Mixed Media Art

Page 1 of 253
Michael Schaffer, Leo Evans, Jerry Di Falco, Stan Shabronsky, Yosef Reznikov, Hans Andre, Steven Lamb, Kichung Lizee, Edem Elesh offering original Mixed Media artworks. Mixed media art uses more than one medium to create the work of art. The use of mixed media in art arose around 1910-1912 with Picasso and Georges Braque using different materials in their cubist collates. An open attitude towards using multiple media for creating art has enabled artist to create fantastic mixed media artworks. We often think of mixed media artworks as photographs that have been painted over or paintings that have included other media such as wood, paper and other elements in their compositions. Robert Rauschenberg in the 1950's employed this type of mixed media approach with his famous "Combines". Often earlier artists such as Marcel Duchamp, Max Ernst, Kurt Schwitters, many Bauhaus artists, Joseph Cornell, Hannah Hoech and many others used found objects to incorporate in their works of art. Today many works of art and installations use the mixed media approach where German artists such as Anselm Kiefer come to mind. Yet, let's not forget Joseph Beuys and his mixed media works of art that could also include performance in the artistic end product. Other art forms such as books, collage, decollage, modular art, multimedia and new media art all use multiples materials.


Contemporary Art / Mixed Media / Previous / Next
Michael Schaffer: 'nighttime storm 2', 2021 Mixed Media, Abstract. Follow up to the original Nighttime Storm but done on a smaller canvas. ...
Abstract - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Michael Schaffer: 'nighttime at turtle beach', 2021 Mixed Media, Abstract. Mixed Media painting of being at the beach in Hawaii at night as the waves crash down.  Painting uses sand, pumice rock, and inks. ...
Abstract - Mixed Media
36 x 36 inches (91.4 x 91.4 cm)
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Leo Evans: 'everyone belongs too somebody', 2021 Mixed Media, Abstract. New Art by Leo Evans   Title:  Everyone belongs and everybody belongs too somebody  Medium: Acrylic Pen, Permanent Marker,  and Colour Marker   Style: Abstract   9x14 on Fine art paper. O4 2021...
Abstract - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'life from every perspective', 2021 Mixed Media, Abstract. New Art by Leo EvansTitle ChangersSub TitleSeeing life from every perspective Acrylic Pen, Marker, Permanent Marker 2021...
Abstract - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'my fears and tears', 2021 Mixed Media, Abstract. New Art by Leo Evans The Reason for my Fears and Tears Acrylic Pen, Marker, Permanent Marker 2021...
Abstract - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Leo Evans: 'me and her her and me', 2021 Mixed Media, Digital. New Art by Leo Evans   Me and her , her and me   Acrylic Pen, Marker, Permanent Marker...
Digital - Mixed Media
9 x 14 inches (22.9 x 35.6 cm)
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Jerry  Di Falco: 'kerouac', 2021 Mixed Media, Culture. Gerard DiFalco created this original, one of a kind work by combining the genres of printmaking and painting.  He began the process by taking an artistaEURtms proof from a new intaglio and aquatint etchings and then enhancing it with watercolors.  The work depicts Jack Kerouac and a friend standing ...
, 2021
Culture - Mixed Media
10 x 13 inches (25.4 x 33.0 cm)
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Stan Shabronsky: 'ruin view 4', 2015 Mixed Media, Abstract. This is what i call Ruin View 4.  A Relief Construction on Canvas...
Abstract - Mixed Media
32 x 48 inches (81.3 x 121.9 cm)
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Stan Shabronsky: 'synbolic gesture 3', 2019 Mixed Media, Abstract Figurative.  A Relief construction on Canvas. ...
Abstract Figurative - Mixed Media
32 x 48 inches (81.3 x 121.9 cm)
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Stan Shabronsky: 'ruin view 1', 2010 Mixed Media, Abstract. This is a mixed media relief construction on canvas.  Whatever comes to my minds eye, gets created. ...
Abstract - Mixed Media
32 x 48 inches (81.3 x 121.9 cm)
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Stan Shabronsky: 'primordial ascent 4', 2017 Mixed Media, Abstract. This is a mixed media relief construction on canvas.  Whatever comes to my minds eye, gets created. ...
Abstract - Mixed Media
32 x 48 inches (81.3 x 121.9 cm)
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Michael Schaffer: 'nighttime at eagle beach', 2021 Mixed Media, Abstract. This is the second of my organic nighttime beach paintings. I use sand, pumice rocks, and inks.The first of this series of nighttime beach series is  Nighttime Storm . ...
Abstract - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Yosef Reznikov: 'composition musicians', 2019 Mixed Media, Abstract. Abstraction - Abstractions are different. To talk about a picture, we must first decide what we see on it. And here for the critic and for any person considering abstract painting, the first difficulty arises: we cannot say what is depicted in the picture, everything is too abstract. It s good...
Abstract - Mixed Media
112 x 95 cm (44.1 x 37.4 inches)
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Jerry  Di Falco: 'admiral wilson blvd 1960', 2021 Mixed Media, Cityscape. This artistaEURtms proof of an etching by Di Falco is enhanced with watercolors and depicts a section of the his home city Camden, New Jersey.  He employed the studio techniques of intaglio, aquatint, and drypoint on a zinc etching plate and developed the image in four Nitric acid baths.  ...
