Abstract Landscape Art For Sale

Page 28 of 88
Browse 2528 Abstract Landscape artworks for sale. Contemporary artists: Joan Shannon, Alexander Sibachev, Boyko Asparuhov, Jennifer Anne Buckley, Reuben Njaa, Chris Gould, Diamantis Stagidis, Marc Awodey, Maria Teresa Fernandes, Micheline Hadjis, Michelle Daly, Tapan Kar, Dion Mcinnis, Edem Elesh offering Abstract Landscape artworks. Links to more artworks by these contemporary artists and 88 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract Landscape art simply click on the image to go to a more detailed page about this work of art.


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Joan Shannon: 'Railing', 2007 Other Photography, Abstract Landscape.  Sandwich : photograph and acrylic painting ...
, 2007
Abstract Landscape - Photograph
8 x 10 inches (20.3 x 25.4 cm)
Joan Shannon: 'Lock water', 2007 Other Photography, Abstract Landscape.  A sandwich : a photograph and acrylic painting ...
, 2007
Abstract Landscape - Photograph
8 x 10 inches (20.3 x 25.4 cm)
Alexander Sibachev: 'Sun', 2004 Oil Painting, Abstract Landscape.  Oil on Canvas. Please e- mail for payment and shipping information....
, 2004
Abstract Landscape - Painting
29 x 32 inches (73.7 x 81.3 cm)
Boyko Asparuhov: 'Blue abstraction', 2005 Oil Painting, Abstract Landscape.  Original art workBoyko Asparuhov ...
Abstract Landscape - Painting
135 x 110 cm (53.1 x 43.3 inches)
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Jennifer Anne Buckley: 'A View Out', 2005 Other Photography, Abstract Landscape.
, 2005
Abstract Landscape - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Reuben Njaa: 'Landmark plus One San Francisco', 2006 Color Photograph, Abstract Landscape.  Landmarks revisited ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'Landmark San Francisco', 2006 Color Photograph, Abstract Landscape.  Landmark revisted ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'FalfurriasTexas Watertower', 2007 Color Photograph, Abstract Landscape.  Memento of the Absent ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'Cactus Roma Texas', 2006 Color Photograph, Abstract Landscape.  Memento of the Absent ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'Bail Bonds Rio Grande City Texas', 2007 Color Photograph, Abstract Landscape.  Memento of the Absent ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Chris Gould: 'poplars', 2006 Oil Painting, Abstract Landscape. Marziart Exhibition July 2008Hamburg Germany...
, 2006
Abstract Landscape - Painting
42 x 32 inches (106.7 x 81.3 cm)
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Chris Gould: 'landscape with poplars', 2007 Oil Painting, Abstract Landscape. Marziart Exhibition July 2008Hamburg Germany ...
Abstract Landscape - Painting
30 x 36 inches (76.2 x 91.4 cm)
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Diamantis Stagidis: 'Transubstantiated lake', 2006 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Marc Awodey: 'fall foliage', 2005 Other Painting, Abstract Landscape.
Abstract Landscape - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Marc Awodey: 'lake michigan', 2006 Other Painting, Abstract Landscape.
Abstract Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Marc Awodey: 'missouri bridge', 2005 Other Painting, Abstract Landscape.
Abstract Landscape - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Marc Awodey: 'bridge in iowa', 2005 Other Painting, Abstract Landscape.  this painting is available through salt meadow gallery, cape cod MA. contact artist for details. ...
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Maria Teresa Fernandes: 'Fading Pissarro houses', 1973 Oil Painting, Abstract Landscape.  stilt houses were engulfed by realtyspeculation ...
Abstract Landscape - Painting
18 x 15 inches (45.7 x 38.1 cm)
Micheline Hadjis: 'envol des ecumes', 2006 Acrylic Painting, Abstract Landscape. 26x20 FramedEnvol des ecumes. . . part of the Landscape Abstract. . . unique composition impossible to reproduce. . . fluid acrylics on japanese paper called Yupo ...
Abstract Landscape - Painting
20 x 26 inches (50.8 x 66.0 cm)
Michelle Daly: 'Burnside 3', 2006 Collage, Abstract Landscape. Burnside 3, the largest work of this series to date features many organic shapes and a sense of fragmented geometry.  Evocative of the varied energy, dymanism, and mulitplicity of public space. ...
, 2006
Abstract Landscape - Collage
17 x 11 inches (43.2 x 27.9 cm)
Michelle Daly: 'Burnside 2', 2006 Collage, Abstract Landscape. Burnside 2, is composed of dynamic verticals and strange amorphous shapes.  A continuation of my juxtaposed collection of impressions of the urban landscape, this work is both solid and diaphanous.  It suggests depth and presents an everchanging viewing experience through its subtle variation in value and overlap.   ...
, 2006
Abstract Landscape - Collage
8 x 15 inches (20.3 x 38.1 cm)
Michelle Daly: 'Burnside 1', 2006 Collage, Abstract Landscape. Burnside 1 began in traversing Burnside Street, a main thrustreet in Portland, OR.  I make sketches of negative spaces on in or seen from my meandering on Burnside and returned to my studio to capture these impressions in a lightbox made of layered collaged pieces of drafters vellum.  I subtly ...
, 2006
Abstract Landscape - Collage
12 x 14 inches (30.5 x 35.6 cm)
Tapan Kar: 'TREESCAPE', 2006 Tempera Painting, Abstract Landscape.
, 2006
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Tapan Kar: 'HILLSCAPE', 2006 Tempera Painting, Abstract Landscape.
, 2006
Abstract Landscape - Painting
15 x 11 inches (38.1 x 27.9 cm)
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Dion Mcinnis: 'Orange Ore', 2003 Color Photograph, Abstract Landscape. orange light reflection in moving water.  Print comes mounted on window mat board. ...
, 2003
Abstract Landscape - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Edem Elesh: 'Corners Divine Mechanics', 2012 Mixed Media, Abstract Landscape.
Abstract Landscape - Mixed Media
48.5 x 24 inches (123.2 x 61.0 cm)
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Edem Elesh: 'a brutal beauty', 2012 Oil Pastel, Abstract Landscape.    The first signs of a large swell that was planned to surf the next morning; a fascinating, but intimidating vista. A brutal beauty indeed. ...
Abstract Landscape - Oil Pastel
10 x 7 inches (25.4 x 17.8 cm)
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Edem Elesh: 'No mans', 2012 Oil Pastel, Abstract Landscape.  The big day; three fields of white water to cross, even before attempting the huge peaks. This is the subject: a liquid no man's land. ...
, 2012
Abstract Landscape - Oil Pastel
10 x 7 inches (25.4 x 17.8 cm)
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Edem Elesh: 'glorious', 2012 Oil Pastel, Abstract Landscape.   After surfing a great
, 2012
Abstract Landscape - Oil Pastel
10 x 7 inches (25.4 x 17.8 cm)
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Edem Elesh: 'Noodles', 2012 Oil Pastel, Abstract Landscape.  After surfing all the 2nd day, had what surfers call
, 2012
Abstract Landscape - Oil Pastel
10 x 7 inches (25.4 x 17.8 cm)
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(Page 28 of 88) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Joan Shannon - Most of my fine art work a present involves mixed media and computer manipulation. The subject areas which interest me continue to be mostly landscape based. I like to see some sort of balance and composition while light and colour are significant. I also take straightforward colour photographs!...

