Oil Paintings

Page 9 of 656
Cathy Dobson, Alice Murdoch, Raul Canestro Caballero, Jane Mcnichol, Marie-france Busset, James Gwynne, James Hill, Riccardo Rossati, Andrea Mulcahy, Hana Grosova, Youri Messen-jaschin, Heather Hyatt, Becky Soria, Luise Andersen offering original Oil Paintings artworks.


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Cathy Dobson: 'Psychedelic Butterfly', 2013 Oil Painting, Psychedelic.       Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection.        ...
Psychedelic - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Alice Murdoch: 'SIESTA', 2015 Oil Painting, Figurative.  Couple at beach                                 ...
, 2015
Figurative - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Cathy Dobson: 'White Butterfly', 2014 Oil Painting, Magical.  Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Phosphorescent highlights glow in the dark or under black lights. Magical !     ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Raul Canestro Caballero: 'MOON LIGHT', 2017 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino fino de gran calidad. Obra de arte original y exclusiva...
, 2017
Surrealism - Painting
50 x 61 cm (19.7 x 24.0 inches)
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Raul Canestro Caballero: 'LUNCH', 2015 Oil Painting, Abstract Figurative.  LUNCH4- 5- 2015 Oil on Linen  51. 2 in. x 31. 9 in.                                                                          ...
, 2015
Abstract Figurative - Painting
81 x 130 cm (31.9 x 51.2 inches)
Jane Mcnichol: 'The End of the Day', 2008 Oil Painting, Landscape.  A view over the tree tops as twilight approaches ...
Landscape - Painting
40 x 44 inches (101.6 x 111.8 cm)
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Jane Mcnichol: 'Bathouse', 2013 Oil Painting, Architecture.  This is a view of the Bathouse located next door to my Manhattan apartment ...
, 2013
Architecture - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'The Big Beach', 2012 Oil Painting, Beach.  This is a landscape done by the Atlantic Ocean on the New Jersey coast ...
Beach - Painting
38 x 40 inches (96.5 x 101.6 cm)
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Jane Mcnichol: 'Six Flights Up', 2012 Oil Painting, Still Life.   This is a view to the East of my Manhattan apartment ...
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Marie-france Busset: 'LES FEUILLES D AUTOMNE', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
65 x 50 inches (165.1 x 127.0 cm)
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Marie-france Busset: 'LE COQ FAIT SON CARNAVAL A RIO', 2014 Oil Painting, Birds.
Birds - Painting
81 x 110 inches (205.7 x 279.4 cm)
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James Gwynne: 'Face Fragment', 2015 Oil Painting, Figurative. Cropped image of a female face ...
Figurative - Painting
48 x 42 inches (121.9 x 106.7 cm)
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James Hill: 'Domed City', 2011 Oil Painting, Architecture. Futuristic City, modern architecture, organic design, solar, wind power, Spires, Crystal, Futurism, New Design, Architectural Design Modern, Ice, Power, Tesla, Nicola Tesla, Edison, Fuller...
, 2011
Architecture - Painting
36 x 24 inches (91.4 x 61.0 cm)
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James Hill: 'Reflections of the Mind', 2009 Oil Painting, Sky.  Original Oil Painting, Sunrise, Sunset, Ocean, Sky, Shoreline, Shore, Sea, Water, River, Clouds, AcCloudscapes, morning, evening, red, yellow, orange, blue, green, light, power, God, Love, Energy ...
Sky - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Riccardo Rossati: 'Indonesian Door', 2015 Oil Painting, Landscape.  Indonesian Door; surrealism;    ...
Landscape - Painting
100 x 120 cm (39.4 x 47.2 inches)
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Riccardo Rossati: 'Olive Tree', 2006 Oil Painting, Landscape.  Olive Tree painted in Toscany country side.   ...
, 2006
Landscape - Painting
75 x 100 cm (29.5 x 39.4 inches)
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Riccardo Rossati: 'The City', 2011 Oil Painting, Surrealism.  Imaginary view of urban center.  ...
, 2011
Surrealism - Painting
130 x 160 cm (51.2 x 63.0 inches)
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Riccardo Rossati: 'Still Life', 2014 Oil Painting, Figurative.   Still life of Pumpkin.  ...
, 2014
Figurative - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Andrea Mulcahy: 'Teal Whirlpool', 2013 Oil Painting, undecided.
undecided - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Andrea Mulcahy: 'Whirlpool in White', 2013 Oil Painting, undecided.
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Andrea Mulcahy: 'Seam', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Hana Grosova: 'Self portrait', 1975 Oil Painting, Portrait.   Young age self- portrait / study/     ...
Portrait - Painting
36 x 50 cm (14.2 x 19.7 inches)
Youri Messen-jaschin: 'Perpetuum mobile VI', 2014 Oil Painting, Optical.  Different optical illusions according to the angle of your look, the brain complete these illusions by sliding non- existent geometrical forms in the work. What you do not see in the pictures is the fourth dimension.Op art | 4 dimensional | oil painting | Plexiglas | (c) 2014 | Youri Messen- Jaschin (c) 2014 | photography | Pierre...
Optical - Painting
70.5 x 103 cm (27.8 x 40.6 inches)
Youri Messen-jaschin: 'Perpetuum mobile I', 2014 Oil Painting, Optical. Different optical illusions according to the angle of your look, the brain complete these illusions by sliding non- existent geometrical forms in the work. What you do not see in the pictures is the fourth dimension.Op art | 4 dimensional | oil painting | Plexiglas |i? 1/2 2014 | Youri Messen- Jaschini? 1/2 2014 | photography | Pierre- ...
Optical - Painting
70.5 x 103 cm (27.8 x 40.6 inches)
Heather Hyatt: 'Night', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Becky Soria: 'Pan', 2014 Oil Painting, Abstract Figurative.                       From the series
, 2014
Abstract Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Luise Andersen: 'in Continuance V July 14 2014 The Tomorrow of Now n', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. - Luise H Andersen/ Facebook  -google page will come up most likely. . click on the one that mentions laselectart underneath my name, usually in green print. . . . there are several name ' alikes...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance IV July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselecart in green print usually. . . there are several name ' alikes'Try to...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance III July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselectart underneath, usually in green print. . . . there are several name' alikes'Try...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance II  July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselectart, usually in green print. . . . there are several name ' alikes'Try to...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
(Page 9 of 656) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Alice Murdoch - Originally from the South, Alice Murdoch lives in Charlotte and maintains her studio in Burlington, Vermont. She studied at the University of Vermont, the Vermont Studio Center and the Art Students League in New York. She has exhibited extensively throughout the East coast and the South, and is in many corporate and private collections throughout the United States. She paints in oil and has a penchant for portraying a certain social class, as well as general and canine portraiture. I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artist's statement....

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    James Hill - My work explores the use of color and rhythm to create moving images that seek to provoke a particular mood or emotion by invoking a memory or moment that is meaningful to the viewer. My latest works include a study of the massive power inside thunderstorms and lightning strikes including a 6'x10' oil of a storm entitled "Tempest". These new paintings reflect the change in the weather patterns throughout our world thanks to global warming, which no well-educated person can deny these days. My paintings are intended to glorify God and the awe of creation, the universe, the stars and planets, and our own incredible Earthly skies and lands. My other works include Fantasy, Gothic, Steampunk and Science Fiction of Utopian design cities of the future that require no use of fossil fuels at all as I look to give humanity hope for a better future of free power and sustainable living on this planet as we look to preserve it and encourage the rebuilding of nature across the world as we are but shepherds of God's creation. ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...