Cityscape - Mixed Media
16 x 12 inches (40.6 x 30.5 cm)
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Yosef Reznikov: 'composition 77', 2019 Mixed Media, Dance. KFAR aEUR
Dance - Mixed Media
100 x 100 cm (39.4 x 39.4 inches)
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Michael Schaffer: 'Meteor', 2021 Mixed Media, Abstract. This colorful abstract uses sand, ocean sponges, pumice rock, inks, and resin.  And it really does feel wild and will look amazing on your wall. ...
, 2021
Abstract - Mixed Media
48 x 24 inches (121.9 x 61.0 cm)
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Hans Andre: 'reduction', 2021 Mixed Media, People. Diptych...
, 2021
People - Mixed Media
91 x 68 cm (35.8 x 26.8 inches)
Steven Lamb: 'cafe chat', 2017 Mixed Media, Figurative. The Cafe and BistroaEURtms scenes have always inspired me. I often observe these scenes and they get printed in my memory. Sometimes, IaEURtmve been watching these events closely, trying to explain the situation psychologically. I am aware that this is my interpretation, but this is the art, seen ...
, 2017
Figurative - Mixed Media
24 x 20 inches (61.0 x 50.8 cm)
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Steven Lamb: 'sold winter in montreal', 2018 Mixed Media, Figurative. Typical Montreal winter scene. ...
Figurative - Mixed Media
12 x 24 inches (30.5 x 61.0 cm)
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Steven Lamb: 'sold bistro le 17', 2020 Mixed Media, Figurative. A MONTREAL BISTRO. ...
Figurative - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
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Jerry  Di Falco: 'fishers of men', 2021 Mixed Media, Gestalt. Title: FISHERS OF MENSize: 30. 5 inches wide by 20. 5 inches high Genre: Printmaking  Monoprint, Etching, Gyotaku, Chine collA
Gestalt - Mixed Media
30.5 x 20.5 inches (77.5 x 52.1 cm)
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Steven Lamb: 'when the moon sings', 2020 Mixed Media, Figurative. Last 2020 year changed the approach to my paintings.  The surreal time we leave, plus heavy Flu  Not Corona  and surgery due to dental infection changed my view of the world. I think I ve become a lot more spiritual, and if that s the reason, I don t know, ...
Figurative - Mixed Media
40 x 60 inches (101.6 x 152.4 cm)
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Yosef Reznikov: 'composition elephant', 2020 Mixed Media, Abstract. Abstracted realism.Take any realistic painting - landscape, for example. You are here with a sketchbook, and your objects: a river, bushes, clouds are somewhere there. There is a distance between you, and from that distance you observe and depict an object. So in all realistic paintingAn abstract painting is something ...
Abstract - Mixed Media
100 x 80 cm (39.4 x 31.5 inches)
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Yosef Reznikov: 'portrait of a horse 2', 2020 Mixed Media, Animals. Abstracted realism.Take any realistic painting - landscape, for example. You are here with a sketchbook, and your objects: a river, bushes, clouds are somewhere there. There is a distance between you, and from that distance you observe and depict an object. So in all realistic paintingAn abstract painting is something ...
Animals - Mixed Media
120 x 90 cm (47.2 x 35.4 inches)
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Kichung Lizee: 'river series 3', 2021 Mixed Media, Nature. mixed media on water color paper...
Nature - Mixed Media
13 x 9 inches (33.0 x 22.9 cm)
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Kichung Lizee: 'river series 2', 2021 Mixed Media, Nature. mixed media on water color paper...
Nature - Mixed Media
11 x 9 inches (27.9 x 22.9 cm)
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Kichung Lizee: 'bamboo series 11', 2021 Mixed Media, Spiritual. Eastern calligraphy ink and mixed media on mulberry paper glued on canvas...
Spiritual - Mixed Media
30 x 15 inches (76.2 x 38.1 cm)
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Kichung Lizee: 'bamboo series 10', 2021 Mixed Media, Spiritual. Eastern calligraphy ink and mixed media on mulberry paper glued on canvas...
Spiritual - Mixed Media
30 x 15 inches (76.2 x 38.1 cm)
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Edem Elesh: 'asylum mmxxi', 2021 Mixed Media, Political. An examination of different Covid 19 strains that appeared within 2- 3 days. Calling into question the origin and purpose of this pandemic. A celebration of freedom vs shelter, or asylum. ...
Political - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Edem Elesh: 'mnemonic devotion iv', 2021 Mixed Media, Spiritual. Freedom of religious practice, no masks, free travel, autonomy, individuality. An examination of a former world. ...
Spiritual - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
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(Page 1 of 253) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Michael Schaffer - Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Hans Andre - Rarely do I willingly speak of my paintings. What I see is not necessarily the same as you see. The paintings should only be seen in the viewers own eyes. However, in my last solo exhibition during the fall in Milan, organized by Camaver Kunsthaus, an Italian asked why the people in the paintings are always blind. The answer is simple, although people may see physically, it does not make them look mentally. Unfortunately, most people are blind. Visit : www.hansandre.com...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....