Intaglio Prints

Page 1 of 7
Jerry Di Falco, Hans Andre, Geo Sipp, Bert Menco, Wieslaw Haladaj, Rachel E Heberling, Mircea Popescu, Nahid Navab, Martha Hayden, Sandra Ramos, Anita Jovanovic offering original Intaglio Prints artworks.


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Jerry  Di Falco: 'all hallows cinema de caligari', 2020 Intaglio, Movies. This work includes a 10 inch high by 12 inch wide black, METAL frame and white acid free mat.  TECHNICAL INFORMATION ABOUT THIS WORK - -The studio techniques employed in this etching include intaglio and Chine colle.  The French paper used was RivesBFK white, and the inks employed were oil base, ...
Movies - Intaglio
12 x 10 inches (30.5 x 25.4 cm)
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Jerry  Di Falco: 'big easy blues one', 2020 Intaglio, Architecture. This intaglio etching, executed on a zinc plate and etched in several Nitric acid baths, was inspired by several original drawings by DiFalco, all based on a photograph taken by his grandfather.  The scene depicts the architectural elements found in New Orleans circa 1940.  Di Falco used French, oil base ...
Architecture - Intaglio
10 x 11 inches (25.4 x 27.9 cm)
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Jerry  Di Falco: 'imp of charles leland', 2020 Intaglio, Mystical. This is my final, and third, edition of my hand printed etching, which was an interpretation of a drawing by author, folklorist, and linguist CHARLES LELAND.  The print measures 10 inches wide by 11 inches high, or 25. 40 cm x 27. 94 cm, and my Media include a blend ...
Mystical - Intaglio
10 x 13 inches (25.4 x 33.0 cm)
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Jerry  Di Falco: 'dream of karoly 3', 2020 Intaglio, Famous People. Etching aEUR
Famous People - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
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Hans Andre: 'search vi', 2020 Intaglio, People. Drypoint on copper with linoleum print...
, 2020
People - Intaglio
15 x 20 cm (5.9 x 7.9 inches)
Geo Sipp: 'Explosion', 2008 Intaglio, War.  Explosion is a 4- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                   ...
, 2008
War - Intaglio
3.8 x 3.1 inches (9.7 x 7.9 cm)
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Geo Sipp: 'The Question', 2008 Intaglio, Military.  The Question is a 5- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.               ...
Military - Intaglio
7 x 3.5 inches (17.8 x 8.9 cm)
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Geo Sipp: 'Algiers', 2009 Intaglio, Islamic.  Algiers is a four plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.       ...
, 2009
Islamic - Intaglio
11 x 8.5 inches (27.9 x 21.6 cm)
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Geo Sipp: 'Algerian Manhunt', 2011 Intaglio, Military.  Algerian Manhunt is an etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.    ...
Military - Intaglio
30 x 10.5 inches (76.2 x 26.7 cm)
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Bert Menco: 'Drops', 2015 Intaglio, Fantasy.  A mezzotint, a lady surrounded by drops. Made during a residency at
, 2015
Fantasy - Intaglio
9 x 12 inches (22.9 x 30.5 cm)
Bert Menco: 'Pairs', 1997 Intaglio, Fantasy.   An etching with aquatinted background, depicting coupes in all kinds of situations.  ...
, 1997
Fantasy - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
Bert Menco: 'Repulsion', 1997 Intaglio, Fantasy.  An etching with aquatinted background, depicting two people in front, more in the back, all trying to like each other. . . or not. ...
, 1997
Fantasy - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
Bert Menco: 'Shylock 1943 Acta Fabula Est', 2015 Intaglio, History.  A mezzotint depicting the likely fate of Shylock and his daughter Jessica had they lived in mainland Europe in the early forties of the last century. The print was largely prepared during a residency at
History - Intaglio
17 x 20 inches (43.2 x 50.8 cm)
Bert Menco: 'Over', 2014 Intaglio, Fantasy.      A new copper etching/ aquatint, hot from the press, called
, 2014
Fantasy - Intaglio
15 x 9 inches (38.1 x 22.9 cm)
Wieslaw Haladaj: 'APPEARANCEDP7', 2013 Intaglio, Abstract Figurative.          BLACK AND WHITE         ...
Abstract Figurative - Intaglio
100 x 70 cm (39.4 x 27.6 inches)
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Wieslaw Haladaj: 'APPEARANCEDP5', 2013 Intaglio, Abstract Figurative.         BLACK AND WHITE        ...
Abstract Figurative - Intaglio
100 x 70 cm (39.4 x 27.6 inches)
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Rachel E Heberling: 'The Divide', 2013 Intaglio, Figurative.  Female figure divided, etching with softground and chine colle of diagrams in background ...
, 2013
Figurative - Intaglio
6 x 9.5 inches (15.2 x 24.1 cm)
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Rachel E Heberling: 'Wooden Zoo', 2012 Intaglio, Animals.   Etching and mezzotint of carousel animals on steel plate  ...
, 2012
Animals - Intaglio
6 x 4.8 inches (15.2 x 12.2 cm)
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Mircea  Popescu: 'Untitled 5', 2012 Intaglio, Abstract.      post modern   post modern  ...
, 2012
Abstract - Intaglio
10 x 8 inches (25.4 x 20.3 cm)
Mircea  Popescu: 'Untitled 4', 2012 Intaglio, Abstract.     post modern    ...
, 2012
Abstract - Intaglio
10 x 8 inches (25.4 x 20.3 cm)
Mircea  Popescu: 'Untitled 3', 2012 Intaglio, Abstract.    post modern   ...
, 2012
Abstract - Intaglio
10 x 8 inches (25.4 x 20.3 cm)
Mircea  Popescu: 'Untitled 2', 2012 Intaglio, Abstract.   post modern  ...
, 2012
Abstract - Intaglio
10 x 8 inches (25.4 x 20.3 cm)
Mircea  Popescu: 'Untitled 1', 2012 Intaglio, Abstract.  post modern ...
, 2012
Abstract - Intaglio
10 x 8 inches (25.4 x 20.3 cm)
Rachel E Heberling: 'Empty Grove', 2011 Intaglio, Landscape.  Etching and mezzotint of abandoned theme park rollercoaster ...
Landscape - Intaglio
3.7 x 5 inches (9.4 x 12.7 cm)
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Nahid Navab: 'Love Story', 2011 Intaglio, Love.  Hand made print  A/ P on BFK paper. Colograph/ Etching and intaglio.   ...
, 2011
Love - Intaglio
20 x 10 inches (50.8 x 25.4 cm)
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Martha Hayden: 'F Train at Smith and Ninth', 2005 Intaglio, Abstract Landscape.      etching, acquatint, Smith and Ninth, Brooklyn, MTA, New York city Transit, landscape, urban,  perception, woman artist, Wisconsin artist    ...
Abstract Landscape - Intaglio
8 x 10 inches (20.3 x 25.4 cm)
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Sandra Ramos: 'The wheel of the history', 2009 Intaglio, Undecided.
Undecided - Intaglio
50 x 90 cm (19.7 x 35.4 inches)
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Anita Jovanovic: 'The night', 2006 Intaglio, undecided.   mezzotint    ...
, 2006
undecided - Intaglio
18.5 x 26.5 cm (7.3 x 10.4 inches)
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Anita Jovanovic: 'Paysage I', 2006 Intaglio, undecided.  mezzotint   ...
, 2006
undecided - Intaglio
20.5 x 41.5 cm (8.1 x 16.3 inches)
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Anita Jovanovic: 'Happiness', 2005 Intaglio, undecided.  dry point ...
, 2005
undecided - Intaglio
30.7 x 42.5 cm (12.1 x 16.7 inches)
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(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

