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Bronze Sculptures (726)

Page 11 of 26
Martin Glick, Kerry La Mountain, Ted Schaal, Selin Melek Aktan, Mark Dedrie, Domingo Garcia, Francesca Bianconi, Merewyn Heath, Sergey Uvarov, Alexander Wolf, Aad Flapper, Mari Bolen, Robert Pulley offering original Bronze Sculptures artworks.


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Martin Glick: 'Puck', 2011 Bronze Sculpture, Dance. Artist Description:   Puck is a character in both the play and the ballet A Midsummer's Night Dream?  Puck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop. ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: 'Puck', 2011 Bronze Sculpture, Dance. Artist Description:  Puck is a character in both the play and the ballet
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Martin Glick: 'Puck', 2011 Bronze Sculpture, Dance. Artist Description:  Puck is a character in both the play and the ballet
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Kerry La Mountain: 'pastpresent', 2009 Bronze Sculpture, Figurative. Artist Description:  The passage of time and  life experiences change us. This is a bronze mask inspired by past and present images of my 79 yr old mother....
Figurative - Sculpture
5 x 10 inches (12.7 x 25.4 cm)
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Martin Glick: 'Puck', 2011 Bronze Sculpture, Dance. Artist Description:  Puck is a character in both the play and the ballet A Midsummer' s Night Dream?  Puck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop....
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Ted Schaal: 'Configuration', 2010 Bronze Sculpture, Abstract Figurative. Artist Description:  Bronze combined with polished stainless passage way invites study. This sculpture received a merit award from the Sculpture at the River Market Show and Sale....
Abstract Figurative - Sculpture
14 x 21 inches (35.6 x 53.3 cm)
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Ted Schaal: 'Portal', 2010 Bronze Sculpture, Abstract Landscape. Artist Description:  Inspired by desert arches and windows or passages. ...
, 2010
Abstract Landscape - Sculpture
14 x 18 inches (35.6 x 45.7 cm)
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Martin Glick: 'AIDS Pieta', 2003 Bronze Sculpture, Representational. Artist Description:         This sculpture is one part of an AIDs monument that I have designed.  The whole of the sculpture would show all ways one can be infected with this dreaded disease.    ...
, 2003
Representational - Sculpture
18 x 18 inches (45.7 x 45.7 cm)
Martin Glick: 'the Plight of Afro American Women with AIDs', 2003 Bronze Sculpture, Representational. Artist Description:        This sculpture is one part of an AIDs monument that I have designed.  The whole of the sculpture would show all ways one can be infected with this dreaded disease.   ...
Representational - Sculpture
27 x 27 inches (68.6 x 68.6 cm)
Selin Melek Aktan: 'woman with white dress ', 2010 Bronze Sculpture, Figurative. Artist Description:           Selin Melek Aktan, woman, fashion, cloths, figurative, bronze   ...
Figurative - Sculpture
20 x 20 cm (7.9 x 7.9 inches)
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Selin Melek Aktan: 'woman in black dress', 2004 Bronze Sculpture, Figurative. Artist Description:            Selin Melek Aktan, woman, fashion, cloths, figurative, bronze    ...
Figurative - Sculpture
20 x 20 cm (7.9 x 7.9 inches)
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Mark Dedrie: 'Crescendo       Swan', 2011 Bronze Sculpture, Birds.
Birds - Sculpture
130 x 106 cm (51.2 x 41.7 inches)
Mark Dedrie: 'Home', 2011 Bronze Sculpture, Birds.
, 2011
Birds - Sculpture
12 x 28 cm (4.7 x 11.0 inches)
Domingo Garcia: 'Gonardas', 1995 Bronze Sculpture, Abstract.
, 1995
Abstract - Sculpture
