Nudes Art For Sale

Artists Describing Their Art:

Barbara Shepard - Although I had a grounding in many techniques and processes and an academic training in drawing and painting from nature, archetecture and the model, my early work became abstracted and sometimes it was in 3d or relief using mixed media. Gradually it honed down into painting and drawing mainly due to studio restriction and other themes to do with the body started to emerge. I moved away from abstraction and in the late 1980's and early 1990's themes were to do with redefining the feminine and picturing the female nude from a female perspective. My current work is concerned with different aspects of human expression and especially a different face of masculinity. It seeks to re-configure the male in art. I am interested in how this translates into the aesthetics of a pictorial image, creating beauty in composition, colour and mark making. Taken from a close up perspective, they explore female desire and male vulnerability. The male model is the observed rather than the observer. It isn't an attempt to do a role reversal and objectify the male but to illuminate aspects of male character little seen on public view. Composed of close up parts of ...

Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

Radford Thomas - STATEMENT BY RADFORD THOMAS Art is my life and my art is a reflection of all the images, actions, sights, sounds and individuals that I have encountered during my tenure here on this earth. Painting is never approached from a viewpoint of producing a "thing" but instead it is the "thing" that appears as I work. All this means is that, for me, painting is a free flowing, creative process, one that evolves as the art work progresses. In my paintings, the initial implementation of paint tells me what to do and I follow its advice henceforth. ...