Artists Describing Their Art:
Mima Stajkovic - The world I live in today is filled with the most amazing secrets. Personal secrets that cannot be told, those little thoughts that shape your personality and intimacy. Every secret have reason, every reason have shape, influence and interaction. My goal is to recognize each of them with the respect that they deserve. Bringing them to light in full color, making them touchable and visible, I get better understanding of individuals, their apprehension and shame, their desire and potential. While working on a painting over weeks, sometimes months, I found that acrylic on canvas give me the best opportunity to quickly catch my thoughts. Starting with real world and images I continue to explore with symbols and colors emphasizing my impression. The finished work may not resemble the original idea but I always get to know something new during this enjoyable process. In the latest series of paintings I am playing with women's emotions, her fears and wishes developing relations with other people. When people see my work, I'd like them to feel my thoughts and get chance to agree or not with me, but in any way to think about motives that every woman has developing emotional ...
Lawrence Buttigieg - "My paintings are a balance of physical form and feeling. I penetrate the character of the person and focus on the inward reflective qualities. I slip my view of the subject between the layers of paint. I want my colours to be the colours of life, rendering likeness and personal stylisation inseparable. I am not concerned with the instantaneous image of the model but rather a prolonged record of his or her character."...
Bernhard Luettmer - The project is to create the image with a short composition as I wanted at times I took in here. Timing and movements of the camera or the machinery are important resources. Photography is listen to the world as we hear a beloved piece of music. For example: I see a tree just in vegetation, the wind gentle caresses the new leaves, the light shines and you hear all this on the skin. Now take a picture with the knowledge that this concentration and on the negative is something of the feeling....
Dina Elsayed Imam - I've always found a great satisfaction in the action of watching and in turn in the process of recreating the experience. This continuous process of understanding through visual experience made my work lean towards a more personal and expressionistic style. But that kind of expressionism sprouts out of a genuine desire to transfer a much more realistic truths about what I depict in my paintings. I make no attempt to constrain my interest in a single subject matter. but till now My main concerns lay with the human body and its surrounding space & objects. ...
Steven Derks - Artist Statement: Color field Paintings & Gridscapes My work is best described as accidental beauty or Shibui as the Japanese call it. It's my job to reconstruct those accidents with diverse methods yet a consistent result. The two most important tools in my work are a stick to push and pull paint around, and the sun, to accelerate the drying. The desert is the perfect place to make this work. While the painting is in the sun cracking and crazing may happen. Placing a painting in the sun to dry is similar to putting ceramics in a kiln. I can anticipate the results but I can't always predict what will happen. Picasso used to say, " Painting is stronger than me. It makes me do things I normally wouldn't do". I'm influenced by Turners skies, Rothko's compositions, and Richter's method of pulling paint. STEVEN DERKS ...
Obert Fittje - In addition to the mythology of our culture, we all have certain experiences, expressions and images that have deep personal significance and meaning. These form the foundation of our personal mythology. Some of us have richer and more elaborate personal mythologies than others. Recently I came to the realization that I was mainly painting the images of my own personal mythology. I am self taught as a painter and after painting for eleven years, I consider that to my advantage as the icons of my mythology are rarely something out there in the material world. My paintings lie somewhere between the presence and the absence of an identifiable image. It would have been a waste of time for me to have spent years learning the techniques to make my paintings look realistic because the subjects of my mythology are mostly imaginary. I do not go outside to nature to find the subjects of my paintings, but rather I paint inside using my imagination and the images of my personal mythology. As a retired professional psychologist, I have been trained in the use of projective tests such as the Rorschach Inkblots where the observer is presented with purposely-vague images. The ...
Erin Emily Robinson - Art is such a beautiful thing, it allows us to express ourselves and to enjoy life. It is such a great gift to see the world through an artistic perspective. I just express the beauty I see in everyday life. There is such amazing art I see everyday, so different but all of it so touching and inspiring. I just hope to discover more about myself through though my paintings. Anyways, I hope you all enjoy my paintings, feel free to drop me a line with any comments or questions. Thanks!...
Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces - celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...
Trevor Heath - A painting should speak for itself. Otherwise, why paint it? However, for those who like to have some background information, here are a few of the things that fascinate and inspire me. The crossover between fine art and illustration. Many of my favourite artists have been illustrators. The combination of images with words and typography. They each contribute in different ways to the message in the painting. The classic icons created by celebrities and the roles they play - in sport and politics as well as entertainment. The balance between the natural qualities of the paint and the way it is used to represent an image. The essence of a subject, especially a film, being conveyed in a single poster. My years as an art director in advertising are, not surprisingly, also a strong influence. ...
Larsen Lena - At the vanity, chasing the dream that is often just a mirage, tired with stress and permanent search, at the stream of rushing days and years we sometimes stand motionless for a while seeing something beautiful: open flower, spring dusk, the picture that suddenly attracted our attention. It is possible that such abstractions and revelations are the main meaning of art. After all, the artist's brush can really fix the time, place, and mood, and capture for a moment our mind, tossing between past and future, and thus awake our feelings and thoughts......