Paintings For Sale - Price Range: $1000 - $5000

Page 12 of 352
Discover 10,199 original painting artworks for sale between $1000 - $5000. Contemporary emerging artists: Hope Brooks, Wayne Wilcox, Hana Grosova, Luise Andersen, Stephen Mead, Pilar Pérez-prado, Michael Pickett, C. A. Hoffman, Marcia Freedman, Andrew Bartosz, Lorrie Williamson, Cornelia Macfadyen, Asbjorn Lonvig are exhibiting their affordable original art. You can buy artwork online and browse 352 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Hope Brooks: 'The Sargasso Sea', 2008 Acrylic Painting, Abstract Landscape.  16 panels each 15 inches square painted in acrylic and depicting the mysterious area between the Caribbean, Europe and AFrica known as the Sargasso Sea.  It is important in slave cultures because it represents the unknown the world into which the slaves were taken and from which they would never...
Abstract Landscape - Painting
60 x 60 inches (152.4 x 152.4 cm)
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Wayne Wilcox: 'Applebrush', 2009 Oil Painting, Still Life.
, 2009
Still Life - Painting
26 x 17 inches (66.0 x 43.2 cm)
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Hana Grosova: 'Holy family', 2005 Oil Painting, Children.  Jesus Child with his family and persons around. ...
Children - Painting
24 x 28 cm (9.4 x 11.0 inches)
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Hana Grosova: 'Still life with roses     ', 2007 Oil Painting, Still Life.  This picture shows fruit, glasses with bottle and the vase with roses. Everything is situated on the table. ...
Still Life - Painting
32 x 26 inches (81.3 x 66.0 cm)
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Luise Andersen: 'I SEE YOU WATCHING ME', 2008 Oil Painting, Undecided.  Finished since at least 2 years- - wanted to integrate gold leaf and guess, after putting it aside, forgot about it, since creatively connected to other feel. . Well. . it called. . could not ignore, so I pulled it out from amongst the others. . and have not stoppedsince then. . except for looking...
Undecided - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Stephen Mead: 'StruggleCenterPanel', 1992 Acrylic Painting, Life.  A Chalkboard Drawing done in acrylics, part of the DVD
Life - Painting
24 x 38 inches (61.0 x 96.5 cm)
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Stephen Mead: 'Salutations', 1991 Oil Painting, Visionary.  Evocative mural size work, part of the DVD Murals in Motion, Indieflix.  com....
Visionary - Painting
36 x 54 inches (91.4 x 137.2 cm)
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Stephen Mead: 'Swim white border', 1990 Oil Painting, nature. A large oval mural piece, part of the DVD collection Murals in Motion, Indieflix.  com....
nature - Painting
36 x 78 inches (91.4 x 198.1 cm)
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Luise Andersen: '  Silent Scream', 2008 Acrylic Painting, History.    Echoe of Silent Scream pierces my core. . . Silent. . Nevermore. . ...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM   DETAIL III Retake In Mid Day Light', 2008 Acrylic Painting, Other.
Other - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM     Retake In Mid Day Light', 2008 Acrylic Painting, History.  IN REMEMBERANCE ALWAYS. . LOSS OF THE INNOCENT DUE TO TERRORISM- Echoes Of Silent Scream In My Mind-  Voices So Silent. . Pierce My Core. Silent Nevermore. .I myself prefer this special painting unframed. . Exhibited in show and needed frame. . This is solid wood frameI. . . . I would say, wider and heavier. . if...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Hope Brooks: 'poem Painting III', 1971 Other Painting, Life.  Poem Painting III uses writing as its image and there are six paintings in the series.   This painting is a poem by Meng Chaio from the late Tang period of Chinese poetry, titled
Life - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Pilar Pérez-prado: 'At the end everything matches', 2013 Acrylic Painting, Geometric.
