Artists Describing Their Art:
Pedro Ramon Rodriguez Quintana - Hi,my name is Pedro Ramon,I'm a painter of Spain,I work in Spain,and I'm work in art since a know the plastic art and concrete the paint plastic art,but I'm a artis to touch more form of expressions,sculpture,video,computer,photograf,and other temes,my referent idols in the paint work there are so mutch,and i'm have another idols to bright to me i'm my inspirations,like other artist of all genered of music overthere of modern musik,or cinema stars ,or films that all epoques, however I don't real in agree with all of they think and some postures and forms of live acctions,I'm don't considere me that a right or left political,I'm in the middel of some possitions in the world political,somewere I conffusion in this auctitudes,beacouse I don't have a great resolutions. I like painting in american and european styles,expressionism abstract,pop art and conceptual art,and some times I painting in all styles of the world.I'm living in Alcorcon, Madrid when I study and work with art since 1991,I compart my ...
Yucel Donmez - Yucel Donmez's place in Turkish and American Art History: Yucel Donmez has been continuing his artistic work in Chicago since 1980. He has staged many exhibitions both in Turkey and in the States and was accepted into one of the most influential art encyclopaedias to shape American art history, 'Who is Who in American Art' in 2000. His inclusion in the 'Biographical Encyclopaedia of American Painters, Sculptors and Engravers of the U.S.' in 2002, followed by the 'Devonport's Art Reference' encyclopaedia, Donmez has secured a permanent place in American art history. Yucel Donmez also appears among the 63 artists from Chicago to have entered the renowned art reference book, 'Art Diary International', published every year by the famous 'Flash Art' magazine in Italy. Awards: 2003 'Who is Who in American Art' prize plaquette Donmez has been recognised by American art critics (Alan Artner, Chicago Tribune, 1989) as an artist who has shed new light upon the art of painting with his self-developed painting techniques. He obtained 'The National Medal of Art' one of the most important awards in the United States in 1995, for his 11-year-long ...
Yucel Donmez -
Alkistis Wechsler - Reality meets myths. Personal visual impressions of chosen English gardens ... lately also Mediterranean seaside, are coming together in imaginative collages and alchemic transformation. . Sensitive to the environment as well as to human interactions and expressions it all translates into visual myths . Not only travels between geographical points, but also a thirst for such trips in the mind through myths and readings of initiatic rituals of metamorphosis, infiltrated as well my art of painting. At the end, every archetype (for example Heliogabalus, Persephone and Artemis) and every movement reaches back to the source of rhythm and scales creating a personal mythology and so I understand my self and the world after each painting is done by a hypersensitive process and not a premeditated rational plan. The seasons or the elements and their rhythm are interwoven with my vision of human soul and the soul of the sea ...
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...
Wendy Lippincott -
Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....
Gregory Liffick - I like to find new life in old, found items. I perform a kind of plastic or reconstructive surgery on the materials that I find in thrift stores and other like places, refinishing and refreshing their skin with spray enamel or acrylic paint and reforming and improving their shapes with bits and pieces from elsewhere. In the process of reimaging the items, I resurrect them from the past and bring them into the present, making them current and relevant through the concepts and messages I attach to them, commentaries on the state of things in the world today. I give new purpose and interest to items that have lost their place in the onrush of use and fashion. I take once upon a time materials and try to make them timeless....
Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...
Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...
Simon Kavanagh - Why is it, or how is it that after the most incredible artistic revolution which occurred at the beginning of the last century, Art has become the most static of all the arts. Considering, that experimentation into the use of computers and technology in artistic expression started proper in the 50's, why then is art not catering for increased social awareness and using the tools that are currently and for some time have been at their disposal. What would the Futurists, Cubists, Constructivists etc. have made of this advanced technology, if you consider for example what the Futurists did with cinema in 1916, and the cubists with painting and sculpture. Lets not, belittle all the very unique and ground breaking work that was created in the 50 years that followed, Fluxus, OP Art, pop art, kinetic art, happenings etc. It seems after Nam juin Pak, everything went horizontal, even his work...What is next? What has happened to the modern day artist? Commerciality perhaps! Lack of inspiration? Skill? Time?...
Alberto Martorana - Each of my projects corresponds to a thread in my life. Each of them is related to how my sense of reality is impacted by what I'm living. There's an intimate connection between the drama in my life and the drama in my work. The connection is not necessarily an obvious one, but a symbolic one. The symbols are drawn from different traditions; their insertion into my projects has a lot to do on how they provide support and connection to the reality I live. Conceptually, my art is an expression associated to my personal circumstances but not a representation of them. It is a quest for wholeness, especially at moments in which my emotions and reason antagonize. Art for me is neither a ritual nor an opportunity for psychoanalysis. A ritual implies a covenant; psychoanalysis implies a search for a remedy. Art for me, is neither a negotiation nor a solution, it's a process of realization. I think, I draw, I paint, I play It's my way of finding sense to life. What is that fuels of my art? My mortality does. It's possible to forget my inadequacies as long as I'm here ...