Watercolors For Sale - Price Range: $100 - $500
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Discover 1,892 original watercolors artworks for sale between $100 - $500. Contemporary emerging artists: Mary Helmreich, Jiaur Rahman, Nora Blansett, Vagik Iskandaryan, Diane Kastensmith Bradbury, Debbie Homewood, Jonathan Benitez, Vanessa Bernal, Dana Zivanovits, Jeffrey Dickinson, Roger Cummiskey, Clinton Lown, Joanna Glazer, Ken Hillberry, Julie Richman are exhibiting their affordable original art. You can buy artwork online and browse 66 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.
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Vagik Iskandaryan - Every artist dips his brush in his soul, and paints his own nature into his pictures. " Henry Ward Beecher" An artist's painting becomes reare evidence of his inner unseen world. As time progresses that unseen world changes and so does his art. For me, the process of creating vital art is mainly a search and contact with the mystical or it could be the real experience of the mystical world. It is the way of discovering true beauty. The creative process itselfe brings me a sense of fulfillment and that is what I find to be so exciting and enjoyable. An artist should always strive for perfection because the perfection is the atribute of beauty that is the path he has chosen. Nothing should stop him until he can taste the nectar of perfect masterpiece. Then, he can fall in love not only with his art, but also the unseen world from where the real art manifest itself. My paintings are composed of figurative and abstract melodic forms. I called them the inner landscapes The second is pure abstract But the main source of my inspiration, knowledge and experience in art, I have obtained through my wonderful relationship with ...
Diane Kastensmith Bradbury - I love the spontaneity and freshness of watercolor - especially the "accidental" movement of color that results from painting wet into wet. I usually start with a wet into wet technique, and work through all the stages of the paper, until I am painting wet into dry. I often soak the painting in the bathtub overnight to soften the edges and lighten the colors, going back in the next day to sharpen details and brighten or darken colors where needed. I repeat this process until I can see that the painting is finished. I believe the record for the number of times this was done was a painting I sold in 1985, called "Blue Tree". It had been soaked twenty-two times before I was satisfied with the result. Of course, high quality paint and paper are essential to this process. "Seasons ...
Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...
Vanessa Bernal - Artist's statement: My earliest childhood memories are those of painting with my grandfather and frequently visiting the Art Institute of Chicago where we would spend countless hours together. He taught me that everything we come in contact with has the potential of becoming a work of art. My grandfather and I would take walks together to hunt for "treasures" of discarded objects that later he would turn into beautiful collages and assemblages. It is those lessons I carry with me and -today- in my work I see his influence. I have never been comfortable with expressing myself verbally. I am not one to strike up a conversation with a stranger, nor do I feel comfortable speaking to a group of people. Visual expression comes naturally to me; it is through this means I can best communicate with others and feel the most comfortable. At a young age I became aware of the injustices being perpetrated in the world and was deeply disenchanted with the political process as a means of creating effective change in our global community. For me, becoming an artist was inevitable. Through the visual arts not only did I communicate my life's passions, my fears, ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Jeffrey Dickinson - My work revolves around the figure. Most is drawn directly from a model in a studio setting. Although that sounds simple anyone who has attempted it knows it takes years of practice and effort to produce something worthwhile. I am constantly working towards improving my drawing skills. A few years ago I began doing quick watercolors over my pencil drawings. I like the spontaneity and immediacy achieved in this way. I also paint in oils and acrylics. These paintings are much more planned out and carefully executed. Although the subject matter is often surreal or narrative they still have as there basis a realistically drawn figure. ...
Roger Cummiskey - I am a full time visual Artist. www.rogercummiskey.com Membereships: Professional Member of Visual Artists Ireland - VAI. Member The ArtistsaEURtm Resale Right (ARR) (Droit de Suite) In Ireland - IVARO. Chairman of the Andalusian International Artists Group - AIA-Group - PAIA. Member AsociaciA3n EspaA+-ola de Pintores y Escultores - AEPE. Member AsociaciA3n de Acuarelistas de MA!laga - AAM.. Member of NADFAS - Costa del Sol Decorative and Fine Arts Society. I am a Professional Member of the Sculptors' Society of Ireland Ltd. (aka Visual Artists Ireland)
Clinton Lown - " Should you ask me, whence these stories? Whence these legends and traditions, With the odors of the forest, With the dew and damp of meadows, With the curling smoke of wigwams, With the rushing of great rivers, With their frequent repetitions, And their wild reverberations, As of thunder in the mountains? I should answer, I should tell you," Damn the Damp and where the hells Dave Cramp? Last time I saw him was when we was pulled over on Bathhurt by the Bronze dogs....
