Artist Information:
Rosemarie Gleiser
Valencia,
Spain
Member Since: Dec 2004
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Artist Statement:
The use of a nude human body
in my artwork gives place to
two concepts: in the first
place it is to speak about the
mind, the transparent and
plastic essence of the being
as well as its frailty and
vulnerability. In second
place, and paradoxically it
corresponds to the image of
the body as an object, the
body as an action field for
relationships to take place,
and of the body as a doubly
mutilated fragment (due to
photography framing and for
any kind of injure against the
human being).
The mind concept is elaborated
in my work by means of
plastics that represent for me
a border between the material
and the unsubstancial. While
the warmth of the body or its
surface, represent for me the
hair, the photographic image
as well as the printmaking
papers. In this sense,
plastics work as a metaphor
for the mind and the clarity
of thoughts. The fragility of
that border allow us to see
through our bodies.
If formerly I used evanescent
materials in order to manifest
what was happening beneath
that skin or within those
thoughts, now with the hair
drawings I am representing the
tensions generated between
human beings...
Further Information
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Artist Exhibitions:
Coming Soon!
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Artist Galleries:
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Artist Reviews:
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Collections:
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Commissions:
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Rosemarie Gleiser's Free Artist Portfolio
Welcome to Rosemarie Gleiser's Portfolio.
The use of a nude human body in my artwork gives place to two concepts: in the first place it is to speak about the mind, the transparent and plastic essence of the being as well as its frailty and vulnerability. In second place, and paradoxically it corresponds to the image of the body as an object, the body as an action field for relationships to take place, and of the body as a doubly mutilated fragment (due to photography framing and for any kind of injure against the human being).
The mind concept is elaborated in my work by means of plastics that represent for me a border between the material and the unsubstancial. While the warmth of the body or its surface, represent for me the hair, the photographic image as well as the printmaking papers. In this sense, plastics work as a metaphor for the mind and the clarity of thoughts. The fragility of that border allow us to see through our bodies.
If formerly I used evanescent materials in order to manifest what was happening beneath that skin or within those thoughts, now with the hair drawings I am representing the tensions generated between human beings... |
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