Artist Information:
John Hampshire
Troy, NY
United States
Member Since: Feb 2001
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Artist Statement:
These works are a part of an ongoing body of work I started in 1995. It consists of drawings, which are labyrinths, and paintings derived from images as well as from life. The beginnings of these drawing processes do not deal directly with the image, but the breakup of the picture plane. I establish a series of gesture lines in pen; tentative glimpses translated with definite marks. This is the structure for subsequent marks. I do not allow myself (for the most part) to cross any lines or marks. In turn, initial lines act as “containers” for later lines. The result of this activity is a maze-like structure that also implies an image. I build up greater densities of marks to achieve darker values. The image I work from provides a guide to direct this activity. As the process continues the applied marks become smaller and smaller and the information brought into the drawing becomes more refined. This is a self refining process that I am continuing to push further and further with each piece.
This is actually a process that started for me in high school; doodling in notebooks. Only now I have applied this mindless activity to ...
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Artist Exhibitions:
One / Two Person Exhibitions:
• 9/8-10/14/01: "Portraits" Hunter Gallery. Newport, RI.
• 12/18/00-1/29/01: “Labyrinthian Portraits” Hudson Valley Community College. Troy, NY
• 1/5/00-2/9/00: The Main Street Gallery, Dobbs Ferry, NY
• 9/99: Albany Center Galleries, Albany, NY
• 9/99: ...
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Artist Reviews:
Selected Publications / Reviews:
“Worth a Thousand Words....’The Pedantic Idiot’ by John Hampshire is just one of the works......”
2/18/2001. New York Times. pg. 16, section WE
“....’John Hampshire’s Recent Work’ fills the gallery with medium and large scale paintings made in just a two or three ...
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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John Hampshire's Free Artist Portfolio
| Welcome to John Hampshire's Portfolio. Browse Hampshire's body of work: These works are a part of an ongoing body of work I started in 1995. It consists of drawings, which are labyrinths, and paintings derived from images as well as from life. The beginnings of these drawing processes do not deal directly with the image, but the breakup of the picture plane. I establish a series of gesture lines in pen; tentative glimpses translated with definite marks. This is the structure for subsequent marks. I do not allow myself (for the most part) to cross any lines or marks. In turn, initial lines act as “containers” for later lines. The ... | |
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