Artist Information:
Barbara Macdougall
Princeton,
Canada
Member Since: Apr 2005
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Artist Statement:
Artist's Statement
I'm a self-taught figurative artist. I love drawing from both professional models and people who just want their portrait done. I love pure line. I love shadow. I love pencil and charcoal and monochrome. I love the potential which lies between the lines and between a drawing and the viewer. It's that last where magic and meaning happen in any art.
Pure and powerful draftsmanship always moves me and influences span continents and centuries: from individuals such as Kathe Kollwitz and Otto Dix, to the great and largely anonymous 19th century First Nations carvers of the West Coast of Canada, to classical Renaissance and Baroque artists, to Rembrandt, to the American Abstract Expressionists Robert Motherwell and Franz Kline in the 20th century.
I learned to draw the human form by looking and drawing, and then drawing some more. Drawing for most of 35 years, with a few too-long breaks here and there. Constant drop-in life drawing, two, three, four sessions during the week, maybe a couple of times on a weekend.
I modelled for many years so I know first hand exactly what hurts and how damned much, and what's going ...
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Barbara Macdougall's Free Artist Portfolio
Welcome to Barbara Macdougall's Portfolio. Artist's Statement
I'm a self-taught figurative artist. I love drawing from both professional models and people who just want their portrait done. I love pure line. I love shadow. I love pencil and charcoal and monochrome. I love the potential which lies between the lines and between a drawing and the viewer. It's that last where magic and meaning happen in any art.
Pure and powerful draftsmanship always moves me and influences span continents and centuries: from individuals such as Kathe Kollwitz and Otto Dix, to the great and largely anonymous 19th century First Nations carvers of the West Coast of Canada, to classical Renaissance and Baroque artists, to Rembrandt, to the American Abstract Expressionists Robert Motherwell and Franz Kline in the 20th century.
I learned to draw the human form by looking and drawing, and then drawing some more. Drawing for most of 35 years, with a few too-long breaks here and there. Constant drop-in life drawing, two, three, four sessions during the week, maybe a couple of times on a weekend.
I modelled for many years so I know first hand exactly what hurts and how damned much, and what's going ... |
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