Artist Information:
Agnieszka Ledochowska
sopot,
Poland
Member Since: Oct 2003
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Artist Statement:
I freez paintings to see the
moment as eternal and lost.
The colors of blood and
nothingness join the subject
as a visitation of life and
death.
A fragile moment is destroyed
and transformed by the
presence of symbolic color.
The vision of a christening
and an epitaph in each image
withers the instant into an
indestructible flake,
embalming life captured in a
camera click in a shroud of
meaning.
The hard scraping edge of a
spatula is chosen tool for
applying red, black, white,
and resinous paint over
canvas.
he application of color with
a knife cuts away the possible
in the destructive and
tactile act like the movements
used to remove a barnacle .
Each painting demands a new
discovery.
The abstracts have led to
landscapes with new technique.
I tried to "forget about the
previous" and sometimes paints
over an earlier work as way
of "ending up with the past."
Each new work is a separate
birth.
When the work is going well,
I'm filled with a sense being
complete and being part of
it&<8230; as part of me.
Flesh of my flesh.
The way the underground comes
up to us , it bottles up an
intoxicating ...
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Agnieszka Ledochowska's Free Artist Portfolio
Welcome to Agnieszka Ledochowska's Portfolio.
I freez paintings to see the moment as eternal and lost.
The colors of blood and nothingness join the subject as a visitation of life and death.
A fragile moment is destroyed and transformed by the presence of symbolic color.
The vision of a christening and an epitaph in each image withers the instant into an indestructible flake,
embalming life captured in a camera click in a shroud of meaning.
The hard scraping edge of a spatula is chosen tool for applying red, black, white, and resinous paint over canvas.
he application of color with a knife cuts away the possible in the destructive and tactile act like the movements used to remove a barnacle .
Each painting demands a new discovery.
The abstracts have led to landscapes with new technique. I tried to "forget about the previous" and sometimes paints over an earlier work as way of "ending up with the past." Each new work is a separate birth.
When the work is going well, I'm filled with a sense being complete and being part of it&<8230; as part of me.
Flesh of my flesh.
The way the underground comes up to us , it bottles up an intoxicating ... |
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