Oil Paintings

Page 1 of 665
Igor Shulman, Anita Zotkina, Joyce Waddell Bailey, Charles Cham, Vladimir Volosov, Larysa Uvarova, Wendy Lippincott, Stefan Fiedorowicz, Edna Schonblum, Youri Messen-jaschin, Teri Paquette offering original Oil Paintings artworks. Using oil paints is the process of painting with varied pigments with a medium of drying oil that often includes linseed oil, poppy seek oil, safflower oil and walnut oil as a binder. Artists use several different oils to achieve different effects. Oil may also be boiled with resin or frankincense to create a varnish that has a lot of body and gloss. Oil paint was first used by Indian (Buddhist) and Chinese painters in western Afghanistan between the 5th and 10th century and did not gain popularity until about the 15th century. It's use finally migrated west during the Middle Ages and became the main medium during Northern Renaissance to replace the previous use of tempera paints. Norther European painters such as Jan van Eyck is often credited for inventing the use of oil paint on wood panel. After it's success in Northern Europe the use of oil paint migrated south to Italy where such notable artists as Leonardo da Vinci use it to pain the famous "Mona Lisa". Towards the end of the 15th century and beginning of the 16th century wood panels were replaced by canvas and oil on canvas as a medium became very popular and still is today. Rubens, Titian, Rembrandt, Raphael as well as Vermeer, most of the Impressionists such as Monet, Renoir as well as Van Gogh and Picasso and Kandinsky all uses oil paints as their main medium to apply paint onto canvas.


Contemporary Art / Painting Categories / Oil Paintings / Previous / Next
Igor Shulman: 'dangerous meeting', 2020 Oil Painting, Atmosphere. Agree, such a meeting can only be seen in the movies. Well, also in my pictures. This picture is about the collision of energies, the clash of destinations, the clash of civilizations and cultures. A painting about the collision of life and death.You and I do not know how ...
Atmosphere - Painting
27.4 x 27.4 inches (69.6 x 69.6 cm)
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Anita Zotkina: 'white buffalo and six powers', 2018 Oil Painting, Indiginous. Powers in Black ElkaEURtms Vision:  The West aEUR
Indiginous - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Joyce Waddell Bailey: 'neptunes fury', 2008 Oil Painting, Seascape. Neptune s Fury is part of Hurricane Katrina Series. ...
Seascape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Charles Cham: '2779 DIVIDE ET IMPERA', 2020 Oil Painting, Political. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Political - Painting
121.5 x 121.5 cm (47.8 x 47.8 inches)
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Joyce Waddell Bailey: 'Eternidad', 2006 Oil Painting, Inspirational. The iconography of Eternidad Eternity rests on a view of  the world.  I bow to the Leonardo da Vinci s Vitruvian Man for the central composition.  As Toby Lester states 2012 To place a human being inside those shapes circle, square was to imply that the human body { man} could ...
, 2006
Inspirational - Painting
96 x 48 inches (243.8 x 121.9 cm)
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Joyce Waddell Bailey: 'golden girls', 2004 Oil Painting, Floral. The composition of Golden Girls bows to the ubiquitous Butterfly Bush in my garden, whose seeds fly from site to site on the silken wings inherited from its milkweed relatives.  Like its name, the bush is an irresistible attraction to butterflies.The highly exaggerated pinwheel flowers, scattered throughout the painting, ...
Floral - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Vladimir Volosov: 'sunny spots', 1994 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Landscape - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Vladimir Volosov: 'evening soon', 1993 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Landscape - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Vladimir Volosov: 'breath of autumn', 1992 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Landscape - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Vladimir Volosov: 'breath of autumn', 1992 Oil Painting, Landscape. Finest quality high grade professional oil paints. Original artwork is an unique textured oil painting on  Nanvas stretched on a wooden underframe.  Palette knife. Original Artist Style aEUR
Landscape - Painting
20 x 26 inches (50.8 x 66.0 cm)
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Joyce Waddell Bailey: 'Left behind', 2009 Oil Painting, Other. Left behind is the lead painting in the Hurricane Katrina Series.  The actual model Prettiboy represents all the pets that perished in Hurricane Katrina because pets were denied evacuation.  Katrina passed my studio in Estero, Florida on August 25, 2005 and proceeded to New Orleans, Louisiana, where it became the ...
