Steel Sculptures / Metal Sculptures

Page 1 of 20
Diana Carey, Ted Schaal, William Richardson, Plamen Yordanov, James Johnson, Bob Hill, Bob Dornberg, Emilio Merlina, Andrea Waxman Mulcahy offering original Steel Sculptures artworks. Modernist sculptors and the event of public art sculptures in the late 1950's and 1960' brought about a large group of artists that also experimented with other non traditional materials to create large sculptures. This is where steel comes into play. Immediately, names such as Richard Serra and Alexander Calder, Davis Smith come to mind. Sir Anthony Caro also used steel to weld large scale works or John Chamberlain created large scale compositions from steel. For example Mark di Suvero and abstract expressionist sculptor used wooden timbers, tires, scrap metal and structural steel. This exploration of different materials transformed over time into a focus on H-beams and heavy steel plates. Richard Serra on the other hand used a material called weathering steel (COR-TEN steel) for many of his sculptures. This type of steel was developed to eliminate the need for painting but forming a stable rust-like appearance if exposed to weathering. Many modern sculptors either weld steel compositions to a final artistic product and also use sheets of steel for their artworks.


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Diana Carey: 'reaching out', 2020 Steel Sculpture, Abstract. Reaching Out, the second piece in a series of three, shows the extension of self connecting with others as the individual seeks and accepts much needed support to come to grips with and overcome the emotional turmoil experienced in Conflict. This piece is steel with a bronze powder coating. ...
Abstract - Sculpture
8 x 6 inches (20.3 x 15.2 cm)
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Diana Carey: 'conflicted', 2019 Steel Sculpture, Abstract. First in a series of three sculptures Conflicted represents the emotional upset brought on by unresolved issues. This is a steel sculpture powder coated with a translucent purple. ...
, 2019
Abstract - Sculpture
8 x 7 inches (20.3 x 17.8 cm)
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Ted Schaal: 'geode', 2018 Steel Sculpture, Abstract. This bronze and stainless steel sculpture was inspired by a geode. The void is lined with 24 karat gold leaf. ...
, 2018
Abstract - Sculpture
15 x 13 inches (38.1 x 33.0 cm)
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William Richardson: 'Zendo 14', 2018 Steel Sculpture, Abstract. Weathered Mild Steel.  Zen. ...
, 2018
Abstract - Sculpture
18 x 4 inches (45.7 x 10.2 cm)
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William Richardson: 'Zendo 15', 2018 Steel Sculpture, Abstract. Weathered Mild Steel.  Zen. ...
, 2018
Abstract - Sculpture
12 x 8 inches (30.5 x 20.3 cm)
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William Richardson: 'Zendo 16', 2018 Steel Sculpture, Abstract. Weathered Mild Steel.  Zen. ...
, 2018
Abstract - Sculpture
12 x 5 inches (30.5 x 12.7 cm)
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Plamen Yordanov: 'INFINITY', 2019 Steel Sculpture, Abstract.  Infinity tribute to Brancusi, view as installed at the Austin Town Hall Park Cultural Center, Chicago, 2019 - 2020mirror polished stainless steel, 8 ft height...
, 2019
Abstract - Sculpture
55 x 94 inches (139.7 x 238.8 cm)
Plamen Yordanov: 'INFINITY tribute to Brancusi', 2019 Steel Sculpture, Abstract. IFINITY, tribute to Brancusi, the Austin Town Hall Park Cultural Center, Chicago, 2020mirror polished stainless steel, 8 ft height...
Abstract - Sculpture
55 x 95 inches (139.7 x 241.3 cm)
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William Richardson: 'Atlantic', 2019 Steel Sculpture, . Abstract...
, 2019
- Sculpture
12 x 11 inches (30.5 x 27.9 cm)
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James Johnson: 'why', 2019 Steel Sculpture, Figurative. Free will, choice, or predetermination  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch. These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number. Each piece may appear ...
, 2019
Figurative - Sculpture
4.4 x 5.9 inches (11.2 x 15.0 cm)
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James Johnson: ' MOON', 2019 Steel Sculpture, Cats. Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear slightly different with variations.archetype, ...
, 2019
Cats - Sculpture
3.1 x 3.9 inches (7.9 x 9.9 cm)
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James Johnson: 'RIVER', 2019 Steel Sculpture, Nudes.  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each piece may appear slightly different with variations.  archetype, nude, female...
, 2019
Nudes - Sculpture
6.6 x 9 inches (16.8 x 22.9 cm)
