Political (10)

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Browse 10 Political Sculptures artworks for sale. Contemporary artists: Stephen Mead, Nora Blansett, Chad A. Carino, Tupper Malone, Eduardo Diaz, Barb Mann offering Sculptures artworks. Links to more artworks by these contemporary artists and 1 pages for Sculptures and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any of the art below click on the image to go to a more detailed page about this work of art.


Contemporary Art / Sculptures / Previous / Next
Stephen Mead: 'PocketTwo', 1995 Watercolor, Political. Artist Description:  Evocative grief/ consolation, incorporated into the series
, 1995
Political - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Nora Blansett: 'Behind the Veil', 2011 Watercolor, Political. Artist Description:  Behind the Veil was inspired by my years living in Saudi Arabia.  5 x 7, Watercolour and Ink on Cold Press Block. Saudi Islam Muslim Arabia Arab Women Woman hidden eyes face...
Political - Watercolor
5 x 7 inches (12.7 x 17.8 cm)
Chad A. Carino: 'No Regrets for Cowards', 2008 Watercolor, Political. Artist Description:  Watercolor on sawn canvas in three parts mounted on painted wood. ...
Political - Watercolor
48 x 18 inches (121.9 x 45.7 cm)
Tupper Malone: 'SACRED WORDS IMPERFECT Number 1', 2007 Watercolor, Political.
Political - Watercolor
30 x 22 inches (76.2 x 55.9 cm)
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Eduardo Diaz: 'mujer', 2005 Watercolor, Political. Artist Description: water mixable oil color...
, 2005
Political - Watercolor
15 x 20 inches (38.1 x 50.8 cm)
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Eduardo Diaz: 'where', 2005 Watercolor, Political. Artist Description: water mixable oil color...
, 2005
Political - Watercolor
15 x 20 inches (38.1 x 50.8 cm)
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Eduardo Diaz: 'My', 2006 Watercolor, Political. Artist Description: water mixable oil color on paper...
, 2006
Political - Watercolor
20 x 15 inches (50.8 x 38.1 cm)
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Eduardo Diaz: 'dream', 2005 Watercolor, Political. Artist Description: water mixable oil color on paper...
, 2005
Political - Watercolor
20 x 15 inches (50.8 x 38.1 cm)
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Barb Mann: 'GMO food Technician', 2014 Watercolor, Political. Artist Description:  Yes I'll feed the entire planet. No soil, no water, no color , no taste, what you don' t like that? I don' t care. ...
Political - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
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(Page 1 of 1) - MORE ARTWORKS

Artists Describing Their Art:

Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

Tupper Malone - I have come to painting by a circuitous route having worked for over 25 years as a sculptor. In 2000, I took up watercolor and collage as my creative outlets. In recent work, I am creating Journies. In the Terra Series I am using imaginary mapping and symbols to focus on exploration. I have done ten of the pieces to date and intend to continue adding definition to this work. In Sacred Words Imperfect, I am employing two primary techniques--air brush and watercolor pours. I use airbrush to create and array of angles criss-crossing the jumble of letters creating words and mystery. In Technicolor Cows and the Opus Series, I use a "watercolor pour"-- permitting a spontaneous reaction to the color as it is set down on paper. Using watercolor crayons along with negative painting draws the subject off of the paper as I work on the painting. Using the watercolor crayons on top of a pour, the colors layer on top of one another in an ever changing the dimension. The layering of the crayon, pour and negative painting adds a depth to the visual work that creates excitement. I enjoy working in these styles and feel ...

Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...