Rachel E Heberling - I walked up the dirt road before leaving the mountains. Fall was creeping in. I thought a car had driven by, but there remained a strange banging and rattling noise. I turned around and listened, yet nobody was there. I looked again; it was just a 25 mile-an-hour sign caught up in a tree. With the winds kicking up, I ran back down the hill. There were always strange machines in the basement. A Victrola, oil lamps, and car transmissions sat in the dark, collecting dust by the coal furnace. I grew up in a log home on a mountainside in Pennsylvania's coal regions, where black slag piles were poised to swallow one-street towns: a landmark of the Industrial Revolution's demise. When I would pass just over the ridge and wander through abandoned factories, I could feel the heavy air inside: damp and laden with an eerie silence. My childhood existed at the tail end of an era of typewriters and rotary phones: forms of communication that demand a physical connection. These fragmented memories still exist in the tactility of ink embedded into a surface, whether rolled through a press or fed through a typewriter. ...

Mircea Popescu - Mircea Popescu Statement In my work time is an active element. I paint like I build a sculpture using simple forms, lines and textures representing days, hours and archetypes such as: books, letters, numbers or primordial elements. The surface; canvas, wood, or paper is painted from dark to light, a technique used in the byzantine art. Using classical principles, the golden section, the structures of my compositions are based on rigorous diagrams of simple geometric figures. Considering that contemporary art is characterized by invention and experimentation, texture becomes an essential element of my paintings that comes naturally from the way the paste is applied, transparent layers of paint creating new surfaces. Light is the most surprising element in my paintings which is a result of my technique; the method I mix the primary colors, pigments and other substances What is interesting, not all of them contain the same light, but all of them radiate energy. ...

Nahid Navab - My goal in the creative process of drawing, painting and print-making,is to visualize my feelings, my thoughts and my dreams. I like to produce joy and freedom and bring a moment of comfort to my environment. I work with different medias including watercolor, acrylic and pastels. Recently I work with hand pulled prints like etching and silkscreen. I feel this is a road never ends. In every step I learn new concepts and feel new joy. Peace for all...

Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...

Sandra Ramos - For me, making art is a way of communication with all human being and with the future. Through my work I try to express my relation with the political and social contemporary context worldwide. My work is also a reflection about the specific reality of my country. One of the main subjects on my work is the relationship between personal freedom and political power. Thus trough my work I try to make a daily recovery of and individual and social memory tied to everyday overcoming of economical and social uncertainties. My work is highly relating whit the lost utopian feelings and frustration of the socialism-emancipating ideal, which are states of minds very characteristics of the actual Cuban society. I use diversity medias, according to the variety of significance of each work. I have made a lot of etchings prints, using my self-portrait and a XIX century print trying to create a character similar to Alice in Wonderland. This girl has the function of commenting the resent history of my country through popular stories pointed out by texts. In this series I also incorporate classical characters taken from the popular political Cuban caricature, which are symbols of Cuban people ...