Bronze Sculptures

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Ted Schaal, Anne Pierce, James Johnson, Plamen Yordanov, Avril Ward, Jacques Malo, Martin Glick, Emilio Merlina offering original Bronze Sculptures artworks. For thousands of years Bronze has been the most popular metal for cast metal sculptures. This material has been used for statues, reliefs, small statuettes, figurines and even furniture. Bronze alloys expand slightly before they set, thus making it perfect to fill in the finest details of a mould. The strength of bronze is advantageous for sculptural compositions when compared to marble or ceramics. Very few sculptures from ancient times have survived because of the value of the bronze. We can still gaze upon "The Victorious Youth" from 310 B.C Greece, or Chinese ritual bronze objects from the Shang Dynasty or African bronze sculptures from Benin Africa as well as Lorenzo Ghiberti's gilt-bronze doors of the Baptistry in Florence, many master pieces have been melted down over the centuries. Casting bronze sculptures can be done using lost-wax casting, sand casting and centrifugal casting methods. Each has it's advantages and disadvantages for artists to work with. Large bronze sculptures are usually created by preparing a small study model until final compositional elements are determined. Then a large final scale model will be created. Luckily with modern techniques such as welding bronze sculptures can be assembled from multiple cast pieces. Before this large sculptures were usually cast in one piece with a single pour of bronze. Of course a higher failure rate resulted. After a bronze sculpture has had its final polishing done many artists apply some form of corrosive material to get a patina that allows to control the color and finish. However many bronze works lost to meltdown many artists today and throughout history have produced fantastic and high quality sculptures. Names such as Donatello, Andrea del Verrochio, Cellini, Rodin, Brancusi, Archipenko, Henry Moore, Giacometti and Louise Bourgeois immediately come to mind when looking at bronze.


