Nudes Art For Sale

Page 15 of 37
Browse 1071 Nudes artworks for sale. Contemporary artists: Henning Von Berg, Richard Wynne, Philip Winestone, Ward George, Ken Smith, Bruce Naigles, Manolis Tsantakis, Tony Lee, Alexandre Nodopaka, Claudia Perez, Andreasz Szanto, Claudia Nierman offering Nudes artworks. Links to more artworks by these contemporary artists and 37 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Nudes art simply click on the image to go to a more detailed page about this work of art.


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Henning Von Berg: 'PRIDE', 2001 Silver Gelatin Photograph, nudes. Model: William/ Hollywood,Location: Agua Dulce Canyon/ California.Special Limited Edition,original photo print on high quality paper, numbered and signed by the artist....
, 2001
nudes - Photograph
24 x 32 inches (61.0 x 81.3 cm)
Richard Wynne: 'Mi Amor Mi Cortizon Byea Laeow', 1998 Oil Painting, nudes. If you understand the title I don't need to say anymore. No it is not a portrait, the face was changed. ...
nudes - Painting
50 x 60 inches (127.0 x 152.4 cm)
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Philip Winestone: 'BumnToes', 1971 Black and White Photograph, nudes.
, 1971
nudes - Photograph
0 x 0 inches (0.0 x 0.0 cm)
Ward George: 'Dawn on White Fur', 1992 Oil Painting, nudes.
nudes - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Henning Von Berg: 'STAIRWAY', 1997 Silver Gelatin Photograph, nudes. Location: Chemische Werke Koeln- Kalk/ Germany.This very unique image is one of the results of the famous group photo shoot FACTORY BOYZ. After weeks of intense preparations, on June 21st 1997 in Cologne/ Germany, twentyeight amateur models were ready to pose in the nude in an abandoned factory near ...
, 1997
nudes - Photograph
11 x 14 inches (27.9 x 35.6 cm)
Henning Von Berg: 'CHRISTMAS DAY', 2000 Black and White Photograph, nudes. Model: Taurus/ Palm SpringsLocation: Joshua Tree Desert/ California.Limited Edition, original photo print on high quality paper, numbered and signed by the artist. ...
nudes - Photograph
11 x 14 inches (27.9 x 35.6 cm)
Ken Smith: 'Moonglow', 1993 Silver Gelatin Photograph, nudes. Toned Black & White Silver Gelatin Print. Dry- mounted and window- matted. Edition of 25, signed and numbered. Archival. Mat dimensions - 22
, 1993
nudes - Photograph
19 x 15 inches (48.3 x 38.1 cm)
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Bruce Naigles: 'Siven', 1997 Bronze Sculpture, nudes. See frontview photo for information...
, 1997
nudes - Sculpture
0 x 70 cm (0.0 x 27.6 inches)
Bruce Naigles: 'Siven', 1997 Bronze Sculpture, nudes. Here sits a contemplative young woman.I feel it' s one of my most natural and well resolved nudes in it' s coherence of her physical beauty and gentle nature. Certainly one of my favorites.  ...
, 1997
nudes - Sculpture
64 x 70 cm (25.2 x 27.6 inches)
Manolis Tsantakis: 'The secret garden', 1993 Color Photograph, nudes.
nudes - Photograph
40 x 27 cm (15.7 x 10.6 inches)
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Manolis Tsantakis: 'Harmony', 1987 Black and White Photograph, nudes.
, 1987
nudes - Photograph
40 x 27 cm (15.7 x 10.6 inches)
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Tony Lee: 'back', 2002 Black and White Photograph, nudes. full- frame nude showing the back muscles. printed with wide borders on 9x12 paper. hand- signed by artist. ...
, 2002
nudes - Photograph
12 x 8 inches (30.5 x 20.3 cm)
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Alexandre Nodopaka: 'Caress 40', 2000 Bronze Sculpture, nudes. Achilles Heel...
, 2000
nudes - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
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Alexandre Nodopaka: 'Caress 20', 2000 Bronze Sculpture, nudes. Dreamer-4 sold3 available1 stock...
, 2000
nudes - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
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Manolis Tsantakis: 'The river', 1993 Black and White Photograph, nudes.
, 1993
nudes - Photograph
40 x 30 cm (15.7 x 11.8 inches)
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Richard Wynne: 'Nude', 2000 Oil Painting, nudes.   I tried to capture the flat feeling of a Gauguin in this painting. He also used rich color tones in many of his works. Acrylics, watercolors, and oils were used in this work. This was painted on canvas....
, 2000
