Artists Describing Their Art:
Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...
Thomas Jewusiak - Artist's Statement I reject the description of the style of my painting as photorealistic. I make no attempt to duplicate a photograph. Although there can be a valid artistic point in doing this, it is decidedly not my point. I attempt to communicate a reality or rather an illusion of actuality, as perceived by the eye and mind that is more intense, more concentrated than that which can be captured by the camera and lens alone. I also attempt a more honest portrayal of what is real than can be produced by the simple photograph. Since many of my paintings are purely conceptual, existing originally only in the imagination, or as a distillation or manipulation of many separate scenes that may exist, did exist or I think existed, the charge of "merely" duplicating a photograph is particularly galling. By representing the finest detail in paint I attempt to foster the illusion, (or foist the illusion), to give a perceived concrete existence to a pure product of the interpretive imagination. The sometimes excruciating detail is fundamental to the intended impression, a sleight of hand (or eye), where we are perhaps distracted by the minutia, enamored of it and thus lulled ...
Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and
Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...
Luis Guillermo Ramírez Ezquerra - Luis RE. Artist statment. Versus: sobre Borderline borderline [boer-der-lain] s. Limite, orilla, frontera.- a. Incierto, dudoso. A borderline case, caso entre lo normal y lo subnormal. borderline (termino psicoanalitico): caso clinico de personalidad que oscila entre varias patologias, sin tendencia a alguna en particular. "El caracter de la imagen se determina por la relacion establecida entre el adorante y el adorado" Shukrasharia. La frontera entre una cosa y otra siempre ha sido creada, por lo tanto es siempre suceptible a la destruccion. Lo hermoso puede ser grotesco de un momento a otro. La vida tiene como companera mas cercana a la muerte. Nada es forma o pura, incluso lo que supone serlo. Entre los trazos basicos de las lineas se esconde una verdad. La imagen misma de las lineas del trabajo de luis RE Borderniline -horizontales pasivas o activas verticales- nos sugiere ya la idea misma de limite. ?limite de que? Borderline, actual peldano pictorico del aritsta, sugiere marcar y desvanecer limites, y confronta tres pares de ideas, fundamentales para su poetica pictorica: 1. La imagen vs. ...
Ellen Rosenberg - aEURoeWhen you approach something to photograph, first be still with yourself until the object of your attention affirms your presence. Then donaEURtmt leave until you have captured its essence.aEUR Minor White Art is neither a profession nor a hobby. Art is a way of being. It is an expression of the human spirit and an integral part of all beings. My creative passion is expressed through the art of photography, allowing for a vocabulary of imagery that is my own. These photographs arise out of my own spirituality, a practice of mindfullness and being fully awake to the present moment. As my journey has taken me deeper into the study of Dharma I have recognized that the camera becomes an extension of my being. I bring the camera to my eyes and aEURoefeelaEUR the image that appears in front of me with a heightened awareness. An opening to the world precisely as it is, offering up all the richness and beauty that is present within this moment of time. I seek to create an intimacy with my photographs, allowing for the viewer to feel the art form, not as a two dimensional visual archive of a moment, but to...
Tom Miller - My work is Rinky-Dink in nature; that being to do the least amount of effort with all the wrong tools for all the wrong reasons at the wrong time and place. Magic Marker is my specialty, but I often dabble in "fake" painting on the internet with shareware paint programs I download from random sites, glitter glue, xerox copies of originals (the originals then get destroyed and the xerox copies become the original work), and painting with my butt. I think of my art as generally worthless since nobody ever buys any of it. But I continue making it because they say that you live on in your work, and that is why my art is so silly. -- Tom Miller, Artist, UFO Expert...
Ron Zilinski - I have been drawing designs for thirty years. I first took an interest in spirograph but couldn't get used to the cog wheels. I doodled at first with 8.5 inch by 11 inch paper. Everyone wanted me to make them a design. I drew designs on a bigger scale and now draw on 22" by 28" poster paper. My drawings will take a minimum of 80 hours to complete. Some design drawings take me over 100 hours to complete. This type of artwork leaves no room for errors. Imagine drawing for 60 hours and make a mistake, it will show up in the drawing. There is no way to draw these designs fast and an incredible amount of determination is needed to complete a drawing. You must really enjoy it or it won't work out. Please look at my two NEW YORK MEMORIAL drawings on my website. They were drawn in memory of September 11/01. I use pens in my drawings. It is called Pen Art. I am currently looking for an agent who will handle my artwork, please contact artist. All my Originals are available for sale with the rights to them. The Originals can ...
Tyler Alpern - I Most importantly, there should exist a beautiful work of art; but upon closer inspection, my imagery often reveals a surprising message in the guise of something far more tame. I strive to make exquisite paintings, but also use the canvas as place to share and document what I am thinking. It can be a daunting challenge to use a visual language to express my very wordy thoughts. Thus details are everything. Any small object in a piece can carry significant meaning. My paintings are frequently inspired by something unconventional and can be highly narrative or even fable like. I admire unusual people who had the courage to be themselves and follow their own star. The characters I use can be historical, fictional, celebrity or personal acquaintances; but they often possess a beauty unappreciated by mainstream culture or values. The story I might be telling is a departure point from which I craft an image. The painting should intrigue and delight the viewer regardless of whether the events or characters are recognized or not. The essence of the meaning should be decipherable even if the particulars are unknown. Once I select my subjects and compositions, what consumes nearly all of ...
Dennis Rennock - Dennis Hugh Rennock artist statement From the pure and simple clarity of vision to the intensely multifaceted and complex visual arts purpose is to stimulate individual growth in thought, perspective, wonderment and truth. Intellectual and emotional representation of line, stroke and color breathe life into the artists vision of truth, beauty, concern and or belief. Along with freedom, the artist employs a wealth of pragmatic disciplines and self-imposed principles to craft and reveal or refine a work of art. My work appeals to the general American and British audience, black and other people of color, major influences come from the mastery of Da Vinci, Escher, Thiebaud, Basquiat, Cassatt, Augusta Savage, Norman Lewis Chuck Close....
Michael Rusch - It is interesting how the term Western Art is defined. For many it means cowboys and horses. While others think of the romantic exagerations by Remington. Still others will seriously consider Western Art, only if it represents the Southwest region. Well having been born in the American West.Living on a Farm/Ranch. Mining for coal and moly at one time. Living the city lifestyle as well, I see the the term Western Art as so much more. The color of the West encompasses its land, people and their attitudes . Whether from the past, future or present day, this color has its own unique quality. This is why I don't like to confine my subject matter to only the pre concieved traditional notions or ideas of what American Western Art is. Its the experiences I'm after so I can put them in the art. ...
Giuseppe Saitta - As a writer and a poet, I've known for some time that my words are the wings of my emotions. However, as an artist I know that my abstract images are my emotions made manifest. I also know that art is and always has been the language of the soul. And I believe that it is through art that I can best communicate with my soul and spirit and your soul and spirit, and in so doing transform and grow beyond my limiting beliefs and struggles into absolute freedom. All of the arts can be portals into the deepest and most remote aspects of who we really are. The Realm of art is music, dance, body movement, painting, drawing, design and architecture, sculpture, theater, writing prose or poetry, mythic ritual, and yes all of the highest and most aesthetic aspects of science, philosophy, and mathematics. By risking whatever we must risk to leap through any of the many gateways of art and science, we give ourselves the gift of opportunity to awaken within us the long dormant languages of image and rhythm. These are experiential languages, like the language of touch. Most of these languages are metaphors for expressing ...