Abstract Art For Sale
Page 27 of 555
Browse 16069 Abstract artworks for sale. Contemporary artists: Wilson Sasso, Imelda Feraille, Susan Cantor-uccelleti, German Guerra, Phillip Flockhart, Abby Jones, Richard Solstjarna, Vasily Tsabadze, Peter Dunckelmann, Ali Elhadj Tahar offering Abstract artworks. Links to more artworks by these contemporary artists and 555 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract art simply click on the image to go to a more detailed page about this work of art.
MORE »
Wilson Sasso - Susan Cantor-Uccelleti - My Statement as an artist and what art means to me and effects my life aEURoeArt Heals Body and SoulaEUR Abstract Expressionism gives me the freedom to express my inner feelings and also how I see the world around me through color and movement. My paintings are my life on canvas which I hope to be able to share so others can see the beauty and the wonders around us. This gives me purpose to go on, to be able to create is to live. Painting has always been part of life, in my early years I painted what I was able to see, but now I paint my emotions. My life, as everyone, has had its ups and downs. Each of my paintings represent my moods and situations around me. When you first look at my art, you will see colors, but as you back up and study each painting, you will see something different. Each piece of my artwork has some part of me which I gratefully want to pass on to you. My work is all original, there are no copies or prints, each one of a kind. When I paint, I think colors, movement and balance, ...
German Guerra - The reason for creation my abstract works is very simple and very complex. I feel the strong necessity to compose and produce this kind of work. For me iti?1/2s like a serious game with color, form and music. I doni?1/2t know what i?1/2am I looking fori?1/2 with my works, just I know that I have to do it. Other kind of work like Cityscape or Graffitis arise because it's part of interesting visual in each city. For me it's very complicated to walk everywhere without the camera. ...
Phillip Flockhart - STATEMENT After 50 years of image making, journeying through the Da Da, Constructivist, and Minimalist Schools 1970s-1980s I find that my work and my beliefs put me firmly in The School of Expressionism, although my continued belief in the work of Carl Jung, especially his Catalytic Exteriorisation Phenomenon adds another layer of understanding to the traditional Expressionists and places it somewhere more in the Spiritual. My art philosophy formulated over many years practice is actually always present in the content of my work, although themes come and go and reflect other areas of my life and which are influenced by the work of great artists like Kazimir Malevich, Vladimir Tatlin, Juan Gris, Kurt Switters , Marc Chagall, Robert Motherwell, Robert Rauschenberg, Andy Warhol and Joseph Beuys the themes of my art, if examined retain the content of my work which has remained as it has for 35 years now the attempt to disseminate the picture plane to see through and beyond, with colour, real time space, Collage Relief, imagery or optical device, multi point perspective and opto-kinetism, to reveal the truth that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings ...
Abby Jones - As an artist I am fascinated with the basic scientific principle that energy is neither created nor destroyed. Energy changes form from potential energy to kinetic energy and back. I explore the threshold of change; when potential energy becomes kinetic energy. That energy exists in the creative process of art making as well as life. That tension that makes us hold our breaths in anticipation and the release into eventual movement is the potential and kinetic energy we encounter in everyday life. My works strive to capture these forms of energy that exist in all of us. I use multi-media including mirror, wood, metal, stained glass, and paper on top of silky oils to achieve a sense of texture and contrast that creates tension. I also use shapes, lines, and color vigorously applied to achieve a sense of movement and fluidity. If the potential energy of my idea can move someone to feel an emotion then that is the kinetic energy of life derived from art. If a work can convey that sense of energy to the observer then the piece has done its job. ...
Richard Solstjarna - Richard SolstjA$?rna born in Sweden, lives and works in Berlin. Abstract Painting dominates my artistic expression. In my paintings the Energy and Forces which are immanent in Nature are visualized. Forces at work in maximum self-sufficiency. Primary, undiluted, full of tension. Never at ease always in moment. A pulse in rhythm and rhyme. Emerging from a Void, an emptiness and silent space which is the source of its origin. The theme, the allegories and concepts form the basis of my creations and for the technique I will avail myself of. There are no rules. Any preconceived image are dissolved for that particular artwork to emerge. Installations are made when the theme and work calls for it. ...
Peter Dunckelmann - PDarts is a Melbourne-based creative studio that grew up on a well-known image editing software and uses it in all of its work. Driven and motivated to find creative outcomes, we use the computer as a tool and are comfortable working on it like a painter using a brush, for instance, finding inspiration through experimenting, which fosters the creation of new forms. Without fear of rules, conventions, or technical limitations, we mix different techniques and visual influences into our work. In our visual expression we love finding new ways to make images and for unexpected things to happen. We have a liking for abstract forms non-objective compositions and try to explore a lot more with colour. Usually what we have been doing so far, we just sit there layering images and see what comes out of it something that is completely unplanned. That is where we find that potential to grow and move forward in ways we didnt plan. The creative process itself is an experiment, becoming creative about the creation....
