Artists Describing Their Art:
Charles Rowland - Charles Rowland works in various media, including watercolor, gouache and pen and ink. He has lived in the Columbus, Ohio area since 1970 and currently resides in southern Delaware County A watercolor artist for over 20 years he is both an active artist and teacher. His work has won many awards in Ohio area exhibitions and can be found in private and corporate collections throughout the Midwest, West and southern United States. His work is represented by The Armory, Port Clinton, Ohio, JR Designs, Powell, Ohio, the Pump House Center for the Arts in Chillicothe, Ohio, the Kelly Graphics gallery in Milan, Ohio and various exhibitions around the state. He is past President of the Worthington Area Art League, a signature member of the Ohio Watercolor Society, Central Ohio Watercolor Society, and the Worthington, Ohio and Westerville, Ohio Art Leagues. His work is characterized by strong design and a solid approach to the technical fundamentals of the medium. While avoiding "photorealism", his painting style captures the essence and emotion of the subject while involving the viewers' imagination in its' interpretation. The choice of subject matter is diverse ranging from seascapes and landscapes to still lifes and portraits. An avid sailor, ...
Lesta Frank - I paint the figure, color drenched in layers of metaphor. My work is about showing people experiencing moments of Self awareness and inner connectivity to our true nature. The excitement and awe found in creating art is a life-long continuation of my first adventure with finger painting as a young child. I am interested in combining realistic imagery with abstract shapes, in a shallow picture plane , The painting surfaces are enriched with layers of texture and pattern, using combinations of watermedia and collage, and the use of stencils, stamps and epoxy resin. ...
Morel Morton Alexander - My paintings are free associations to moments, places, emotions and memories. My language is color, forms and symbols that appear and disappear, and then, often by surprise, reappear. The process of painting is fast and slow, spontaneous and exacting, frustrating and exhilirating. I'm influenced by modernism and abstract expressionism and the play between the real and the imagined....
Roger Cummiskey - I am a full time visual Artist. www.rogercummiskey.com Membereships: Professional Member of Visual Artists Ireland - VAI. Member The ArtistsaEURtm Resale Right (ARR) (Droit de Suite) In Ireland - IVARO. Chairman of the Andalusian International Artists Group - AIA-Group - PAIA. Member AsociaciA3n EspaA+-ola de Pintores y Escultores - AEPE. Member AsociaciA3n de Acuarelistas de MA!laga - AAM.. Member of NADFAS - Costa del Sol Decorative and Fine Arts Society. I am a Professional Member of the Sculptors' Society of Ireland Ltd. (aka Visual Artists Ireland)
Kamal Bhandari - I am a contemporary realist painter based in India. I did three year diploma in Drawing and painting from Kumar College of Fine arts, Ludhiana under the supervision of Director and Senior faculty Mr.Raaz Thakur. Just back after attending Summer 2011 intensive workshop by Florence Academy of Art at Gothenburg Sweden. The instructors were Andreas Birath, Stephen Bauman and Cornelia Hernes, all my favourites. I have a strong desire study under Ted Seth Jacobs, Daniel Graves, John Angel, Jeremy Lipking, Morgan Weistling, Steve Hanks, Anthony Ryder and Jacob Collins. ...
Derek Mccrea - I have an online gallery showcasing my work at
Sylvia Styleulove - Art is my passion. I have been interested in exploring and understanding life through art since I was a small child. I have learned to appreciate the beauty in everyday events and the people around me. Nothing is as simple or as ordinary as it first seems. Every day I live is amazing and I am grateful for the opportunity I have to share my experiences with you through my art. You are my inspiration. We all experience a balance of many things: joy and sorrow, the interplay of light and dark, textures, scents, movements, and sound. For me, balance is the key to life. Yin and Yang, so to speak. This eastern duality is simple but powerful and it is a major element in my art. It is through art that my imagination comes to life without constraints as to media. Our appreciation for what is beautiful is limitless, boundless, and formless, but we give it form. Perhaps, through my passion I can inspire you, as well. ...
Theo Radic - Everyone experiences drawing and painting as children. I was perhaps one year old therefore when I was first initiated into the painter's craft. I continued these universal beginnings throughout my school years and sporadic courses in college (which gave me few insights into this art). [...] I had only myself as a teacher in the art of painting. My evolution as a painter paralleled that of art history in general, beginning with my prehistoric period as a one-year-old-clutcher-of-crayolas, groping through Egyptian and Greek periods; a Renaissance period; and then neo-classicism, romanticism and naturalism; impressionism and fauvism; cubism and abstract expressionism. At nineteen I went to Europe, thirsty for scope and depth in Art which America lacks. Having established myself in the south of France, I absorbed the emanations of the modern masters who had lived and painted there. I was profoundly moved by the bizarre snow storm over La Cote d'Azur on the night of Picasso's death. No such storm had ever been seen before in April, as old-timers in Nice told me. [...] Fully acknowledging my debt to 'abstract expressionism', I nonetheless do not consider my art'abstract' - a word ...
Diane Kastensmith Bradbury - I love the spontaneity and freshness of watercolor - especially the "accidental" movement of color that results from painting wet into wet. I usually start with a wet into wet technique, and work through all the stages of the paper, until I am painting wet into dry. I often soak the painting in the bathtub overnight to soften the edges and lighten the colors, going back in the next day to sharpen details and brighten or darken colors where needed. I repeat this process until I can see that the painting is finished. I believe the record for the number of times this was done was a painting I sold in 1985, called "Blue Tree". It had been soaked twenty-two times before I was satisfied with the result. Of course, high quality paint and paper are essential to this process. "Seasons ...