Paintings For Sale - Price Range: $1000 - $5000

Page 13 of 352
Discover 10,199 original painting artworks for sale between $1000 - $5000. Contemporary emerging artists: Tom Irizarry Studio, Youri Messen-jaschin, Micha Nussinov, Tary Socha, Eve Co, Cornelia Macfadyen, Asbjorn Lonvig, Paola Di Renzo, Lucille Coleman, Philip Hallawell, Terri Higgins are exhibiting their affordable original art. You can buy artwork online and browse 352 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Youri Messen-jaschin: 'Honney moon', 1996 Tempera Painting, Optical. Description Gouache on paper  collage Kinetic Arti? 1/2 1996 by ProLitteris Po.  Box CH- 8033 Zurichi? 1/2 1996 by Youri Messen- Jaschin Switzerland...
Optical - Painting
60 x 60 cm (23.6 x 23.6 inches)
Micha Nussinov: 'Jazz on the rocks', 2006 Acrylic Painting, Landscape. As one of the participant in Art on the rock competition, Micha explore different perspectives of the Rocks, Sydney. In his collage style painting Nussinov mixes existing landscapes with imaginey. He plotted people - featuring musicians, who contribute vitality and give point of views and movements. ...
Landscape - Painting
100 x 150 cm (39.4 x 59.1 inches)
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Tary Socha: 'Patina Effect No 2', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Tary Socha: 'Patina Effect No 1', 2006 Acrylic Painting, Abstract. Fragmented Recall Series. Recollections fade like the changing patina on aging copper. Miked acrylic mediums on gallery wrapped canvas....
Abstract - Painting
3 x 16 inches (7.6 x 40.6 cm)
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Tary Socha: 'Growiing Things', 2006 Acrylic Painting, Abstract. An impression of crowded growth of plant life reaching skyward. Mixed acrylic mediums on gallery wrapped canvas....
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Tary Socha: 'Summer Growth', 2006 Acrylic Painting, Abstract. Impressions of growing plant forms amidtst the warmth of Summer. Mixed Acrylics mediums on gallery wrapped canvas....
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Eve Co: 'Impressionistic Tulips', 2006 Oil Painting, Floral. Impresstionistic TulipsCompleted on 04/ 24/ 2006Oil Pastels on Canvas16  x 12...
Floral - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Eve Co: 'Kosher Pig', 2006 Acrylic Painting, Abstract. Kosher PigAcrylic on Canvas36 x 24March 12, 2006Emotion - Anger - - - - - - - - - -A Lie realized is disappointing as well as causing anger to arise.  Instead of further losing my temper towards one person who speaks before thinking.  I took my anger to canvas. . .  ...
, 2006
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Eve Co: 'Trifid Nebula in the Constellation Sagitarius', 1999 Acrylic Painting, Science. Trifid Nebula in the Constellation SagitariusLiquitex Acrylics on Canvas36
Science - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Eve Co: 'The Great Spiral in Andromeda', 1992 Acrylic Painting, Science. The Great Spiral in AndromedaLiquitex Acrylic Paints on Canvas.Size: 16 x 20 inches...
Science - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Cornelia Macfadyen: 'Fire N Ice', 2005 Oil Painting, Abstract.
, 2005
Abstract - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Micha Nussinov: 'tissue 7', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
700 x 900 inches (1778.0 x 2286.0 cm)
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Micha Nussinov: 'tissue 6', 2005 Other Painting, Other. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
Other - Painting
900 x 700 inches (2286.0 x 1778.0 cm)
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Micha Nussinov: 'tissue 2', 2005 Other Painting, nature. Exploring density of colors, transparency, and opacity of matter. Having been painted with pigments of water base color and bonded on a single or multi layered tissue sheets. It is an expressionistic as it reflects on the instinctive impulses of the artist. Depicting interior and exterior landscapes, where the emphasis ...