19.5 x 23 inches (49.5 x 58.4 cm)
Francesca Bianconi: 'Trees', 2007 Bronze Sculpture, Abstract. Artist Description:  bronze on marble black marquinia ...
, 2007
Abstract - Sculpture
25 x 29 cm (9.8 x 11.4 inches)
Merewyn Heath: 'Lady Charm', 2010 Bronze Sculpture, Figurative.
, 2010
Figurative - Sculpture
12 x 20 inches (30.5 x 50.8 cm)
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Sergey Uvarov: 'Icarus', 2005 Bronze Sculpture, Surrealism. Artist Description:   My bronze sculpture            ...
, 2005
Surrealism - Sculpture
19 x 46 cm (7.5 x 18.1 inches)
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Sergey Uvarov: 'Geisha ', 2008 Bronze Sculpture, Surrealism. Artist Description:  My bronze sculpture           ...
, 2008
Surrealism - Sculpture
14 x 51 cm (5.5 x 20.1 inches)
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Alexander Wolf: 'Feral', 2010 Bronze Sculpture, Nudes. Artist Description:    sensual erotic nude sculpture emotive fetish sexy sexual    ...
, 2010
Nudes - Sculpture
10 x 11 inches (25.4 x 27.9 cm)
Alexander Wolf: 'First Breath', 2010 Bronze Sculpture, Nudes. Artist Description:   sensual erotic nude sculpture emotive fetish sexy sexual   ...
Nudes - Sculpture
7 x 20 inches (17.8 x 50.8 cm)
Alexander Wolf: 'Still Life', 2010 Bronze Sculpture, Nudes. Artist Description:  sensual erotic nude sculpture emotive fetish sexy sexual  ...
, 2010
Nudes - Sculpture
9 x 9 inches (22.9 x 22.9 cm)
Martin Glick: 'The Marking of Cain', 2010 Bronze Sculpture, Dance. Artist Description:
Dance - Sculpture
20 x 35 inches (50.8 x 88.9 cm)
Sergey Uvarov: 'Dancing alien ', 2005 Bronze Sculpture, Surrealism. Artist Description:   This sculpture was cast in bronze, and his head is carved from sperm whale teeth    ...
Surrealism - Sculpture
17 x 39 cm (6.7 x 15.4 inches)
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Sergey Uvarov: 'Last Roman centurion', 2004 Bronze Sculpture, Surrealism. Artist Description:    Surreal impressionism . This bronze sculpture exists in one copy and it is very difficult to remove the form for reproduction or to forge.   ...
Surrealism - Sculpture
25 x 40 cm (9.8 x 15.7 inches)
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Aad Flapper: 'Diving', 2009 Bronze Sculpture, Nudes. Artist Description:  Diving woman.This sculpture is build up in ceramics, hollow, with metal frame inside. Sculpture is waiting to be casted in bronze. The price- suggestion includes the casting in bronze. ...
, 2009
Nudes - Sculpture
38 x 203 cm (15.0 x 79.9 inches)
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Mari Bolen: 'Snoopy', 2011 Bronze Sculpture, Animals. Artist Description:  Grizzly bear with cub  ...
, 2011
Animals - Sculpture
9 x 8 inches (22.9 x 20.3 cm)
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Mari Bolen: 'Crow Warrior', 2011 Bronze Sculpture, Indiginous. Artist Description:  Life- size bust of Crow Warrior circa 1860  ...
Indiginous - Sculpture
13 x 22 inches (33.0 x 55.9 cm)
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Mari Bolen: 'Appaloosa', 2011 Bronze Sculpture, Horses. Artist Description:  A Nez Perce astride an appaloosa horse circa 1840One artist' s proof left ...
, 2011
Horses - Sculpture
13 x 14 inches (33.0 x 35.6 cm)
Robert Pulley: 'Cloak', 2010 Bronze Sculpture, Abstract. Artist Description:      Unique bronze sculpture with a rich dark red brown patina. Mounted on an irregular sandstone base. ...
, 2010
Abstract - Sculpture
7 x 18 inches (17.8 x 45.7 cm)
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Robert Pulley: 'Marker', 2009 Bronze Sculpture, Abstract. Artist Description:       Unique bronze sculpture with a rich dark  brown patina.  ...
, 2009
Abstract - Sculpture
5 x 9 inches (12.7 x 22.9 cm)
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Artists Describing Their Art:

Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

Kerry La Mountain - I am drawn to events and images that are powerful. The human spirit that is challenged oftentimes becomes fragile and small. I want to convey the emotion of the situation through the figures in relation to their surroundings. Cosmos Series My work explores my love of abstraction, and finds inspiration in the incredible power and beauty of the universe, its colors, light, and mystery. My inspiration came from brightly colored photographs of galaxies, star nebula, and comets, as well as the theoretical shape of the universe and time. This series, entitled, Cosmos, explores translucent painting surfaces, such as glassine paper, acetate paper and plexiglass, as well as various methods of paint application in order to achieve various effects. The transparency is important in that the viewer can look deeper into the work, the light can shine through it and allow for viewing from both sides. I am working with formal concerns, such as composition and figure/ground relationships. I want the composition to bring about the feeling of chaos within a mysterious order. Darfur, Sudan Series The conflict in the Darfur region of Sudan in 2004 was a horror. Many people had to flee from certain death from militia groups. ...

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Selin Melek Aktan - God created world from fire and water.Then looked at the earth,he thought it was looking very empty and made human. TO HAVE A MORE FUN He put the colours on his palette and painted world with them. HE GAVE US THIS EARTH AS A PRESENT Human liked his present and they started to dance GOD LOOKED AT HIS ART He enjoyed what he did. I am a very independent person and probably my paintings are too. I don't paint because of the trend, or mode, I paint because something or somebody fascinates me. It could be nature, a face, a story, an event, colors (especially, I adore strong colors ), a song, an object, my feelings, my thoughts, my dreams: never ending possibilities of improbability. I definitely love beauty. I am trying to express my personal sense of beauty and truth in my paintings.So every painting is different. There is not only one style in which I like to work .I traveled to the four corners of the earth, and each place I visited added to my desire for unique artistic expression.Wherever I went, I found new influences directing my brush strokes or guiding my hands ...

Mark Dedrie - Mark Dedrie, an artist in motion by Robin d'Arcy Shillcock The first things you notice when confronted by work of Belgian sculptor Mark Dedrie (1962) are the stylized shapes and their highly polished finish. Although working within the tradition in which colour is omitted in favour of form, his approach is not so much classical an literal as turning a refined distillation of visual reality into a sculptural statement. He transforms a world of colour and movement into a world of presences, of volumes and elegant lines, and manages weightlessness in heavy bronze. This results in tactile, visually attractive sculptures. There aren't too many sculptors who know how to stylize animal shapes well, and even fewer that seek the degree of refinement Dedrie is striving for. It results in soft and sensual surfaces that underline the exquisite grace of birds like ducks and long-legged waders. There are honestly merely a few I can name. Francois Pompon (France 1855-1933) worked on Rodin's marble sculptures before becoming one of the greatest animal sculptors of the modern era. His work instigated what I call the Movement of Form, comprising the sculptors who preferred to distance themselves from ...

Domingo Garcia - Premios / Awards 1967-68 GRANT , Casa del Arte, San Juan, to study/travel throughout Europe and North Africa 1972 Guggenheim GRANT in painting, New York, NY 1977 GRANT , Washington Review of the Arts, for best poster design of the year 1980 SENIOR GRANT for Work Accomplished, National Endowment for the Arts,Washington D.C. 1990 AWARD given for "Year's Best Solo Show", "Iconos de Nuestra Historia", International Art Critics Association (IACA), member of UNESCO 1999 HOMAGE for " Best Exhibition of the Year" and " Best Retrospective Solo Exhibition of the Year", International Art Critics Association (IACA), member of UNESCO 2007 SPECIAL AWARD given for " Best of the Year: 60 Year Retropective Exhibition", International Art Critics Association,(IACA), member of UNESCO 2011 HOMAGE for his contribution to Latin American Art and the adquisition of two of his masterpieces for the permanent collection of Museum of Fine Arts Houston, June 2011 ...

Aad Flapper - Dear reader, The most important qualities of a work of art for me are: --Originality: I can only be inspired to start making a sculpture when it has for me the quality of something new, it must feel like being a real part of me. --The work has to arouse thoughts behind the surface, the viewer has to be able to wander around, find his own ideas and fantacies while viewing. --Good craftmanship...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...