(Page 27 of 555) - MORE ARTWORKS
Artists Describing Their Art:
Wilson Sasso - WILSON SASSO - EXHIBITIONS CASA JOAO TURIN, Curitiba, PR/BRAZIL. INDIVIDUAL, currently, up to 28/01/2008. 6a MOSTRA JOAO TURIN Casa Andrade Muricy, Curitiba - PR/BRAZIL Selected artist, 2003. A NATUREZA DOS ELEMENTOS II Espaco Cultural FALEC, Curitiba - PR/BRAZIL With the paint artist Paulo Assis, 2003. SERES PATETICOS Museu Joao Turin, Curitiba - PR/BRAZIL Individual, 2001. IMPRESSOES DA NATUREZA Museu do Jardim Botanico, Curitiba - PR/BRAZIL Collective, 2000. ARTE E EXPRESSAO Espaco Cultural Francis Bacon, Curitiba - PR/BRAZIL Collective, 2000. A NATUREZA DOS ELEMENTOS I Curitiba - PR/BRAZIL With the paint artist Paulo Assis, 1999. MUSEU VIRTUAL DE ARTE BRASILEIRA -MVAB/BRAZILIAN MUSEUM Galeria XXI Web page:Wilson Sasso - Susan Cantor-Uccelleti - My Statement as an artist and what art means to me and effects my life aEURoeArt Heals Body and SoulaEUR Abstract Expressionism gives me the freedom to express my inner feelings and also how I see the world around me through color and movement. My paintings are my life on canvas which I hope to be able to share so others can see the beauty and the wonders around us. This gives me purpose to go on, to be able to create is to live. Painting has always been part of life, in my early years I painted what I was able to see, but now I paint my emotions. My life, as everyone, has had its ups and downs. Each of my paintings represent my moods and situations around me. When you first look at my art, you will see colors, but as you back up and study each painting, you will see something different. Each piece of my artwork has some part of me which I gratefully want to pass on to you. My work is all original, there are no copies or prints, each one of a kind. When I paint, I think colors, movement and balance, ...
German Guerra - The reason for creation my abstract works is very simple and very complex. I feel the strong necessity to compose and produce this kind of work. For me iti?1/2s like a serious game with color, form and music. I doni?1/2t know what i?1/2am I looking fori?1/2 with my works, just I know that I have to do it. Other kind of work like Cityscape or Graffitis arise because it's part of interesting visual in each city. For me it's very complicated to walk everywhere without the camera. ...
Phillip Flockhart - STATEMENT After 50 years of image making, journeying through the Da Da, Constructivist, and Minimalist Schools 1970s-1980s I find that my work and my beliefs put me firmly in The School of Expressionism, although my continued belief in the work of Carl Jung, especially his Catalytic Exteriorisation Phenomenon adds another layer of understanding to the traditional Expressionists and places it somewhere more in the Spiritual. My art philosophy formulated over many years practice is actually always present in the content of my work, although themes come and go and reflect other areas of my life and which are influenced by the work of great artists like Kazimir Malevich, Vladimir Tatlin, Juan Gris, Kurt Switters , Marc Chagall, Robert Motherwell, Robert Rauschenberg, Andy Warhol and Joseph Beuys the themes of my art, if examined retain the content of my work which has remained as it has for 35 years now the attempt to disseminate the picture plane to see through and beyond, with colour, real time space, Collage Relief, imagery or optical device, multi point perspective and opto-kinetism, to reveal the truth that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings ...
Abby Jones - As an artist I am fascinated with the basic scientific principle that energy is neither created nor destroyed. Energy changes form from potential energy to kinetic energy and back. I explore the threshold of change; when potential energy becomes kinetic energy. That energy exists in the creative process of art making as well as life. That tension that makes us hold our breaths in anticipation and the release into eventual movement is the potential and kinetic energy we encounter in everyday life. My works strive to capture these forms of energy that exist in all of us. I use multi-media including mirror, wood, metal, stained glass, and paper on top of silky oils to achieve a sense of texture and contrast that creates tension. I also use shapes, lines, and color vigorously applied to achieve a sense of movement and fluidity. If the potential energy of my idea can move someone to feel an emotion then that is the kinetic energy of life derived from art. If a work can convey that sense of energy to the observer then the piece has done its job. ...
Richard Solstjarna - Richard SolstjA$?rna born in Sweden, lives and works in Berlin. Abstract Painting dominates my artistic expression. In my paintings the Energy and Forces which are immanent in Nature are visualized. Forces at work in maximum self-sufficiency. Primary, undiluted, full of tension. Never at ease always in moment. A pulse in rhythm and rhyme. Emerging from a Void, an emptiness and silent space which is the source of its origin. The theme, the allegories and concepts form the basis of my creations and for the technique I will avail myself of. There are no rules. Any preconceived image are dissolved for that particular artwork to emerge. Installations are made when the theme and work calls for it. ...
Peter Dunckelmann - PDarts is a Melbourne-based creative studio that grew up on a well-known image editing software and uses it in all of its work. Driven and motivated to find creative outcomes, we use the computer as a tool and are comfortable working on it like a painter using a brush, for instance, finding inspiration through experimenting, which fosters the creation of new forms. Without fear of rules, conventions, or technical limitations, we mix different techniques and visual influences into our work. In our visual expression we love finding new ways to make images and for unexpected things to happen. We have a liking for abstract forms non-objective compositions and try to explore a lot more with colour. Usually what we have been doing so far, we just sit there layering images and see what comes out of it something that is completely unplanned. That is where we find that potential to grow and move forward in ways we didnt plan. The creative process itself is an experiment, becoming creative about the creation....