Artist Information:
Jan Strup
Prague 9 - Vinor,
Czech Republic
Member Since: Nov 2006
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Artist Statement:
My Art could possibly be best
described as „Sense Data Art“,
from the term brought up by
the last century´s British
philosopher H.H. Price. For
him Sense Data were the
„momentary nonanalyzeable
personal objects and states of
perception“. The ever existing
question of the essence of
perception and its importance
for Art was for me the most
thrilling one.
Hence the story of my artistic
activity may be called as
writing a „Sense Data Art
Diary“. As Sense Data, the
mind dependent or mind
independent „personal
objects“, cannot be further
analyzed, the Artist may, by
using his sensitivity, try to
transcribe these objects on
paper and to record them for
himself and others.
Predominantly the daily pages
of my „Sense Data Art Diary“
were worked out by the method
of reinvented automatic
drawing as first used by the
surrealists. These first
unintentional drawings are in
the process of further
interaction uncovering the
essence laying behind or in it
as the sculpture is slowly
appearing from the rough stone
to its final form. This final
shape invites for a title,
which gives it another
spiritual dimension. ...
Further Information
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Jan Strup's Free Artist Portfolio
Welcome to Jan Strup's Portfolio.
My Art could possibly be best described as „Sense Data Art“, from the term brought up by the last century´s British philosopher H.H. Price. For him Sense Data were the „momentary nonanalyzeable personal objects and states of perception“. The ever existing question of the essence of perception and its importance for Art was for me the most thrilling one.
Hence the story of my artistic activity may be called as writing a „Sense Data Art Diary“. As Sense Data, the mind dependent or mind independent „personal objects“, cannot be further analyzed, the Artist may, by using his sensitivity, try to transcribe these objects on paper and to record them for himself and others. Predominantly the daily pages of my „Sense Data Art Diary“ were worked out by the method of reinvented automatic drawing as first used by the surrealists. These first unintentional drawings are in the process of further interaction uncovering the essence laying behind or in it as the sculpture is slowly appearing from the rough stone to its final form. This final shape invites for a title, which gives it another spiritual dimension. ... |
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