Geometric - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Hope Brooks: 'Coral Reef', 1981 Other Painting, Abstract Landscape.  This Painting from the Sea Series of the 1980' s  is one of two which were about the coral formations present on the north coast of the island.  ...
, 1981
Abstract Landscape - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Michael Pickett: 'Lighting The Way', 2006 Acrylic Painting, Inspirational.   This painting is painted on 100% burlap stretched over a window frame.The painting glows in the dark.  ...
Inspirational - Painting
36 x 35 inches (91.4 x 88.9 cm)
Michael Pickett: 'Modern Toilet of  Venus', 1998 Acrylic Painting, Mythology.  This is Mr. Pickett' s version of The Toilet Of Venus.In this version, Michael creates a modern idea of the Goddess Venus.Venus as an old Goddess still reflecting her youth and beauty.This is a Museum quality piece. ...
Mythology - Painting
24 x 30 inches (61.0 x 76.2 cm)
C. A. Hoffman: 'Saturday Night Rondevouz', 2007 Acrylic Painting, Still Life. This was actually a lot of fun to do.  Working from a photo, I tried to capture the subtle shadows on the wall and brilliant refections in the floor. The wall behind the tub was tricky but the photo was true in showing the aging in the paint.    ...
Still Life - Painting
28 x 36 inches (71.1 x 91.4 cm)
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Marcia Freedman: 'All In The Family', 2007 Oil Painting, Abstract.  All In The Family is an oil painting on canvas which was informed by organic forms within the body....
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Marcia Freedman: 'Blocked', 2007 Oil Painting, Abstract.  Blocked is an oil painting on canvas which was informed by organic forms within the body.  ...
, 2007
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Andrew Bartosz: '1625', 2004 Other Painting, Abstract Landscape.
, 2004
Abstract Landscape - Painting
75 x 108 cm (29.5 x 42.5 inches)
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Andrew Bartosz: '1624', 2004 Other Painting, Abstract Landscape.
, 2004
Abstract Landscape - Painting
75 x 108 cm (29.5 x 42.5 inches)
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Lorrie Williamson: 'Lily', 2002 Acrylic Painting, Representational.  Lillie, the true artist in every sense of the word.   ...
, 2002
Representational - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Lorrie Williamson: 'Mother and Child', 2004 Oil Painting, Abstract.  Inspired by the Christmas Story....
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Lorrie Williamson: 'Fresh Air and Sunshine', 2000 Oil Painting, nature.  Relax with your favorite pasttime and enjoy the fresh air and the warmth on the sun.  A compliment to any home.   ...
nature - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Cornelia Macfadyen: 'Infinity', 2006 Oil Painting, Abstract.
, 2006
Abstract - Painting
20 x 48 inches (50.8 x 121.9 cm)
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Cornelia Macfadyen: 'Burning Desire', 2005 Oil Painting, Abstract.
Abstract - Painting
42 x 24 inches (106.7 x 61.0 cm)
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Cornelia Macfadyen: 'Graceful Walk', 2005 Oil Painting, Abstract.
Abstract - Painting
44 x 22 inches (111.8 x 55.9 cm)
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Asbjorn Lonvig: 'Leo', 2007 Acrylic Painting, Abstract.  Inspired by a lion and a circus. Light colors. ...
, 2007
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Asbjorn Lonvig: 'Poppy', 2006 Acrylic Painting, Abstract.  Print on canvas. Limited edition.. . . from Wikipedia, The Free Encyclopedia: A poppy is any of a number of showy flowers, born one per stem, belonging to the poppy family. These can be enjoyed in the wild, but are also grown for ornament. There are white, pink, yellow, orange, red and...
, 2006
Abstract - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Tom Irizarry Studio: 'Breathes Minion', 2006 Oil Painting, Sky.  mineral pigments and oil on canvas, lapis, azurite, carmine, vermillion, lead- tin yellow ...
Sky - Painting
14 x 18 inches (35.6 x 45.7 cm)
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(Page 12 of 352) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...