Bronze Sculptures

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Ted Schaal, James Johnson, Plamen Yordanov, Jacques Malo, Martin Glick, Emilio Merlina, Andrew Wielawski, Harry Weisburd, Paul Freeman offering original Bronze Sculptures artworks. For thousands of years Bronze has been the most popular metal for cast metal sculptures. This material has been used for statues, reliefs, small statuettes, figurines and even furniture. Bronze alloys expand slightly before they set, thus making it perfect to fill in the finest details of a mould. The strength of bronze is advantageous for sculptural compositions when compared to marble or ceramics. Very few sculptures from ancient times have survived because of the value of the bronze. We can still gaze upon "The Victorious Youth" from 310 B.C Greece, or Chinese ritual bronze objects from the Shang Dynasty or African bronze sculptures from Benin Africa as well as Lorenzo Ghiberti's gilt-bronze doors of the Baptistry in Florence, many master pieces have been melted down over the centuries. Casting bronze sculptures can be done using lost-wax casting, sand casting and centrifugal casting methods. Each has it's advantages and disadvantages for artists to work with. Large bronze sculptures are usually created by preparing a small study model until final compositional elements are determined. Then a large final scale model will be created. Luckily with modern techniques such as welding bronze sculptures can be assembled from multiple cast pieces. Before this large sculptures were usually cast in one piece with a single pour of bronze. Of course a higher failure rate resulted. After a bronze sculpture has had its final polishing done many artists apply some form of corrosive material to get a patina that allows to control the color and finish. However many bronze works lost to meltdown many artists today and throughout history have produced fantastic and high quality sculptures. Names such as Donatello, Andrea del Verrochio, Cellini, Rodin, Brancusi, Archipenko, Henry Moore, Giacometti and Louise Bourgeois immediately come to mind when looking at bronze.


