Tapestries / Tapestry Art

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Jerry Di Falco, Ulrika Leander, Tom S. Hageman, Libuse Mikova, Revaz Verulidze offering original Tapestries artworks.


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Jerry  Di Falco: 'sunday supper by mama carmela', 2021 Tapestry Art, Family. TAPESTRY  polyester Title: MAMA CARMELAaEURtmS SUNDAY SUPPER2021Enlargement of an acrylic on round, stretched canvas  linen on wood  with digitally enhanced background.Size is 50 inches by 61 inches  127cm by 155cm Price: 450.  Ships folded in a tube.Narrative:  In 1993 the artist constructed an installation at ...
Family - Tapestry Art
61 x 50 inches (154.9 x 127.0 cm)
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Ulrika Leander: 'Midsummer Twilight', 2021 Tapestry Art, Nature. Handwoven tapestry depicting the twilight on a heath.  The tapestry is woven with 100in the weft and 100cotton in warp.  A peaceful image suitable for the home, office, healthcare environments and hospitality. ...
Nature - Tapestry Art
67.5 x 48.5 inches (171.4 x 123.2 cm)
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Ulrika Leander: 'unfinished sky', 2020 Tapestry Art, Landscape. Landscape of the mind, peaceful, wild, and unknown, reaching to the distant horizon.The tapestry is fully lined and fitted with a hidden hanging bar for easy installation and is shipped in a custom- made wooden crate.Tapestry, fiber, tapestry weaving, handwoven, wall- hanging, textile, loom woven, wilderness, large scale ...
Landscape - Tapestry Art
60 x 78.5 inches (152.4 x 199.4 cm)
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Ulrika Leander: 'Timeless', 2019 Tapestry Art, Beach. Image of ancient stones seemingly caught in time evoking a sense of mystery and peace.The tapestry is fully lined and fitted with a hidden hanging bar for easy installation and is shipped in a custom made wooden create.Tapestry, tapestries, handwoven, wall- hanging, fiber, fiber art, textile art, large ...
, 2019
Beach - Tapestry Art
117 x 34 inches (297.2 x 86.4 cm)
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Ulrika Leander: 'Shallow Water', 2020 Tapestry Art, Nature. The delicate play of water flowing among the rounded stones inspires a sense of meditative calm.  The tapestry is fully lined and fitted with a hidden hanging bar for easy installation and is shipped in a custom- made wooden crate.Tapestry, tapestries, wall- hanging, fiber, fiber art, textile art, large ...
Nature - Tapestry Art
66.5 x 44 inches (168.9 x 111.8 cm)
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Tom S. Hageman: 'jealousy', 2013 Tapestry Art, Biblical.  the seven deadly sins ...
, 2013
Biblical - Tapestry Art
100 x 80 cm (39.4 x 31.5 inches)
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Libuse Mikova: 'Selfportreit  ', 1992 Tapestry Art, Portrait. The selfportrait is portrait of Liba Mika in several levels of landscape, earth and sky.Material are pure and synthetic wool, synthetic gold threads, cotton, hand weaving on vertical loom, cartoon behind the wrap.The first step is sketch on the paper in Prague studio and after to draw the ...
Portrait - Tapestry Art
90 x 90 cm (35.4 x 35.4 inches)
Libuse Mikova: 'Wedding', 1994 Tapestry Art, Figurative. The Wedding is about wedding ceremony in the gothic cathedral St.  Mary of Tyn in Prague 1365, during my drawing lessons with my student from Prague, Vaclav Husak Wenceslav Husak, ingMaterial pure wool and synthetic wool, cotton, colors syntetic.  weaving, handmade, aftercartoon behind the vertical loom. 1st step is ...
, 1994
Figurative - Tapestry Art
100 x 100 cm (39.4 x 39.4 inches)
Libuse Mikova: 'Dream', 1992 Tapestry Art, Figurative. The Dream is about the desire of woman, who worked as the conservator of chantier in medieval site in Abbeay du Moncel, Moncel, Pontpoint, France, 1990.Material pure and synthetic wool, cotton, jute, golden string, 15chemical , weaving after cartoon behind vertical loom, handmade, 1st step of the artwork is sketch ...
, 1992
Figurative - Tapestry Art
200 x 140 cm (78.7 x 55.1 inches)
Libuse Mikova: 'La Femme et L oiseau or Woman and Bird', 1988 Tapestry Art, Figurative. The Woman and Bird is the fairy tale of love and hate, about the beauty Lady from Anjou who was in the night woman and in the day bird falcon and liberately by knigth . . .Materials are wool, cotton about 15syntetic, chemical, hand weaving, vertical loom, used the cartoon behind the ...
Figurative - Tapestry Art
100 x 220 cm (39.4 x 86.6 inches)
Ulrika Leander: 'January', 2018 Tapestry Art, Nature. Stones sculpted by wind and water, an incoming tide and the deep solitude of a shoreline in winter.  The tapestry is fully lined and fitted with a hidden hanging bar for easy installation and is shipped in a custom- made wooden crate.Tapestry, tapestries, handwoven, wall- hanging, fiber, fiber art, ...
, 2018
Nature - Tapestry Art
80 x 49 inches (203.2 x 124.5 cm)
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Ulrika Leander: 'Noontide', 2018 Tapestry Art, Beach. A remote seashore, pristine in the dazzling midday light.The tapestry is fully lined and fitted with a hidden hanging bar for easy installation and is shipped in a custom made wooden create.Tapestry, tapestries, handwoven, wall- hanging, fiber, fiber art, textile art, large art, art for the home, art ...
, 2018
Beach - Tapestry Art
66.5 x 46 inches (168.9 x 116.8 cm)
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Revaz Verulidze: 'neron', 2019 Tapestry Art, Abstract. neron...
, 2019
Abstract - Tapestry Art
183.7 x 68.6 inches (466.6 x 174.2 cm)
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(Page 1 of 1) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Ulrika Leander - My subject matter is primarily related to the inspiration that I find in the colors, shapes and movement in the natural world in all its forms my work is about expressing and conveying the feelings of joy, peace, and tranquility that come with the contemplation of Nature. I use a traditional weaving technique while constantly striving to extend my ability to capture nuances of color tone and structure. I work with a vertical tapestry loom together with the highest quality tapestry yarns from Scandinavia. I explore and develop my ideas through the medium of watercolor. When I reach the point where I feel that I am ready to commit to devoting 5-6 months or more to transforming my ideas into a tapestry, the outline of the water color design is traced and then digitally enlarged to the full size of the final tapestry. This enlargement provides the map for guiding the hand-weaving process while the watercolor provides the guide for the selection of the yarn colors and tones. During weaving, multiple fine threads of varying thicknesses are blended to achieve the delicate variations in the color tones of the watercolor. ...

