Western (5)

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Browse 5 Western Sculptures artworks for sale. Contemporary artists: Judith Smith Wilson, James Dailey, Dana Zivanovits, Wendy Goerl offering Sculptures artworks. Links to more artworks by these contemporary artists and 1 pages for Sculptures and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any of the art below click on the image to go to a more detailed page about this work of art.


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Judith Smith Wilson: 'Western Splendor', 1995 Watercolor, Western. Artist Description:  Saddled horse tied to Misquite tree with painted rock background. Open Edition Prints Only $45. 00  Original Sold...
Western - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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James Dailey: 'THE PRAYER', 2008 Watercolor, Western. Artist Description:  I DID THIS IN SPOKANE WA. I TOOK THE BACK GROUND OUT AND PAINTED IN YELLOW THOUGHT IT GIVE IT A MORE MYSTIC LOOK OF A NORTHWEST INDIAN COMING OF AGE. NOTICE THE BLANKETS DHE IS SITTING ON . . THEY ALL HAVE A MEANING. .     ...
, 2008
Western - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
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Dana Zivanovits: 'CACTUS', 1983 Watercolor, Western. Artist Description:  An early work in watercolor on sketch paper- a signed and dated Zivanovit's original. ...
, 1983
Western - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Wendy Goerl: 'Ponys Turn', 2014 Watercolor, Western. Artist Description:  Gal and her pony taking a turn around the barrel at a fun show. Matted and ready for 8x10
, 2014
Western - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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(Page 1 of 1) - MORE ARTWORKS

Artists Describing Their Art:

Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Wendy Goerl - Time governs both my subject and my style. I am attracted to subjects in ephemeral states--the fall color that will be gone next week, the carnival that will move on in a few days, the kaleidoscopic sunset that will fade in a few minutes--and often revisit subjects to explore how they change through time. My style comes out of an ongoing negotiation between my desire to capture every hyperrealitisc detail and my fear that I'll rework a painting to destruction trying to resolve miniscule innacuracies that become amplified as I add increasing detail. The point of compromise is as individual as the subjects I paint. I work a la prima as much as I can, because the more time between the first and last strokes of a painting, the more likely I am to change modes at sometime during the creation....