Other - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Larysa Uvarova: 'deep inside', 2020 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
150 x 200 cm (59.1 x 78.7 inches)
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Larysa Uvarova: 'deep inside', 2020 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
200 x 150 cm (78.7 x 59.1 inches)
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Larysa Uvarova: 'deep inside', 2020 Oil Painting, Seascape.   DEEP INSIDE  Nothing is deeper than yourself.DEEP INSIDE is a series of artworks about the incredible power, energy and beautiful depth in each of us. I feel that life lives here. Research and immersion into this depth of self- knowledge will lead us ultimately to our present. This is...
Seascape - Painting
150 x 170 cm (59.1 x 66.9 inches)
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Larysa Uvarova: 'deep inside', 2018 Oil Painting, Abstract. The series of artworks is about the internal silence that is on the deep each of us. This is the silence we listen to and plunge when our soul and body need a peace. We feel calmness and protection here. There is no time here, just we real. There is ...
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Anita Zotkina: 'summer drifting', 2018 Oil Painting, New Age. A slow drifting with a Cat- friend toward a peaceful realm, away from the noise and business.This artwork was created by using a multilayered saturated oil paint technique, to set focus on the dreamy subject ...
New Age - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Igor Shulman: 'photos from a trash bin', 2020 Oil Painting, Atmosphere. I have always been attracted by spoiled pictures. What is called a technical defect. Something that definitely flies into the trash.In fact, they have a lot of hidden meanings and unsolved concepts. even if all this was born or happened by accident, like a mistake. I have always dreamed ...
Atmosphere - Painting
23.5 x 23.5 inches (59.7 x 59.7 cm)
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Anita Zotkina: 'feeling oneness', 2018 Oil Painting, Meditation. This painting captures a feeling of being One with the whole existence and connection to the divine spirit.  It aims to generate feelings of love, self- healing and inner peace.  It was created by utilizing a multilayered oil painting technique along with contracting colors technique, to emphasize lively characters and ...
Meditation - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Wendy Lippincott: 'just the ticket', 2020 Oil Painting, Transportation. Historical View of Transportation...
Transportation - Painting
50 x 80 inches (127.0 x 203.2 cm)
Anita Zotkina: 'old friend', 2018 Oil Painting, Surrealism. This is my little old friend, who knows everything about me. He is a kind, sweet and supportive soul, who always listens to my rants, and thinks that IaEURtmm awesome. ...
, 2018
Surrealism - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Stefan Fiedorowicz: 'deep in lust', 2020 Oil Painting, Abstract. When I paint I discover so many parts of myself.  Some of those parts are the best versions of me. ...
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Igor Shulman: 'morning joint', 2020 Oil Painting, Erotic. For some it sounds challenging.For some, this is the norm.Someone will immediately begin to blame and punish.Someone simply will not notice it in her hand.But only a few will understand. Joint in the morning is generally not very normal for a young girl. This means she ...
Erotic - Painting
31.4 x 31.4 inches (79.8 x 79.8 cm)
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Edna Schonblum: 'quarantine number 3', 2020 Oil Painting, Seascape. during this dificult time we had I did a serie of litle paintings wishing I was there...
Seascape - Painting
30 x 20 cm (11.8 x 7.9 inches)
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Youri Messen-jaschin: 'qualia', 2020 Oil Painting, Optical. Op art oil painting on Linen canvas  Packaging, insurance, transport not include in the price.  A(c) 2020 Youri Messen- JaschinA(r) Prolitteris ZA1/4rich...