Joanna Glazer - The inner images and bold colours Joanna Ewa Glazer incorporates in her work convey a sense of abundance, total immersion into life and optimism. In her paintings, she creates a space of beauty and paradise in the way that shows resilience and strength regardless of circumstances. Each painting is like a poem , a life affirming experience." All her work is also about sense of identity, search for it and hints as to where to find it She finds her sources in fashion magazines, newspapers, books, art reviews, and advertising. Even a simple image in everyday newspapers may awaken emotion. Joanna Ewa Glazer has travelled and lived for long periods in numerous countries: Poland, France, Italy, Japan, USA, Belgium and UK. She was born in Gdansk (Poland).. ...
Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...
Julie Richman - The urban landscape is a reference point for the shapes and images I create in paintings, monotypes, drawings, and one-of-a-kind artist's books. Although this idea concerns the environment and is somewhat thematic, the work is abstract in that I use shapes, colors and geometric forms to express in paint, the feelings engendered by life in the concrete world. I transform what I see into a painting populated by shapes, colors, nonexistent dwellings and containers surrounded by fictitious plants, animals, and strange forms of life. These elements become characters in a visual drama within the picture plane, choreographed to take place during the time the work is viewed, much like music or film. ...
(Page 7 of 66) - MORE ARTWORKS
Artists Describing Their Art:
Jiaur Rahman - Solo Exhibitions: Indian Art Collectors, November 2010 (Online) Indian Art Collectors, May 2009 (Online) Indiaart Gallery (Sponsored), Pune, India, 2007. Birla Academy of Art & Culture (Duet) (Sponsored), Kolkata, 2006. Chitrakoot Art Gallery (Sponsored), Kolkata, 2004. Archer Art Gallery (sponsored), Ahmedabad, 2003. Birla Academy of Art & Culture, Kolkata, 2002. Academy of Fine Arts, Kolkata, 2002. Fortune Landmark Hotel, (Welcome Group), Ahmedabad, 2001. Group Exhibitions: "Celebrating The Sprit Of India"- Convention Foyer, India Habitat Centre, New Delhi, October 2010.(Organiged by Indian Art Nouveau Gallery, Gurgaon) "Celebrating The Sprit Of Love"- Experimental Art Gallery, India Habitat Centre, New Delhi, October 2010.(Organiged by Indian Art Nouveau Gallery, Gurgaon) "Kolkata Art Fair" Organiged by Kolkata Art House at- "A Rainbow Of Colours"- Epicentre, Organiged by Indian Art Experience Gallery, Gurgaon, July 2010. "An Extravaganza Of Colours"- Art Lounge, The Claridges , Faridabad Organized by Indian Art Experience Gallery & The Claridges, New Delhi April 2010. "Colours Of India"- The Art Experience Gallery, Gurgaon, January 2010. "Life Is Not Black & White'- Visual Art Gallery, India Habitat Centre (Organized by Indian Art Experience Gallery), New Delhi, October, 2009. "Life Is Not Black & White'- Epicentre, Organiged by Indian Art Experience Gallery, Gurgaon, October 2009. "Mystic Expressions " - Visual Art ...Vagik Iskandaryan - Every artist dips his brush in his soul, and paints his own nature into his pictures. " Henry Ward Beecher" An artist's painting becomes reare evidence of his inner unseen world. As time progresses that unseen world changes and so does his art. For me, the process of creating vital art is mainly a search and contact with the mystical or it could be the real experience of the mystical world. It is the way of discovering true beauty. The creative process itselfe brings me a sense of fulfillment and that is what I find to be so exciting and enjoyable. An artist should always strive for perfection because the perfection is the atribute of beauty that is the path he has chosen. Nothing should stop him until he can taste the nectar of perfect masterpiece. Then, he can fall in love not only with his art, but also the unseen world from where the real art manifest itself. My paintings are composed of figurative and abstract melodic forms. I called them the inner landscapes The second is pure abstract But the main source of my inspiration, knowledge and experience in art, I have obtained through my wonderful relationship with ...