    Alexander Sibachev - Magical realism is the common theme throughout Alexander Sibachev's portfolio of oil paintings. Influenced by travels and life on three continents (Europe, Africa and North America), his artwork is a spectrum of emotions and impressions translated into form and color. Alexander presents a modern interpretation of form and figure combined with an emotionally-charged color palette. Each painting offers a fresh perspective of the magical element in the otherwise ordinary. To view Alexander's full portfolio, please visit www.sibachevart.com...

    Boyko Asparuhov - An imaginative expressionist,Boyko,s oil paintings are a treat to the eye and the soul with their strong brilliant colors,fantasy characters and symbolic elements fused into a bold,graphic style."My work conveys the positive energy of the universe-love,romance,dreams,music,nature,beauty and freedom,"says Boyko. Born in Pleven,Bulgaria in1959,Boyko began painting at age six.After graduating from the Bulgarian Academy Of Fine Art,he muved to Prague in the Czech Republic where he operated his own gallery until 2005 year. Boyko lives and works in Chicago,United States...

    Jennifer Anne Buckley - Jennifer Anne Buckley attended the School of the Art Institute of Chicago and received a B.F.A. in 2003. Though majoring in drawing and painting, a love grew for landscape photography. She uses dark colors in her paintings and photographs to depict a darker subject matter. Her art has been exhibited and in permanent collection throughout the United States since 1986. Her work has been shown at the Lancaster Museum of Art in Pennsylvania, University of Chicago, Woodruff Art Center in Atlanta Georgia, at galleries in the Chicagoland area and the East Coast....

    Reuben Njaa - All my work is dependent on form, color, and composition. I believe the most complex emotions can be evoked from the simplest of forms. My style explores the relationship between man-made structures and the digital world; the idea of recognizable shapes and structures living within irrational thoughts and emotions. I find beauty in things that are cast off. When I find a surface I am intrigued by I bring it back to my studio where I paint on it or scrape parts of the surface and then scan it into Photoshop and begin the transformation process. Occasional I paint directly on to the photograph before scanning using a combination of materials such as pencils, acrylic paint, Marshal Oils or watercolors anything to provide more texture to the surface. I work spontaneously and become more detailed as the composition starts to show itself. I think of my photo-paintings as two separate components, one part non-objective abstract art and one part traditional photography, brought together to fashion something new. As an artist, this combining of two different medias intrigues me. Texture is of primary importance in my pieces. I think of the surface of my photo-paintings as the ...