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Ted Schaal: 'rise', 2018 Bronze Sculpture, Abstract. Elegant round abstract sculpture that combines Bronze, mirror polished stainless steel and 24 karat Gold leaf. ...
, 2018
Abstract - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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Ted Schaal: 'bocce ball score keeper', 2015 Bronze Sculpture, Abstract. This Bocce ball score keeper works by moving each pointer hand up until you get to 21.  Each pointer clicks into place and it s moved around.  It has a hand carved relief map of Italy in the center that is accurate enough to find the region or valleys you ...
Abstract - Sculpture
24 x 2 inches (61.0 x 5.1 cm)
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Ted Schaal: 'horizon', 2016 Bronze Sculpture, Abstract. This bronze and mirror polished stainless steel sculpture appears to defy gravity with its  delicately balanced yet structurally sound composition. ...
, 2016
Abstract - Sculpture
20 x 20 inches (50.8 x 50.8 cm)
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Ted Schaal: '12 inch compass rose', 2020 Bronze Sculpture, Travel. This bronze compass rose comes complete with hardware to be mounted on any flat surface. If desired it can come mounted on a square 18 inch red sandstone stepper. ...
Travel - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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James Johnson: 'deject', 2020 Bronze Sculpture, Figurative. Abandoned and alone on an emotion island, nothing above, nothing below.  Create in bronze and polished to a mirror finish. ...
, 2020
Figurative - Sculpture
4.5 x 2.3 inches (11.4 x 5.8 cm)
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James Johnson: 'INTUITION 2nd edition', 2019 Bronze Sculpture, Nudes. Free shipping within the continental USA.  Understanding the present and knowing the future happens everyday.  She was created using a cold cast method where bronze powder is incorporated into another media.  The patina is created using liver of sulfur.  Limited edition of 150 with an artistaEURtms mark, date, and ...
Nudes - Sculpture
3 x 7.5 inches (7.6 x 19.1 cm)
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Plamen Yordanov: 'LIGHT INFINITY homage to Frank Lloyd Wright', 2016 Bronze Sculpture, Abstract. Light Infinity, homage to Frank Lloyd Wrightmaterials bronze, leaded stained glass, LED lights, mirrors, remote, patina. Infinity Mobius Strip refers to several distinct concepts, linked to the idea of without end which arise in philosophy, mathematics, and theology. The sculpture is based on the Mobius strip, which is a ...
Abstract - Sculpture
50 x 74 feet (15.24 x 22.56 m)
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Plamen Yordanov: 'Light Infinity', 2015 Bronze Sculpture, Abstract.  Light Infinity Double Mobius Strip bronze, leaded stained glass, LED lights, remote, patina, 82 in.
Abstract - Sculpture
4 x 6.6 feet (1.22 x 2.01 m)
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Plamen Yordanov: 'INFINITY', 2009 Bronze Sculpture, Abstract.    INFINITY ( Double Mobius Strip) - welded stainless steel, acrylic mirrors, lenses
, 2009
Abstract - Sculpture
6 x 22 feet (1.83 x 6.71 m)
Plamen Yordanov: 'INFINITY', 2015 Bronze Sculpture, Abstract. Double Mobius Strip bronze, patina, 82 in.
, 2015
Abstract - Sculpture
4.6 x 8 feet (1.40 x 2.44 m)
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Jacques Malo: 'Signature', 2013 Bronze Sculpture, Abstract.
, 2013
Abstract - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance.  Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance.  Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance. Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance. Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Emilio Merlina: 'did you call us back side', 1992 Bronze Sculpture, Inspirational.
Inspirational - Sculpture
35 x 45 cm (13.8 x 17.7 inches)
Emilio Merlina: 'observer', 1993 Bronze Sculpture, Inspirational.  bronze ...
, 1993
Inspirational - Sculpture
23 x 42 cm (9.1 x 16.5 inches)
Emilio Merlina: 'thought', 1995 Bronze Sculpture, Inspirational.  bronze ...
, 1995
Inspirational - Sculpture
14 x 37 cm (5.5 x 14.6 inches)
Emilio Merlina: 'did you call us', 1992 Bronze Sculpture, Inspirational.  bronze ...
Inspirational - Sculpture
35 x 45 cm (13.8 x 17.7 inches)
Andrew Wielawski: 'Mermaid and Fisherman', 2007 Bronze Sculpture, Abstract Figurative.  In this piece, I'm going more for movement than for detail, as you can see from the lack of definition of the features. Color is used as well as the positioning of the figures, to try to create an harmonious composition. ...
Abstract Figurative - Sculpture
14 x 9 inches (35.6 x 22.9 cm)
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Harry Weisburd: 'SALOME', 2008 Bronze Sculpture, Mythology.  LIFE SIZE PAINTED BRONZE SCULPTURE ...
, 2008
Mythology - Sculpture
48 x 72 inches (121.9 x 182.9 cm)
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Paul Freeman: 'Earth Energy', 1992 Bronze Sculpture, undecided. Limited edition bronze...
undecided - Sculpture
8 x 10 cm (3.1 x 3.9 inches)
Paul Freeman: 'Masturbation', 1992 Bronze Sculpture, undecided. Limited edition bronze...
undecided - Sculpture
15 x 6 cm (5.9 x 2.4 inches)
Paul Freeman: 'Underwater Figure', 1993 Bronze Sculpture, undecided. Limited edition bronze...
undecided - Sculpture
7 x 14 cm (2.8 x 5.5 inches)
Jacques Malo: 'Tendre Fou', 2008 Bronze Sculpture, Abstract. Essay on the personality of the artist in abstract...
, 2008
Abstract - Sculpture
12 x 24 inches (30.5 x 61.0 cm)
Jacques Malo: 'Man', 2001 Bronze Sculpture, Abstract Figurative.
, 2001
Abstract Figurative - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
Jacques Malo: 'Deesse', 2005 Bronze Sculpture, Abstract Figurative.
, 2005
Abstract Figurative - Sculpture
7 x 23 inches (17.8 x 58.4 cm)
Harry Weisburd: 'NIGHT COUPLE', 2002 Bronze Sculpture, Figurative. Night Couple is a bronze bas relief sculpture. Couple going  to sleep at night...
Figurative - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Harry Weisburd: 'Woman with a cup   PORTRAIT OF  JOAN', 2000 Bronze Sculpture, Figurative. Woman with a cup is a life size bronze casting portrait....
Figurative - Sculpture
15 x 48 inches (38.1 x 121.9 cm)
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Harry Weisburd: 'Portrait of LORI', 1999 Bronze Sculpture, Portrait. LIFE SIZE PORTRAIT OF LORI cast in bronzePortraits are done from photographs- - sitter does not have to be present- - price of PORTRAIT IS negotiable - depending on size and medium can be cast in bronze or done in ceramic...
Portrait - Sculpture
36 x 38 inches (91.4 x 96.5 cm)
(Page 1 of 21) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

    Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, Quebec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....