nudes - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Richard Wynne: 'Nude 3', 1999 Oil Painting, nudes.   I find the female form very beautiful It seems I found myself with an abundance of the purple hues and I thought they would contrast well with the girl's warm flesh tones. I really prefer to paint heavier than this but the effect would have been much different . I...
, 1999
nudes - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Claudia Perez: 'STILL WAITING', 2000 Oil Painting, nudes.
nudes - Painting
24 x 30 inches (61.0 x 76.2 cm)
Claudia Perez: 'PER FARE LAMORE PARAISO PROMESSO', 2000 Oil Painting, nudes.
nudes - Painting
20 x 24 inches (50.8 x 61.0 cm)
Claudia Perez: 'AUTUM MISTRESS', 2000 Oil Painting, nudes.
nudes - Painting
24 x 30 inches (61.0 x 76.2 cm)
Andreasz Szanto: 'METALIZAT', 2002 Oil Painting, nudes.
, 2002
nudes - Painting
80 x 50 cm (31.5 x 19.7 inches)
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Claudia Nierman: 'Greco Romans 2', 2004 Cibachrome Photograph, nudes.
nudes - Photograph
45 x 32 inches (114.3 x 81.3 cm)
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Claudia Nierman: 'Ocean Netzuke', 1904 Cibachrome Photograph, nudes. This image is also available printed on canvas 57 x 80. ...
nudes - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'Naufragio', 2000 Cibachrome Photograph, nudes.   This is a triptych but it can also be sold separately. Each image is 14 x 22.This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45.  ...
, 2000
nudes - Photograph
14 x 22 inches (35.6 x 55.9 cm)
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Claudia Nierman: 'Torzo de Siena', 2004 Cibachrome Photograph, nudes.  This is not a digital generated image. I work with traditional photographic methots.  ...
nudes - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'Meditation', 1997 Cibachrome Photograph, nudes.  Part of a Series on Architecture.This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45. ...
, 1997
nudes - Photograph
14 x 22 inches (35.6 x 55.9 cm)
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Claudia Nierman: 'Ninfa', 2004 Cibachrome Photograph, nudes.   This image is also available printed on canvas 57 x 80.  ...
, 2004
nudes - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'Desde el Puente', 2003 Cibachrome Photograph, nudes.  Part of a Series on Architecture.This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45. ...
nudes - Photograph
14 x 22 inches (35.6 x 55.9 cm)
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Claudia Nierman: 'El Umbral Azul', 1999 Cibachrome Photograph, nudes.   This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45.  ...
nudes - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: '29 Mutant wall', 1999 Cibachrome Photograph, nudes.  This image is also available printed on canvas 57 x 80. ...
nudes - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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(Page 15 of 37) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Henning Von Berg - "Provocative photos for people who understand the fine difference between sex and sensuality!" (r) IN-Magazine, Hollywood: Noted photographer Henning von Berg is the guy whose photos of 6 nude men in the German parliament'Reichstag' made the front pages of 46 international newspapers. Famous for bizarre group shoots in unique locations, the former architect likes to combine all kinds of bodies & buildings. Henning von Berg is the last male descendent of a traditional German family (477 years old). He took his first nude photos at the tender age of 12, and today the 6'5" tall giant has earned world wide recognition as a trend setter and a fearless lensman. He is willing to break all the rules to achieve startling photos of women and men in great settings, public and private. To date, the work of'HvB' is known on all five continents. His material has been published in a variety of high-profile periodicals, on greeting cards, calendars and lithograph posters, as well as all kinds of art books. Von Berg lives and creates in Amsterdam, Hollywood and Berlin. His artistic motto (r) is: "Provocative photos for people who understand the fine difference between sex and sensuality!"(r)...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Philip Winestone - The image is EVERYTHING - so words should never be needed to define it or what it says. The photographs, drawings and monotypes of Philip Winestone are thoroughly minimalist and non-contextual, relying only on the play of light on the subject and the strength of the subject itself to communicate their respective messages....

