Oil Paintings
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Igor Shulman, Anita Zotkina, Joyce Waddell Bailey, Charles Cham, Vladimir Volosov, Larysa Uvarova, Wendy Lippincott, Stefan Fiedorowicz, Edna Schonblum, Youri Messen-jaschin, Teri Paquette offering original Oil Paintings artworks. Using oil paints is the process of painting with varied pigments with a medium of drying oil that often includes linseed oil, poppy seek oil, safflower oil and walnut oil as a binder. Artists use several different oils to achieve different effects. Oil may also be boiled with resin or frankincense to create a varnish that has a lot of body and gloss. Oil paint was first used by Indian (Buddhist) and Chinese painters in western Afghanistan between the 5th and 10th century and did not gain popularity until about the 15th century. It's use finally migrated west during the Middle Ages and became the main medium during Northern Renaissance to replace the previous use of tempera paints. Norther European painters such as Jan van Eyck is often credited for inventing the use of oil paint on wood panel. After it's success in Northern Europe the use of oil paint migrated south to Italy where such notable artists as Leonardo da Vinci use it to pain the famous "Mona Lisa". Towards the end of the 15th century and beginning of the 16th century wood panels were replaced by canvas and oil on canvas as a medium became very popular and still is today. Rubens, Titian, Rembrandt, Raphael as well as Vermeer, most of the Impressionists such as Monet, Renoir as well as Van Gogh and Picasso and Kandinsky all uses oil paints as their main medium to apply paint onto canvas.
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Joyce Waddell Bailey - I am updating the website to include as much current and past work that is available. Please note, that even though a painting may be 10 years old, it looks the same as when I painted it. Thats because of the excellent substrates, preparation and pigment I use. I expect my oil paintings to last at least 100 years. Coming from the frozen North with short summers and long winters, I was immediately enamored of the flora in southwest Florida. Although much of my work is based on botanical sources, I am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to its environment placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a variety of techniques. For example, by using shallow planes, I frequently push forms into the viewers space. Abstract Realism can also be ...
Joyce Waddell Bailey - Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...
Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...
Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...
(Page 1 of 665) - MORE ARTWORKS
Artists Describing Their Art:
Anita Zotkina - I treat my art creation as a spiritual practice. I paint whatever comes to mind. Most of the times it is women, animals, spirits and their interactions. I get inspired by being alive. Several times I tried to stop painting, so I could have more time for other activities, but every time I found an excuse to continue to create. I donaEURtmt have a special painting technique I just paint until my work seems to be completed. ...Joyce Waddell Bailey - I am updating the website to include as much current and past work that is available. Please note, that even though a painting may be 10 years old, it looks the same as when I painted it. Thats because of the excellent substrates, preparation and pigment I use. I expect my oil paintings to last at least 100 years. Coming from the frozen North with short summers and long winters, I was immediately enamored of the flora in southwest Florida. Although much of my work is based on botanical sources, I am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to its environment placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a variety of techniques. For example, by using shallow planes, I frequently push forms into the viewers space. Abstract Realism can also be ...
Joyce Waddell Bailey - Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...
Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...
Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...