    Chris Gould - Never the studious young boy, I spent most of my class time drawing sketches in the pages of my notebooks. Santa Anna, raising his sword in the battle for the Alamo buried deep within my notebook jumped out and attacked my father one evening while he help me with my homework. He counter attacked by hurling, "you will never be anything doing stuff like this", and I believed him. In school I loved art class, excelled and looked forward to it but never believed that I could be something there. When I went to college I focused on art and graduated near the top of my class with a BFA, and still believed that I would never be anything. After all, all I needed was a degree. With diploma in hand I entered the professional world with the ambition to climb the corporate ladder. Climb and climb to be something. Reaching to be something, I fall on art as therapy for the stress and anxiety that being something brings. Now I am something and nothing at the same time because I don't believe any more. And now I want to be something else. It is here in this ambition ...

    Diamantis Stagidis - I have not studied in any school of art, because the painting is passion and this is not taught. I do not consider myself self -taught but self educated. I assume that Caravaggio and Rembrand are my teachers. I have studied forestry in the university. The station of my work is my painting " did Rembrand knows Altamira ?" at 2002. Looking at this painting, someone could see the " "night patrol" of rembrand painted on a rock surface of a cave, someone else could see an abstract painting with many colors here and there that luckily resulted in that classic piece of art (as, according to the theory of chaos, a chimpanzee pressing randomly the keyboard of a typewriter has the possibility to write Shakespeare ) some other could see a detrited cave painting of Altamira, which when rembrand faced it with its mat colors, he painted his classical work. I was puzzled for months why the "night patrol" was so perfect piece of artwork? It was not, of course, because Rembrand painted nicely 20 - 30 people. But because of the perfect lines, colors, excellent light, everything on it was wisely painted in a perfect way with the right quantities in the space. ...

    Marc Awodey - "My statement IS the work." Awodey received his MFA from Cranbrook Academy of Art in 1984. Hundreds of his works are in private collections around the USA. Awodey lives in Burlington, Vermont- one of the most active arts enclaves in in North America. He teaches fine arts at Burlington College and The Community College of Vermont, is an award winning art critic, and has published 3 books of poetry. Resume and slides are available on request. Awodey's vision is unique, and his work may be considered investment quality. Click on "send the artist an email" for further information. "I do not try to be profound. My only concern is to make pictures that work - I can't worry about critical relevance, or what a viewer might discover in a piece. Such are not for me to know. I am a figurative painter who is, nevertheless, more focused on formal issues than narrative content. Narratives are egocentric, and I am an artist of the Id. Textures, color, and line are the Id. I establish a dialog with each canvas, and let it develop on its own terms - so my pictures are very simple and direct. The anatomy of the picture...

    Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

    Micheline Hadjis - www.michelinehadjis.com Painting has always been a passion. For the longest time I did not want to depart with my artwork.I love to paint everything that is exotic like orchids,tropical flowers, exotic fish...Through the years,I developped my own technique. Liking the fluid effects of watercolors but not the glass, I work on a fabric canvas on which I let liquid acrylic, watercolors and sometimes inks do their work for the background and inspiration for the structured elements in the foreground. The result is one of vibrant colors and stunning contrast.The final artwork does not require a glass.I have been working intensively to build my career for a number of years now. The road is long and arduous. You need a lot of confidence in your work, perseverance and patience to be successful in this business. Communications and exchanges with other artists helped me to situate myself and computer knowledge has brought me international exposure through my Canadian and American website. From these came international exhibitions, stimulating comments, participation to extraordinary events and sale of my paintings around the world. My marine scenes are the most popular. No surprise there as I am one ...

    Michelle Daly - I am interested in capturing moments often felt more strongly then seen. This idea has taken many forms in painting, drawing, making, and living. Paintings here include a series of works that strive to articulate a tenuous balance between process and finished artwork. I approach each painting as a dialogue with no preconceived intention. I use a combination of found and invented shapes that reference both geometry and the natural world. I build the compositions in layers, reworking the surface, adding and deleting information. This process continues until I find the moment when the work is resolved, but just barely. I am searching for the place with each painting when the process is still evident, yet there are moments that are unconventionally beautiful. This idea has lead me to begin a series of smaller works that seek to explore the more narrative quality of abstract painting. I view each work as a fragment or short story, building together into something that is perhaps more. I am also exploring ideas of noticing space in a series of drawings known as "the space between" These drawings take negative space as their subject matter, and look for deeper interest in the way such ...

    Tapan Kar - Born in 1954. Tapan Kar is an Indian artist who lives and works in Kolkata. He graduated from the Govt. College of Art and Crafts, Kolkata and pursuaded an MA in Bengali in the University of Calcutta. Tapan's favourite medium of work is Tempera, a less used medium of the present time. The matte finish of tempera gives his works a special dimension which reflects the true meaning of his thought.... and the life....

    Dion Mcinnis - Anyone can take a photograph...push a button. The magic is in the seeing...seeing with all your senses. My work, no matter the subject, comes from seeing with all my senses and then creating to share with others. www.PoetVision.com...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....