Contemporary Art / Sculpture Categories / Bronze Sculptures / Previous / Next
Ted Schaal: 'ovilepod iv', 2024 Bronze Sculpture, Abstract. Ovilepod IV is my latest version in my Ovilepod series.  The main body of the sculpture is cast bronze with 24K gold leaf on the flat planes.  The Mirror polished orb is cast stainless steel.  Each piece in the series is individually hand crafted and unique. ...
Abstract - Sculpture
17 x 40 inches (43.2 x 101.6 cm)
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Ted Schaal: 'vortex i', 2023 Bronze Sculpture, Abstract. Vortex I is bronze and stainless steel. It is mounted to a black granite base. ...
, 2023
Abstract - Sculpture
28 x 24 inches (71.1 x 61.0 cm)
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Anne Pierce: 'dung beetle', 2022 Bronze Sculpture, Animals. The Dung Beetle is a compact skilled creature capable of flying up to 30 miles, walking backwards and navigating a path using the sun wind moon and stars as directional aids. The strong compact body, bulldozer shaped head and stout front legs enable him to create dung balls more than ...
Animals - Sculpture
11 x 9 inches (27.9 x 22.9 cm)
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Anne Pierce: 'cricket on mushroom', 2020 Bronze Sculpture, Animals. The small man who is hiding in the mushroom folds was originally a whimsical addition. The grasshopperAC/a,!a,,C/s long legs and the veining of the mushroom cap were the focus of this sculpture and only later did the human to insect scale become the story line. If you look closely ...
Animals - Sculpture
13 x 10 inches (33.0 x 25.4 cm)
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Anne Pierce: 'hornet on apple', 2020 Bronze Sculpture, Nature. Hornets may appear menacing and indeed they are capable of delivering a painful sting. Moreover, unlike bees, hornets have a quiver of stings in their arsenal which can be deployed with no impact on their longevity. They have large strong mandibles that were once used to cut through the tough ...
Nature - Sculpture
13 x 10 inches (33.0 x 25.4 cm)
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Anne Pierce: 'wasp with rider', 2021 Bronze Sculpture, Animals. The wasp and hornet belong to the same family of insects and both have been known to participate in the fictional annual Insect RaceIR.  While historically wasps and hornets were predators of beetles and humanoids since the Herbivy Treaty of 505 they have peacefully co- existed and enjoy competing against ...
Animals - Sculpture
11 x 8 inches (27.9 x 20.3 cm)
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Anne Pierce: 'stag beetle with rider', 2021 Bronze Sculpture, Abstract Figurative. Stag beetles make formidable competitors in the annual Insect Race  IR  and have taken first prize in this contest more than any other beetle participants. It is debatable whether the success rate is significantly improved when accompanied by humanoid riders as there have been an equal number of first places ...
Abstract Figurative - Sculpture
20 x 15 inches (50.8 x 38.1 cm)
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Anne Pierce: 'adversaries', 2021 Bronze Sculpture, Animals. The fictional world for these stag beetles is not utopian and while harmony is preferred, rival stag beetles still succumb to competitive ways and males seek dominance over their fellow beetles.  Thankfully superiority between rivals is generally settled by horn length which these 2 are at pains to gauge.  Limited ...
Animals - Sculpture
36 x 16 inches (91.4 x 40.6 cm)
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Anne Pierce: 'stag beetle bronze', 2001 Bronze Sculpture, Animals. The stag beetle is one of central characters in a collection that depicts a fictional world of grander than life size insects and fittingly smaller insectophile humanoids. In the world as we see it, insects, due to their diminutive size are not given the social and environmental status they deserve ...
Animals - Sculpture
20 x 6 inches (50.8 x 15.2 cm)
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Ted Schaal: 'ring of fire', 2019 Bronze Sculpture, Abstract. This piece was inspiredby the total solar eclipse.  Just as the sun emerges from behind the moon it creates a visual know as the ring of fire. ...
Abstract - Sculpture
5 x 6 inches (12.7 x 15.2 cm)
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Ted Schaal: 'bocce ball score keeper', 2015 Bronze Sculpture, Abstract. This Bocce ball score keeper works by moving each pointer hand up until you get to 21.  Each pointer clicks into place and it s moved around.  It has a hand carved relief map of Italy in the center that is accurate enough to find the region or valleys you ...
Abstract - Sculpture
24 x 2 inches (61.0 x 5.1 cm)
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James Johnson: 'deject  Selected as Best in show', 2020 Bronze Sculpture, Figurative. Free shipping within the continental USA.  Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition Abandoned and alone on an emotion island, nothing above, nothing below.  Create in bronze and polished to a mirror finish. ...
Figurative - Sculpture
4.5 x 2.3 inches (11.4 x 5.8 cm)
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James Johnson: 'INTUITION 2nd edition', 2019 Bronze Sculpture, Nudes. Free shipping within the continental USA.  Understanding the present and knowing the future happens everyday.  She was created using a cold cast coat method where bronze powder is incorporated into another media.  The patina is created using liver of sulfur.  Limited edition of 150 with an artistAC/a,!a,,C/s mark, date, ...
Nudes - Sculpture
3 x 7.5 inches (7.6 x 19.1 cm)
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Plamen Yordanov: 'LIGHT INFINITY homage to Frank Lloyd Wright', 2016 Bronze Sculpture, Abstract. Light Infinity, homage to Frank Lloyd Wrightmaterials bronze, leaded stained glass, LED lights, mirrors, remote, patina. Infinity Mobius Strip refers to several distinct concepts, linked to the idea of without end which arise in philosophy, mathematics, and theology. The sculpture is based on the Mobius strip, which is a ...
Abstract - Sculpture
50 x 74 feet (15.24 x 22.56 m)
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Plamen Yordanov: 'Light Infinity', 2015 Bronze Sculpture, Abstract.  Light Infinity Double Mobius Strip bronze, leaded stained glass, LED lights, remote, patina, 82 in.
Abstract - Sculpture
4 x 6.6 feet (1.22 x 2.01 m)
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Plamen Yordanov: 'INFINITY', 2009 Bronze Sculpture, Abstract.    INFINITY ( Double Mobius Strip) - welded stainless steel, acrylic mirrors, lenses
, 2009
Abstract - Sculpture
6 x 22 feet (1.83 x 6.71 m)
Plamen Yordanov: 'INFINITY', 2015 Bronze Sculpture, Abstract. Double Mobius Strip bronze, patina, 82 in.
, 2015
Abstract - Sculpture
4.6 x 8 feet (1.40 x 2.44 m)
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Avril Ward: 'Earthmother evolution', 2012 Bronze Sculpture, Figurative.  Limited edition bronze...
Figurative - Sculpture
6 x 19 inches (15.2 x 48.3 cm)
Avril Ward: 'brothers keeper', 2014 Bronze Sculpture, Figurative.       Limited edition bronze       ...
Figurative - Sculpture
6 x 20 inches (15.2 x 50.8 cm)
Avril Ward: 'New Day new mercies', 2015 Bronze Sculpture, Figurative.     Limited edition bronze     ...
Figurative - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
Avril Ward: 'LEAN ON ME', 2015 Bronze Sculpture, Figurative. Limited edition bronze...
, 2015
Figurative - Sculpture
8 x 18 inches (20.3 x 45.7 cm)
Avril Ward: 'heart strings', 2015 Bronze Sculpture, Figurative.  Limited edition bronze 45 editions ...
Figurative - Sculpture
8 x 18 inches (20.3 x 45.7 cm)
Jacques Malo: 'Signature', 2013 Bronze Sculpture, Abstract.
, 2013
Abstract - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance.  Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance.  Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance. Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance. Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Emilio Merlina: 'did you call us back side', 1992 Bronze Sculpture, Inspirational.
Inspirational - Sculpture
35 x 45 cm (13.8 x 17.7 inches)
Emilio Merlina: 'observer', 1993 Bronze Sculpture, Inspirational.  bronze ...
, 1993
Inspirational - Sculpture
23 x 42 cm (9.1 x 16.5 inches)
Emilio Merlina: 'thought', 1995 Bronze Sculpture, Inspirational.  bronze ...
, 1995
Inspirational - Sculpture
14 x 37 cm (5.5 x 14.6 inches)
(Page 1 of 18) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Ted Schaal - James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    Avril Ward - ArtistaEURtms statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life.aEUR To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.

    Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, QuA(c)bec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. A-A?A1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.A-A?A1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...