Artists Describing Their Art:
Alexandre Nodopaka - 1. To portray ideas in a fresh style, but most important I was Born for Art, I Live for Art and will die for Art. 2. Abstraction in art is the greatest spiritual meditation & an ideal cerebral masturbation. 3. Photography killed representational art some 150 years ago. The computer killed abstract art. Today, thousands abstracts can be created in a day, they may be worth a thousand words but not a penny! 1. Pour peindre des idees dans un style frais, mais plus important je suis ne pour l'Art, je vis pour l'art et mourrai pour l'art. 2. L'abstraction dans l'art est la plus grande meditation spirituelle & une masturbation cerebrale ideale. 3. La photographie a tue l'art figuratif il y a quelques 150 annees et l'ordinateur a tue l'art abstrait. Aujourd'hui, des milliers d'art abstrait peuvent etre crees dans un jour... ils peuvent valoir mille mots mais pas un centime! 1. Para retratar las ideas en un estilo fresco, pero mas importantes de que era nacido para Art, vivo para Art y morire por Art. 2. El caracter abstracto en el ...
Manolis Tsantakis - The subject "Woman and Nature" which is the title of my photographs, It becomes an endless source of inspiration. Nature is perfect but also so fickle. The lighting and weather interchanges during a day could be unbelievable. Nature some times has a melancholic mood, but it could also elevate your senses. It offers tranquility and happiness, but also fear and insecurity. Woman, as a female gender by nature, matches perfectly with Nature, and it create within me, exactly the same feelings. It is a constant challenge for me, to tie together in perfect harmony these two live elements and create images of dreams and fantasy. ...
Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...
Claudia Perez - TO ME, LIFE IS A MISTERY, SOMETIMES OUR EVERYDAY LIVES ARE MORE FASCINATING THAN WE EVEN REALIZE,WETHER IS HAPPINESS, SADNESS OR A BROKEN HEART, ART ALWAYS GIVES US THE CHANCE TO SEE THE WORLD AND OUR LIVES FROM A NEW PERSPECTIVE AND TO APPRECIATE IT'S UNIQUENESS, EVEN WITH DRAWERS FULL OF PROMISES AND DREAMS THAT NEVER WERE, LIFE GOES ON. I STILL REMEMBER THE FIRST TIME I HAD A REAL MODEL POSING FOR ME , AFTER SEVERAL YEARS OF PAINTING FROM PHOTOS AND IMAGINATION, IT WAS THE MOST UNBELIEVABLE FEELING EVER, VERY REFRESHING, AS AN ARTIST AND AS WOMAN I HAVE THE OUTMOST RESPECT FOR THE HUMAN FORM, PERHAPS THAT IS THE REASON WHY I GREW TO LOVE AND BE INVOLVED WITH ART, MY ART AS A WHOLE IS THE CELEBRATION OF THE BEAUTY OF THE BODY IN MOTION AND AT REST IN A VERY CLASSICAL WAY, IN REALITY THE HUMAN FORM IS ALWAYS BREATHAKING AND BEAUTIFUL IN IT'S SIMPLICITY AND RICHNESS OF LIGHTS AND SHADOWS, THIS REALIZATION HIT ME WHEN I WAS VERY YOUNG, THUS BEGINNING MY PASSION FOR ART AND MY LOVE AFFAIR WITH THE HUMAN FORM, DISCOVERING NEW TECHNIQUES WAS VERY EXCITING TOO, BEING A ...
Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...