    Ward George - Ward George is a contemporary representational artist interested primarily in the female nude. Having made off with his mother's paint box at the age of nine, Mr. George received his training privately and, formally, at the University of Wisconsin. Although deeply influenced by modern art and its philosophies, he soon embarked on a deeper study of the whole of Western Art. As a result, he has built a foundation drawing from the depth of western tradition as well as more contemporary sources. Mr. George has chosen the nude as an expressive vehicle for three reasons: * first, it is the foundation of Western Art; * second, it is an art form in and of itself; * third, and most importantly, because of his natural sympathies for the human figure and the enduring source of challenges and opportunities it presents. Believing that an artist must bring intellect, emotion and technique to his work, he has taken what he considers of greatest aesthetic value from artists as varied as Rembrandt and Picasso, de Kooning and Ingres, Rodin and Welliver, Matisse, Wyeth, Rubens and Pearlstein. Mr. George's work hangs in private collections throughout the world. ...

    Ken Smith - The ongoing theme of my work is the recognition of natural forces, shapes, gestures. When I choose my subjects to work with I feel a sense of belonging to those innate forms I know them as my own destiny. It is satisfying for me to attempt to identify the most basic truths, that are common denominators of life's dynamic both in humans and in the rest of the natural world. My role as an artist is to say, "Look at this it is what I feel is true do you feel it also?" My creative life began as a freelance writer, and a commercial and editorial photographer. Since 1991, I've been concentrating on the fine art side of the work, and for the past eight years I've been working primarily in still life. Most of my work is split-toned black & white silver prints, although I sometimes handcolor the work. Recently my work has evolved towards color, and printing with archival pigment ink on fine papers. This change has imbued me with exciting new possibilities for creative expression and presentation. My work has been exhibited in international venues is in corporate and private collections in the United...

    Bruce Naigles - From a philosophical standpoint, all that we perceive in the world of form is an outer expression of an inner dynamic. Though my work is predominantly figurative, I find it to be the art of giving form to the formless; ideas, emotions, relationships, events. These are by their very nature intangible and essentially abstract, though they continually alter and effect our physical reality. We read them through our intuitive understanding of body language, much as snow blown about on a winter's day reveals the invisible movement and form of the wind. To 'clothe' these subliminal qualities in human figures and bring them forth in a sculpture, whether it be a simple figure inspired by a model's beauty or an allegory of our human condition, is the basic goal and driving force in my work. ...

    Manolis Tsantakis - The subject "Woman and Nature" which is the title of my photographs, It becomes an endless source of inspiration. Nature is perfect but also so fickle. The lighting and weather interchanges during a day could be unbelievable. Nature some times has a melancholic mood, but it could also elevate your senses. It offers tranquility and happiness, but also fear and insecurity. Woman, as a female gender by nature, matches perfectly with Nature, and it create within me, exactly the same feelings. It is a constant challenge for me, to tie together in perfect harmony these two live elements and create images of dreams and fantasy. ...

    Tony Lee - I am an passionate photographer with loads of experience during the past 35 years. Specialities include portraits, beach and artistic nudes, travel and tourism-related imagery, all captured outdoors or interiors by window light. If interested I also have more galleries in different themes my galleries at

    Alexandre Nodopaka - 1. To portray ideas in a fresh style, but most important I was Born for Art, I Live for Art and will die for Art. 2. Abstraction in art is the greatest spiritual meditation & an ideal cerebral masturbation. 3. Photography killed representational art some 150 years ago. The computer killed abstract art. Today, thousands abstracts can be created in a day, they may be worth a thousand words but not a penny! 1. Pour peindre des idees dans un style frais, mais plus important je suis ne pour l'Art, je vis pour l'art et mourrai pour l'art. 2. L'abstraction dans l'art est la plus grande meditation spirituelle & une masturbation cerebrale ideale. 3. La photographie a tue l'art figuratif il y a quelques 150 annees et l'ordinateur a tue l'art abstrait. Aujourd'hui, des milliers d'art abstrait peuvent etre crees dans un jour... ils peuvent valoir mille mots mais pas un centime! 1. Para retratar las ideas en un estilo fresco, pero mas importantes de que era nacido para Art, vivo para Art y morire por Art. 2. El caracter abstracto en el ...

    Claudia Perez - TO ME, LIFE IS A MISTERY, SOMETIMES OUR EVERYDAY LIVES ARE MORE FASCINATING THAN WE EVEN REALIZE,WETHER IS HAPPINESS, SADNESS OR A BROKEN HEART, ART ALWAYS GIVES US THE CHANCE TO SEE THE WORLD AND OUR LIVES FROM A NEW PERSPECTIVE AND TO APPRECIATE IT'S UNIQUENESS, EVEN WITH DRAWERS FULL OF PROMISES AND DREAMS THAT NEVER WERE, LIFE GOES ON. I STILL REMEMBER THE FIRST TIME I HAD A REAL MODEL POSING FOR ME , AFTER SEVERAL YEARS OF PAINTING FROM PHOTOS AND IMAGINATION, IT WAS THE MOST UNBELIEVABLE FEELING EVER, VERY REFRESHING, AS AN ARTIST AND AS WOMAN I HAVE THE OUTMOST RESPECT FOR THE HUMAN FORM, PERHAPS THAT IS THE REASON WHY I GREW TO LOVE AND BE INVOLVED WITH ART, MY ART AS A WHOLE IS THE CELEBRATION OF THE BEAUTY OF THE BODY IN MOTION AND AT REST IN A VERY CLASSICAL WAY, IN REALITY THE HUMAN FORM IS ALWAYS BREATHAKING AND BEAUTIFUL IN IT'S SIMPLICITY AND RICHNESS OF LIGHTS AND SHADOWS, THIS REALIZATION HIT ME WHEN I WAS VERY YOUNG, THUS BEGINNING MY PASSION FOR ART AND MY LOVE AFFAIR WITH THE HUMAN FORM, DISCOVERING NEW TECHNIQUES WAS VERY EXCITING TOO, BEING A ...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...