Tom S. Hageman - May 1968: I finished my studies with a paper entitled, "The Art in the 21st Century," in which I concluded that modern art ought no longer defy or deny the ancient'classical' tradition, but needs to search for a synthesis between the two traditions. In my series "Revelations" I searched for this synthesis in combining traditional skills with contemporary insights. This theme of searching for an integration and synthesis of traditional and contemporary art would continue to inspire me throughout my career and would find expression in my work in many different ways and forms. In 1970 I lived in Turkey for a year and traveled through Teheran (Iran), Kabul (Afghanistan) en Lahore (Pakistan). My life in Turkey and my travels in Asia made a deep impression on me which in turn influenced me in my work. My memories of Turkish bathhouses, Persian tiles, Afghan coffeehouses and Mogul gardens inspired me and I worked on integrating classical Asian styles and techniques in European techniques and thereby developing my own personal style in my series "Manuscripts." In the beginning of the eighties I felt the desire to return to the European tradition of'skimming light captured in oils.' But in working...

Libuse Mikova - Liba Mika Mika studed the University of aplied arts in Prague, where she has got her diploma as academic painter. She created her artistic works in Czech Republic, mostly in her studio in Prague. She combines the best artistic czech tradition with the artistic ideas in France, Peru, India. Liba "Mika" Mikova travelled throught the world and different cultural traditions appeared in her Art. She exhibited her works in France, Austria, England and Czech Republic. The works of Mika are in state and private collections In Europe and U.S.A. Her early career in Prague was created by professor Antonin Kybal,The university of applied arts in Prague, author of Modern Textile Designer, inspired in her a lifelong dedication to the magnificent mediaeval, but now unfashionable,art of Gobelin Tapestries....