, 2020
Optical - Painting
160 x 160 cm (63.0 x 63.0 inches)
Teri Paquette: 'home garden', 2020 Oil Painting, Landscape. ORIGINAL OIL FEATURES A PATH TO HOME WITH FLOWERS- TREES- HOME IN BACKGROUND- SIGNED- FRAMED- - VARNISHED...
Landscape - Painting
23 x 28 inches (58.4 x 71.1 cm)
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Teri Paquette: 'mountain path', 2020 Oil Painting, Landscape. ORIGINAL OIL ON STRETCHED CANVAS- FEATURES A FLOWERED MOUNTAIN PATH WITH MOUNTAINS IN BACKGROUND- A PATH WITH FLOWERS ON BOTH SIDES- TREES BAND A LAKE- SIGNED FRONT...
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Teri Paquette: 'near peggys cove', 2020 Oil Painting, Seascape. OIL PAINTING FEATURES AC0VE WITH WHARF  IN BRITISH COLUMBIA- CAMPS- BOATS- OCEAN- ON STRETCHED CANVAS- VARNISHED- SIGNED- FRONT...
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Charles Cham: '2778 PAST LIVES', 2020 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURCharles CHAMaEURtms works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
61 x 81.3 cm (24.0 x 32.0 inches)
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Igor Shulman: 'pan novak nancy and morgan', 2020 Oil Painting, Atmosphere. In fact, they exist in a different order. First Morgan, then Nancy and at the very bottom there is Pan Novak.This is an absolutely dominant pack, where the dogs prevailed. Due to his age and an oppressive attitude in life, Novak let go of the reins. Power cannot hang ...
Atmosphere - Painting
39.4 x 35.3 inches (100.1 x 89.7 cm)
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Everet Lucero: 'looks like you aint seen', 2019 Oil Painting, Abstract. Looks Like You Ain t Seen Yourself In AwhileJazz abstraction. Mental- body- deformation. Acrylic   Charcoal   Pencil on wallpaper...
Abstract - Painting
33.1 x 40.5 inches (84.1 x 102.9 cm)
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(Page 1 of 665) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Anita Zotkina - I treat my art creation as a spiritual practice. I paint whatever comes to mind. Most of the times it is women, animals, spirits and their interactions. I get inspired by being alive. Several times I tried to stop painting, so I could have more time for other activities, but every time I found an excuse to continue to create. I donaEURtmt have a special painting technique I just paint until my work seems to be completed. ...

    Joyce Waddell Bailey - I am updating the website to include as much current and past work that is available. Please note, that even though a painting may be 10 years old, it looks the same as when I painted it. Thats because of the excellent substrates, preparation and pigment I use. I expect my oil paintings to last at least 100 years. Coming from the frozen North with short summers and long winters, I was immediately enamored of the flora in southwest Florida. Although much of my work is based on botanical sources, I am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to its environment placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a variety of techniques. For example, by using shallow planes, I frequently push forms into the viewers space. Abstract Realism can also be ...

    Joyce Waddell Bailey - Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Stefan Fiedorowicz - The language of lyrical abstraction interpreted... by Michael Bouger 2008 Stefan Fiedorowicz, a Canadian now residing in Vienna Austria has amassed a most impressive resume with shows spreading out from Canada, United States and Europe. Fiedorowiczs work has often been compared to the great modernists of the past following the notable style of lyrical abstraction, a term meaning an opening to personal expression. While perhaps a compliment, this also seems a disservice to his striking talent. The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive colour is the language that I use to express an emotion. It is the interaction of colour that interests me. Fiedorowicz possesses something more than a painter following in the footsteps of others before. There is a supreme depth to his work that captures a newer sense of Modernism, something that is sadly missing from the current art scene. His shapes and lines infuse his paintings with a richly exotic symbolism of style. There is purpose and psychology to his work, conveying a sense of confidence from a broad spectrum of experience. Fiedorowiczs distinction as a modern painter is in ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...