Animals (75)

Artists Describing Their Art:

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

Themis Koutras - MY JOB IN GOD THE TRINITY JEHOVAH CREATOR OF LIFE IS TO CREATE THINGS AS A ARTIST AND PLACE SCRIPTURE ON THEM TO RELATE IT TO THAT ITEM MY IDEA IS TO REACH OUT TO THE WORLD IN EVANGELIST REASONS TO GIVE OUT SOMETHING WITH A MESSAGE ON IT THAT RELATES TO THE WORK DONE AND FROM THE GOSPEL ALTHOUGH I MIGHT MAKE THINGS WITHOUT SCRIPTURE LIKE TOYS FOR CHILDREN TO HAVE FUN IN LIFE I WOULD THEN PRAY THAT GOD WILL TAKE A HOLD OF WHAT I DO AND LEAD ALL PEOPLE TO HIS SON HOLY THAT THEY BE SAVED SO ON FOR I RECON WE ALL NEED JESUS CHRIST...

Deborah Paige Jackson - I love art and design in all forms and medium, in every aspect of my life. It's a part of who I am and something I can't get away from. I try to use true to life situations when possible. My favorite medium is watercolor because of the beauty of it. It seems to have a life of it's own as it flows and connects with the paper. Yet, the medium forces me to think and use extraordinary control. I am at a point in my life where the thought of art, design, and all the components involved in them consume my thinking. It shows up in my home in decorating, in my garden with landscaping, in my work, even with my family. I look forward to increasing my art presence in my portfolio here and in as many venues as possible. To all who view my work, I wish you much enjoyment. ...

Pim Van Der Wel - Pim van der Wel (1950) combines the art of making watercolours with his work as a business economist. After lessons in all the basic drawing techniques by two Dutch painters in the periods 1980/1987 and 1994/1996 he specialised himself in watercolours. Watercolour offers hardly any limitations, so he can show what he likes and that is light and shadow in dents, creases and gloss etc. His objects are sports (mainly football), cans, torsos, animals (cows, sheep, dogs and chicken). In the last 10 years his work has been shown at (group-)exhibitions in the Netherlands. Some galleries have his works permanently in stock. ...

Lucy Arnold - To see more of my artwork, please visit my website at www.lucyarnold.com. I love color, and that is my primary tool of expression. Intense color is the one characteristic that all my artworks in numerous styles and media have in common. I use color in abstract pieces to show balance, transformation, and interaction of energies. These pieces are created in many layers. Something of each layer is allowed to show through to increase the sense of multiple dimensions. An internal vision or feeling may serve as my inspiration. A stray bit of nature such as a feather, leaf, or shell may also be the starting point of creativity. A simple object may ignite a powerful internal reaction as inner and outer nature meet. Whether the finished piece is a highly realistic depiction or completely abstract, I strive to imbue my art with a sense of the mystery, beauty, and sacredness I find in the world and universe. ...

Christine Winship - "I paint because it does make me feel some sense of accomplishment. I enjoy painting animals because they are great to look at and study. I have started recently painting some people portraits, but it may be a while before I display them. To me, a successful piece of art is one that makes one walk away feeling an emotion. Whether it be joy, awe or even sandness and anger, it was the artwork that brought that out. I believe my art work evokes a happiness (as most people see their own pet in my work). I believe that it's composition makes the painting. It is essential to have both positive and negative space interact with the eye-to-the-brain. I try to visit an art museum or gallery at least once a month. I can spend hours on myartspace.com just looking at what other people are doing. I believe it's essential to see where art is now as it was back then." ...

Jacquie Vaux - My goal as an artist, is to present a beautiful veiw of wildlife in the form of fine art paintings.I strive to show the vivid colors and patterns in the most appealing compositions. I also demonstrate natural behavior and some element of habitat that most beautifully presents this subject manner in the most visually exciting format. I respect and appreciate the wildlife I depict in my paintings. I study and work on improving my technical expertise. This is a never ending process which I address on a daily basis. I have a strong work ethic which allows me to stay focused in order to complete large complex works. I look forward to painting larger paintings of big animals such as elephants, giraffes and cape buffaloes. I am also eager to paint more botanical and floral paintings. ...

Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....

Tupper Malone - I have come to painting by a circuitous route having worked for over 25 years as a sculptor. In 2000, I took up watercolor and collage as my creative outlets. In recent work, I am creating Journies. In the Terra Series I am using imaginary mapping and symbols to focus on exploration. I have done ten of the pieces to date and intend to continue adding definition to this work. In Sacred Words Imperfect, I am employing two primary techniques--air brush and watercolor pours. I use airbrush to create and array of angles criss-crossing the jumble of letters creating words and mystery. In Technicolor Cows and the Opus Series, I use a "watercolor pour"-- permitting a spontaneous reaction to the color as it is set down on paper. Using watercolor crayons along with negative painting draws the subject off of the paper as I work on the painting. Using the watercolor crayons on top of a pour, the colors layer on top of one another in an ever changing the dimension. The layering of the crayon, pour and negative painting adds a depth to the visual work that creates excitement. I enjoy working in these styles and feel ...