, 2005
nature - Painting
700 x 900 mm ( x )
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Asbjorn Lonvig: 'Denamrk Fourty Theater', 2005 Acrylic Painting, Architecture. I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I have chosen 4 specific colors - red, yellow, green and blue, supplemented with black/ ...
Architecture - Painting
86 x 60 cm (33.9 x 23.6 inches)
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Asbjorn Lonvig: 'Denmark Six Anima Inspiration', 2005 Acrylic Painting, Abstract.
Abstract - Painting
139 x 139 cm (54.7 x 54.7 inches)
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Paola Di Renzo: 'seascape', 2005 Other Painting, Abstract.
, 2005
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'acqua terra vento', 2005 Other Painting, Undecided.
Undecided - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Paola Di Renzo: 'rocky landscape', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Paola Di Renzo: 'autumn leaves', 2005 Acrylic Painting, Abstract.
Abstract - Painting
120 x 90 cm (47.2 x 35.4 inches)
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Lucille Coleman: 'Two Handed Salsa Dance', 2003 Oil Painting, Dance. Salsa Dance Series Loose, bold, buttery brush strokes of paint were used to depict partners dancing in a yin yang balance. The movement is done with both hands of each partner joined together.A(c) 2003 Lucille Coleman...
Dance - Painting
28 x 46 inches (71.1 x 116.8 cm)
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Youri Messen-jaschin: 'Dollar trip VI', 1996 Tempera Painting, Optical. Gouache on paper Kinetic Art  (r) 1996 by ProLitteris, Po. Box CH- 8033 Zurich / (c) 1996 by Youri Messen- Jaschin Switzerland...
Optical - Painting
60 x 80 cm (23.6 x 31.5 inches)
Tom Irizarry Studio: 'Calm Soar', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
, 2004
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Tom Irizarry Studio: 'Amorous tempest', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Philip Hallawell: 'The Hand of Ares', 1986 Oil Painting, Mythology. Part of the Iliad series, this one of the drawings that focuses on the Gods of the ancient Greeks, namely Ares ( Mars) the God of war. The triangular composition represents the danger of war. Done in oil on canvas over wood....
Mythology - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Philip Hallawell: 'Zeus', 1988 Oil Painting, Mythology. This painting in oils on canvas over wood was initially a sketch for
, 1988
Mythology - Painting
39 x 49 cm (15.4 x 19.3 inches)
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Philip Hallawell: 'Storm Brewing Iliad series', 1987 Oil Painting, Landscape. Also part of the iliad series, this work refers to the gathering of the clouds of violence which soon would burst over Troy. Painted in oils on canvas over wood....
Landscape - Painting
50 x 19 cm (19.7 x 7.5 inches)
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Philip Hallawell: 'Paris and Helen', 1986 Oil Painting, Mythology. This painting is also part of the Iliad series, and depicts Helen and Paris being swept up by their passion for one another. It is done in oils on canvas over wood....
Mythology - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Terri Higgins: 'The Fisherman', 2004 Oil Painting, Abstract.
Abstract - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Storm Hammond: 'da Vincis Angel', 2001 Oil Painting, Portrait. This was a study for a commision. I also copy old master paintings. ...
Portrait - Painting
12 x 16 inches (30.5 x 40.6 cm)
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(Page 13 of 352) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Cornelia Macfadyen - CVMacFadyen, a native New York, studied art at the Art Student's League and Pratt Institute. Here she received a classical training with a heavy influence from the impressionists. CV's work is abstract expressionsist. Her paintings are rich in color and texture. Each painting evokes a different repsonse from it's viewer. The subtle changes in texture are color obscure images lurking in the background. Through her painting CV strives to touch each person. She reaches within to allow the viewer to have an experience of themselves. CV works in oil on canvas. All pictures are sized for the home. Oversized canvases maybe commissioned upon request. Her work is in private collections in the United States and Europe. CV has been exibiting her work exclusively in the New York area since 1976. She is mentioned in the World's Who Who of Women, Who's Who in the East and Who's Who of Professional & Executive Women. ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog: