the monochromatic electron images and print them on canvas or fine art paper with archival inks specially formulated to last for a long time (giclee prints). This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable. ...

Angela Treat Lyon - I make art because I must. It's a cellular need. It's a compulsion, an addiction, a Beingness I cannot deny. Simply put: Art is Spirit moving through any particular medium, whether it be stone, music, cooking, dance, speech, or whatever. Create an intention, take action, results follow, fine or not. Images dwell within me getting fat and juicy until they just simply will not allow me to sit on them one more minute. Many many nights I'll wake up with designs in my head, all clamoring to come out at once, and I'll have to get up and draw furiously till they're out and happy. When I was very young, I made a pact with myself not to do any artwork that depicts pain and suffering - why paint that when we see so much of it all around us, every day? What I wanted to see and surround myself with was expressions of the feeling I had in my heart about how I felt it could be, and really is, on levels we don't normally think about or have visual access to during the glaring light of day. I want my work to do ...

Cecile Tissot - Statement in English and French/ Presentation en anglais et francais * * * * * * * * * * * * Born in 1970, currently lives and works in Paris and Boulogne-Billancourt. I have been sculpting for about 15 years, after I discovered carving in London in 1997. I have been since then following a personal way in sculpture, mostly in stone and wood carving. I also work directly in nature through landart projects. Most of my works deal with the sacred, emptiness, traces, and link presence and absence - I attempt to emphasise the shy, the almost-nothing, the sensitive. My latest works tend towards verticality and nomadism, in an attempt to create, through their installation, ephemerical holy places - small or big. * * * * * * * * * * * * Nee en 1970, vit et travaille a Paris et Boulogne-Billancourt. Artiste-sculpteur depuis une quinzaine d'annees, j'ai decouvert la taille directe a Londres en 1997 et suis depuis dans un chemin personnel de sculpture en taille directe - je travaille la pierre et le bois. J'interviens aussi directement dans la nature a travers des projets de landart. La plupart de mes travaux traitent du sacre, de l'absence-presence, du vide, des traces - je tente de mettre en valeur le tenu, ...