Diane Kastensmith Bradbury - I love the spontaneity and freshness of watercolor - especially the "accidental" movement of color that results from painting wet into wet. I usually start with a wet into wet technique, and work through all the stages of the paper, until I am painting wet into dry. I often soak the painting in the bathtub overnight to soften the edges and lighten the colors, going back in the next day to sharpen details and brighten or darken colors where needed. I repeat this process until I can see that the painting is finished. I believe the record for the number of times this was done was a painting I sold in 1985, called "Blue Tree". It had been soaked twenty-two times before I was satisfied with the result. Of course, high quality paint and paper are essential to this process. "Seasons ...
Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...
Vanessa Bernal - Artist's statement: My earliest childhood memories are those of painting with my grandfather and frequently visiting the Art Institute of Chicago where we would spend countless hours together. He taught me that everything we come in contact with has the potential of becoming a work of art. My grandfather and I would take walks together to hunt for "treasures" of discarded objects that later he would turn into beautiful collages and assemblages. It is those lessons I carry with me and -today- in my work I see his influence. I have never been comfortable with expressing myself verbally. I am not one to strike up a conversation with a stranger, nor do I feel comfortable speaking to a group of people. Visual expression comes naturally to me; it is through this means I can best communicate with others and feel the most comfortable. At a young age I became aware of the injustices being perpetrated in the world and was deeply disenchanted with the political process as a means of creating effective change in our global community. For me, becoming an artist was inevitable. Through the visual arts not only did I communicate my life's passions, my fears, ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Jeffrey Dickinson - My work revolves around the figure. Most is drawn directly from a model in a studio setting. Although that sounds simple anyone who has attempted it knows it takes years of practice and effort to produce something worthwhile. I am constantly working towards improving my drawing skills. A few years ago I began doing quick watercolors over my pencil drawings. I like the spontaneity and immediacy achieved in this way. I also paint in oils and acrylics. These paintings are much more planned out and carefully executed. Although the subject matter is often surreal or narrative they still have as there basis a realistically drawn figure. ...
Roger Cummiskey - I am a full time visual Artist. www.rogercummiskey.com Membereships: Professional Member of Visual Artists Ireland - VAI. Member The ArtistsaEURtm Resale Right (ARR) (Droit de Suite) In Ireland - IVARO. Chairman of the Andalusian International Artists Group - AIA-Group - PAIA. Member AsociaciA3n EspaA+-ola de Pintores y Escultores - AEPE. Member AsociaciA3n de Acuarelistas de MA!laga - AAM.. Member of NADFAS - Costa del Sol Decorative and Fine Arts Society. I am a Professional Member of the Sculptors' Society of Ireland Ltd. (aka Visual Artists Ireland)
Clinton Lown - " Should you ask me, whence these stories? Whence these legends and traditions, With the odors of the forest, With the dew and damp of meadows, With the curling smoke of wigwams, With the rushing of great rivers, With their frequent repetitions, And their wild reverberations, As of thunder in the mountains? I should answer, I should tell you," Damn the Damp and where the hells Dave Cramp? Last time I saw him was when we was pulled over on Bathhurt by the Bronze dogs....
Joanna Glazer - The inner images and bold colours Joanna Ewa Glazer incorporates in her work convey a sense of abundance, total immersion into life and optimism. In her paintings, she creates a space of beauty and paradise in the way that shows resilience and strength regardless of circumstances. Each painting is like a poem , a life affirming experience." All her work is also about sense of identity, search for it and hints as to where to find it She finds her sources in fashion magazines, newspapers, books, art reviews, and advertising. Even a simple image in everyday newspapers may awaken emotion. Joanna Ewa Glazer has travelled and lived for long periods in numerous countries: Poland, France, Italy, Japan, USA, Belgium and UK. She was born in Gdansk (Poland).. ...
Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...
Julie Richman - The urban landscape is a reference point for the shapes and images I create in paintings, monotypes, drawings, and one-of-a-kind artist's books. Although this idea concerns the environment and is somewhat thematic, the work is abstract in that I use shapes, colors and geometric forms to express in paint, the feelings engendered by life in the concrete world. I transform what I see into a painting populated by shapes, colors, nonexistent dwellings and containers surrounded by fictitious plants, animals, and strange forms of life. These elements become characters in a visual drama within the picture plane, choreographed to take place during the time the work is viewed, much like music or film. ...