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James Johnson: 'discover', 2019 Steel Sculpture, Figurative. First moment of consciousness of what is right in front of you. . .  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and ...
, 2019
Figurative - Sculpture
9.8 x 14.5 inches (24.9 x 36.8 cm)
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Diana Carey: 'Come Walk With Me', 2018 Steel Sculpture, Abstract. Abstract steel sculpture, powder coated...
Abstract - Sculpture
7.5 x 4 inches (19.1 x 10.2 cm)
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Diana Carey: 'Aftermath', 2018 Steel Sculpture, Abstract. Abstract steel sculpture, powder coated blue chrome...
, 2018
Abstract - Sculpture
10 x 7 inches (25.4 x 17.8 cm)
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Bob Hill: 'celestial flow', 2015 Steel Sculpture, Abstract.
Abstract - Sculpture
12 x 33 inches (30.5 x 83.8 cm)
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Bob Hill: 'toss up', 2017 Steel Sculpture, Abstract Figurative. Stainless steel suitable for outdoor installation...
, 2017
Abstract Figurative - Sculpture
20 x 96 inches (50.8 x 243.8 cm)
Bob Hill: 'crow warrior', 2017 Steel Sculpture, Abstract Figurative. Stainless steel , suitable for outdoot installation...
Abstract Figurative - Sculpture
17 x 82 inches (43.2 x 208.3 cm)
Bob Hill: 'shared dream', 2017 Steel Sculpture, Abstract. Stainless steel suitable for outdoor installation...
Abstract - Sculpture
30 x 84 inches (76.2 x 213.4 cm)
Bob Dornberg: 'LISTING  copyrightN', 2016 Steel Sculpture, Abstract.  FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Bob Dornberg: 'AIM  copyright', 2016 Steel Sculpture, Abstract.  FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Bob Dornberg: 'JAX  copyright', 2016 Steel Sculpture, Abstract. FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Bob Dornberg: 'FUSEL  copyright', 2016 Steel Sculpture, Abstract.  FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Emilio Merlina: 'in my garden', 2016 Steel Sculpture, Fantasy.
Fantasy - Sculpture
19 x 20 cm (7.5 x 7.9 inches)
Ted Schaal: 'Sliver', 2013 Steel Sculpture, Outer Space. This piece was inspired by an article I read about an asteroid that is speculated to be 100 stainless steel.  This is a Sliver of that asteroid that plummeted to Earth and then sliced and polished. ...
, 2013
Outer Space - Sculpture
16 x 31 inches (40.6 x 78.7 cm)
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Plamen Yordanov: 'Right Angle Mobius Strip', 2009 Steel Sculpture, Abstract.  Materials: soldered steel, patina, wax....
Abstract - Sculpture
18 x 11 inches (45.7 x 27.9 cm)
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Andrea Waxman Mulcahy: 'Ambient Flow', 2011 Steel Sculpture, undecided.   Abstract Steel Sculpture  ...
undecided - Sculpture
28 x 12 inches (71.1 x 30.5 cm)
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Andrea Waxman Mulcahy: 'Light Seeker', 2011 Steel Sculpture, undecided.  Abstract Steel Sculpture ...
undecided - Sculpture
36 x 28 inches (91.4 x 71.1 cm)
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Andrea Waxman Mulcahy: 'Emergence', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
62 x 30 inches (157.5 x 76.2 cm)
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Andrea Waxman Mulcahy: 'Source', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
47 x 37 inches (119.4 x 94.0 cm)
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(Page 1 of 20) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    William Richardson - Richardson is a sculptor working in mild steel, Corten, iron, stainless and aluminum. He uses industrial forms comprised of steel plate, angle iron, I beam, H beam, bar stock and other components commonly found in heavy construction. These materials are joined by oxy-acetylene, SMAW, TIG, MIG or Thermit welding and then drilled and tapped for assembly. Richardson has large permanent installations of steel work at the University of North Carolina at Chapel Hill, Meredith College, the City of Raleigh and elsewhere. He has also exhibited large works in national competitions juried by J. Carter Brown, Dore Ashton, Donald Kuspit, Nancy Graves and Robert Maki. His has large work in several private collections and is listed in the Smithsonian Information Database SIRIS for aEURoeThe Square Root of TwoaEUR. He received his MFA under sculptor and painter Kenneth Campbell and his BFA under Robert Howard. He has created several small industrial steel works and though not maquettes, many of these new works are suitable for enlargement for public space....

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    James Johnson - Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. I'm intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpure and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....