Working with a range of media, including paint, pen and ink, as well as less traditional materials, Watt produces intricate and inventive maps
through a process of creative cartography. Each piece incorporates both real and imagined locations and all are connected through a cryptic and conceptual metanarrative constructed by the artist. The maps represent a world at once familiar and fundamentally foreign. Their aesthetic does bare some resemblance to traditional map-making, but upon close inspection the usual indicators of place and perspective are often undermined, overturned or imaginatively redesigned. These cities and spaces are mapped out according to the intricacies and interactions of people, politics and ideas, rather than standard statistics or coordinates. Encompassing political and personal statements on a wide range of topics (including women’s rights, environmental uncertainty, love and addiction), Watt’s artistic practice facilitates a form contemporary commentary displayed in the coded details and design of each map.