Abstract Landscape Art For Sale

Artists Describing Their Art:

Sampat Nayakawadi - I have been born & brought up in a village. The artist in me took shape in rural surroundings. Many sacraments of village are imbibed on my mind. I observed many changes taking place in villages. The impressions are still fresh in my mind. The smell of the soil enthralls me. Like nature, the innocent, tranquil & straight Forward rustics appear natural. They are one with nature. They never appear to me different. To interpret their oneness with nature. I selected the common man from the common village. This common man is the central and golden point in my painting. This common is so one with nature that I only sees the outward appearance of him. Many colors are visible in the village. However I specially see the red color. I am impressed by tiles of the houses; walls, red dust spreading in the atmosphere, gray, mossy and white soiled walls. Nestled among the small hills and mounds, the scattered village houses catch my attention. The shape emanating from these houses imbibe on my mind. The sparking light on water during moonlight night, the dark of in the morning & in the evening create mystery. Such sights hide deep into the inner mind, ...

Sampat Nayakawadi - Sharon Dickerson - Painting washes away the sweat, dust and chaos of my stressful working days, I am contented. Messing about with paint colors and fooling around with my creative side makes me happy. Right now, I am on a merry-go-round of exploration and experimentation. Trying different ways of seeing things, keeping my imagination from being restricted to a single approach, and getting carried away with the process of discovering something never done before. My art is freedom, it's my feelings and my victory, my mood. My moods generally move me beyond the safe comfort zone. I'm searching for variety, and I revel in the excitement of discovery and love experimenting with the future possibilities. ...

Greg Gierlowski - Light has always played important role in my creations. Light comming through translucent artwork interests me and fascinates me the most. Therefore I turned into glass and started to experiment with translucent creations. My admiration for Art Nouveau artists that had created a lot of beautiful everyday-use objects of art resulted in creation of applied arts' objects such as art-lamps. When one has backlight at ones disposal, there's whole new field of artistic expresion - not only on one front surface of glass panel but on two, or even four or more, when two or three layers of glass can be used as a kind of sandwich that builds deeper into artwork for 3D effects. That's what I'm working on now and what's seems to attract international viewers & art-critics more and more now-a-days, to the point of of achieving latest awards and honours ( mainly from Italy....

Hajni Yosifov - As a traveler in this life, searching, I dived deeper into my soul's journey in order to discover myself. On the edge of abstraction I use elements from nature to express my feelings.My painted diaries together with my poems endeavor to build a bridge between me and the world. My recent work captures shreds of self finding the way to struggle back to wholeness. A new self. With layers of paint, I dare to soar where the highest and most ideal form of composition is that which expresses life. And I deepen where is no path, honouring echoes in a new light. Each painting is a pause in my journey, echoing life. ...all cascade from moments of realization; sparkles of light and hope. I'm a traveler between dreamscapes. I'm a pouring of thoughts on the irreversible passage of time. My painted diaries together with my poems endeavor to build a bridge between me and the world. The Dreamer Years after minutes, Minutes after years My life is changing colours Laughter after tears. Love embracing the Dreamer On a bright summer day, The life is changing colours Autumn early day. In a valley, ruins. An old castle...

Diane Kastensmith Bradbury - I love the spontaneity and freshness of watercolor - especially the "accidental" movement of color that results from painting wet into wet. I usually start with a wet into wet technique, and work through all the stages of the paper, until I am painting wet into dry. I often soak the painting in the bathtub overnight to soften the edges and lighten the colors, going back in the next day to sharpen details and brighten or darken colors where needed. I repeat this process until I can see that the painting is finished. I believe the record for the number of times this was done was a painting I sold in 1985, called "Blue Tree". It had been soaked twenty-two times before I was satisfied with the result. Of course, high quality paint and paper are essential to this process. "Seasons ...

Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

Steve Kiene - My art expresses fundamental cosmological and spiritual concepts such as the balances in nature, regeneration and growth, and the interdependence of all things. I want to express how man & nature are interconnected. In today's modern culture, many have forgotten, that all things, living and inert, have a part in our relationship with life itself. The tree branch carvings illustrate how man is just a branch of the larger organic cosmos. Where Man and Nature become one....

Sonja Kobrehel - My work in visual arts reflects the constant changes and experiences in my personal life. I am guided by my feelings, thoughts, dreams and visions. The sources of my inspiration are many: an appreciation for personalities and the human scale: in particular, I love to look for traces of people who came before and clues about what they did there and why. Journeys are an integral part of my artistic inspiration.The Mediterranean and Adriatic atmosphere that pervades my work comes from the summers I spent on the French and Adriatic coasts.I am always intrigued by the human cultural elements and visual stimulation that I encounter.I find that every place and culture reveals its beauty to me though everyday life. I like to use symbols in my art work and while creating my personal iconography.The symbols are clues to many aspects of my life, but my paintings usually start with a color idea, then evolve into compositions in which color is the primary subject. I work in collage, various media on paper and canvas, mixing everything possible together in a visual format for public display.Much attention is given to the surface texture by adding different materials, ...