Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...
Elisha Sherman - My craft designs are elaborate with hidden objects or intricate designs waiting to be seen. Process is essential to my work and begins with the medium of paper. I use a unique form of decoupage working with handmade papers and an assemblage of found objects. I like symmetry in my work and often balance size, shape, and color with pattern, and texture. I love to have fun with my designs and enjoy working with clients to create custom pieces for their special occasions. I continue to create my work with exuberance as it is a nice respite from the constraints of formal teachings as the possibilities are endless in multimedia. The evolution of my line continues, as I am currently designing bottle cap art with genuine gemstones, handmade papers, and charms that can also be turned into necklaces. ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
John Neville Cohen - PAINTING WITH LIGHT 'Painting with light' is all about photographing projected images that surprisingly are not often projected on to a screen. John discovered the projector really is a magical magic lantern! Computers and digital images were unknown at the time when some of his finest pictures were created (some of them nearly 50 years ago). Yet they have stood up to the test of time and are still considered exceptional, making quite a statement! It was by chance, seeing an image projected, partly on the curtains and wallpaper that started this unique art form. By moving the projector and focusing on to other objects, noting how they distorted the image and influenced the texture and shape, led to the idea of photographing what could be seen. Then by adding more projectors he was also able to blend different images too and so 'painting with light' began. John started with an idea and experimented with various images, but he explained that sometimes something unforeseen happened, that sent him down a totally fresh route to create a very different picture than was originally planned, it is these 'inspired accidents' that have since turned out to be his very best works. The ...
Vanessa Bernal - Artist's statement: My earliest childhood memories are those of painting with my grandfather and frequently visiting the Art Institute of Chicago where we would spend countless hours together. He taught me that everything we come in contact with has the potential of becoming a work of art. My grandfather and I would take walks together to hunt for "treasures" of discarded objects that later he would turn into beautiful collages and assemblages. It is those lessons I carry with me and -today- in my work I see his influence. I have never been comfortable with expressing myself verbally. I am not one to strike up a conversation with a stranger, nor do I feel comfortable speaking to a group of people. Visual expression comes naturally to me; it is through this means I can best communicate with others and feel the most comfortable. At a young age I became aware of the injustices being perpetrated in the world and was deeply disenchanted with the political process as a means of creating effective change in our global community. For me, becoming an artist was inevitable. Through the visual arts not only did I communicate my life's passions, my fears, ...
Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...
Bert Menco -
Jeffrey Dickinson - My work revolves around the figure. Most is drawn directly from a model in a studio setting. Although that sounds simple anyone who has attempted it knows it takes years of practice and effort to produce something worthwhile. I am constantly working towards improving my drawing skills. A few years ago I began doing quick watercolors over my pencil drawings. I like the spontaneity and immediacy achieved in this way. I also paint in oils and acrylics. These paintings are much more planned out and carefully executed. Although the subject matter is often surreal or narrative they still have as there basis a realistically drawn figure. ...
Christa Skoff Oglan - The muse, the madonna and the goddess captured in an endless dream is a recurrent theme of the figurative paintings. I strive to provide a feeling of mystery and opulence that act as points of departure into personal inward journeys for the viewer. ...
Javier Caņete - My name is Javier Canete. I'm from Argentina. My art is developed through the batik, acrylic painting and photography. In that I develop my restlessness and convictions, always treating that the beauty prevails. At the moment I expose my works in Buenos Aires but my art is in many places of the world. That is something that honors me and full with happiness....
Sigmund Sieminski - Stating of the obvious....."art" is always a matter of perception.or as the infamous Popeye the Sailorman was quoted... "I ain't no physicist, but I know what matter's". ART reminds me of lifes' most essential ingredient..that being water. It is fluid, can freeze moments in time, and can transport you. And in its gaseous state is as etherial as the concept of art itself. ...
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