Charcoal Drawings

Page 9 of 34
Richard Lazzara, Alex Cavinee, Amanda Coakley, Emilio Merlina offering original Charcoal Drawings artworks.


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Richard Lazzara: 'birth of my calligraphy', 1972 Charcoal Drawing, History. birth of my calligraphy 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'stool in the corner is for you', 1972 Charcoal Drawing, History. stool in the corner is for you 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'a star is born', 1972 Charcoal Drawing, History. a star is born 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'new image space deconstruction order', 1972 Charcoal Drawing, History. new image space deconstruction order 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'new york studio school drawing room', 1972 Charcoal Drawing, History. new york studio school drawing room 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'how to open space', 1972 Charcoal Drawing, History. how to open space 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'shipped here in a big box', 1972 Charcoal Drawing, History. shipped here in a big box 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'day after seeing dekooning', 1972 Charcoal Drawing, History. day after seeing dekooning 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'ladder into studio', 1972 Charcoal Drawing, History. ladder into studio 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara  is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'eve', 1972 Charcoal Drawing, History. eve 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
, 1972
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'floating planes of reality meeting', 1972 Charcoal Drawing, History. floating planes of reality meeting 1972 from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara  is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'strong shadows on the set', 1972 Charcoal Drawing, History. strong shadows on the set 1972  from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'resting on background', 1972 Charcoal Drawing, History. resting on background 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'understanding dynamics of  painting', 1972 Charcoal Drawing, History. understanding dynamics of painting 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'reclining in time', 1972 Charcoal Drawing, History. reclining in time 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'calligraphy big bang releases energies', 1972 Charcoal Drawing, History. calligraphy big bang releases energies 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Richard Lazzara: 'studio furniture design', 1972 Charcoal Drawing, History. studio furniture design 1972 from the folio DRAWING ON NY STUDIO SCHOOL TRAINING  by Richard Lazzara is available at
History - Drawing
36 x 24 inches (91.4 x 61.0 cm)
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Alex Cavinee: 'a city unwound', 2017 Charcoal Drawing, Undecided.
Undecided - Drawing
20 x 18 inches (50.8 x 45.7 cm)
Amanda Coakley: 'untitled abstract 1', 2017 Charcoal Drawing, Abstract.
Abstract - Drawing
6 x 4 feet (1.83 x 1.22 m)
Emilio Merlina: 'the announcement', 2018 Charcoal Drawing, Fantasy. canvas...
Fantasy - Drawing
51 x 43 cm (20.1 x 16.9 inches)
Emilio Merlina: 'the queen is back', 2018 Charcoal Drawing, Fantasy. canvas...
Fantasy - Drawing
55 x 40 cm (21.7 x 15.7 inches)
Emilio Merlina: 'quiet places', 2018 Charcoal Drawing, Fantasy. on laminated panel...
Fantasy - Drawing
200 x 30.5 cm (78.7 x 12.0 inches)
Emilio Merlina: 'my crew is back', 2018 Charcoal Drawing, Fantasy. canvas...
Fantasy - Drawing
55 x 53 cm (21.7 x 20.9 inches)
Emilio Merlina: 'without thorns', 2018 Charcoal Drawing, Fantasy. on canvas...
Fantasy - Drawing
60 x 56 cm (23.6 x 22.0 inches)
Emilio Merlina: 'the girl in you', 2018 Charcoal Drawing, Fantasy. on canvas , evolution of existing work...
Fantasy - Drawing
42 x 36 cm (16.5 x 14.2 inches)
Emilio Merlina: 'sisters in arms', 2018 Charcoal Drawing, Fantasy. canvas...
Fantasy - Drawing
40 x 62 cm (15.7 x 24.4 inches)
Emilio Merlina: 'a query to the moon', 2018 Charcoal Drawing, Fantasy. on cardboard...
Fantasy - Drawing
21.5 x 23 cm (8.5 x 9.1 inches)
Emilio Merlina: 'tense veils', 2018 Charcoal Drawing, Fantasy. canvas...
Fantasy - Drawing
140 x 85 cm (55.1 x 33.5 inches)
Emilio Merlina: 'despite the stains', 2018 Charcoal Drawing, Fantasy. canvas...
Fantasy - Drawing
46 x 87 cm (18.1 x 34.3 inches)
Emilio Merlina: 'for a sweet guardian devil', 2018 Charcoal Drawing, Fantasy. canvas...
Fantasy - Drawing
125 x 51 cm (49.2 x 20.1 inches)
(Page 9 of 34) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Amanda Coakley - As an atheist I have always looked at religion from the position of an observer rather than a practitioner. When I was younger, I grew up in a predominantly religious area and had felt out of place. My friends would try to get me to join bible school, received sideways looks for purchasing the newest fantasy book series, and needless to say I didnt know the words to prayers when I joined summer camp. My family was mostly atheist and growing up, I didnt know much else. The push towards religion was something I didnt understand as a child. However despite my experiences with religion, my hope is to not denigrate religion but draw light upon the chaos of consumption. Advertisements and the rush to Black Friday events at malls feel similar to me. I havent felt the need to run out and buy the latest I-phone or I-pod, or the latest in fashion trends. Nor have I wanted to find myself in large crowds of people waiting outside malls to get a plethora of stuff at fraction of the cost. Aside from the occasional indulgence into a few well loved book series, I didnt feel like I ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...