Oil Paintings

Page 9 of 661
Marie-france Busset, James Gwynne, James Hill, Riccardo Rossati, Andrea Mulcahy, Hana Grosova, Youri Messen-jaschin, Heather Hyatt, Becky Soria, Luise Andersen, Franziska Turek, Geo Sipp, Rickie Dickerson, Cathy Dobson offering original Oil Paintings artworks.


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James Gwynne: 'Face Fragment', 2015 Oil Painting, Figurative. Cropped image of a female face ...
Figurative - Painting
48 x 42 inches (121.9 x 106.7 cm)
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James Hill: 'Domed City', 2011 Oil Painting, Architecture. Futuristic City, modern architecture, organic design, solar, wind power, Spires, Crystal, Futurism, New Design, Architectural Design Modern, Ice, Power, Tesla, Nicola Tesla, Edison, Fuller...
, 2011
Architecture - Painting
36 x 24 inches (91.4 x 61.0 cm)
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James Hill: 'Reflections of the Mind', 2009 Oil Painting, Sky.  Original Oil Painting, Sunrise, Sunset, Ocean, Sky, Shoreline, Shore, Sea, Water, River, Clouds, AcCloudscapes, morning, evening, red, yellow, orange, blue, green, light, power, God, Love, Energy ...
Sky - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Riccardo Rossati: 'Indonesian Door', 2015 Oil Painting, Landscape.  Indonesian Door; surrealism;    ...
Landscape - Painting
100 x 120 cm (39.4 x 47.2 inches)
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Riccardo Rossati: 'The City', 2011 Oil Painting, Surrealism.  Imaginary view of urban center.  ...
, 2011
Surrealism - Painting
130 x 160 cm (51.2 x 63.0 inches)
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Riccardo Rossati: 'Still Life', 2014 Oil Painting, Figurative.   Still life of Pumpkin.  ...
, 2014
Figurative - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Andrea Mulcahy: 'Teal Whirlpool', 2013 Oil Painting, undecided.
undecided - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Andrea Mulcahy: 'Whirlpool in White', 2013 Oil Painting, undecided.
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Andrea Mulcahy: 'Seam', 2013 Oil Painting, undecided.
, 2013
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Hana Grosova: 'Self portrait', 1975 Oil Painting, Portrait.   Young age self- portrait / study/     ...
Portrait - Painting
36 x 50 cm (14.2 x 19.7 inches)
Youri Messen-jaschin: 'Perpetuum mobile VI', 2014 Oil Painting, Optical.  Different optical illusions according to the angle of your look, the brain complete these illusions by sliding non- existent geometrical forms in the work. What you do not see in the pictures is the fourth dimension.Op art | 4 dimensional | oil painting | Plexiglas | (c) 2014 | Youri Messen- Jaschin (c) 2014 | photography | Pierre...
Optical - Painting
70.5 x 103 cm (27.8 x 40.6 inches)
Youri Messen-jaschin: 'Perpetuum Mobile IV', 2014 Oil Painting, Optical.  Different optical illusions according to the angle of your look, the brain complete these illusions by sliding non- existent geometrical forms in the work. What you do not see in the pictures is the fourth dimension.Op art | 4 dimensional | oil painting | Plexiglas | (c) 2014 | Youri Messen- Jaschin (c) 2014 | photography | Pierre...
Optical - Painting
66.5 x 66 cm (26.2 x 26.0 inches)
Heather Hyatt: 'Night', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Becky Soria: 'Pan', 2014 Oil Painting, Abstract Figurative.                       From the series
, 2014
Abstract Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Luise Andersen: 'in Continuance V July 14 2014 The Tomorrow of Now n', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. - Luise H Andersen/ Facebook  -google page will come up most likely. . click on the one that mentions laselectart underneath my name, usually in green print. . . . there are several name ' alikes...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance IV July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselecart in green print usually. . . there are several name ' alikes'Try to...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance III July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselectart underneath, usually in green print. . . . there are several name' alikes'Try...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Luise Andersen: 'in Continuance II  July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselectart, usually in green print. . . . there are several name ' alikes'Try to...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Heather Hyatt: 'Daydream', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
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Heather Hyatt: 'Glance', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
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Franziska Turek: 'flowing', 2014 Oil Painting, Abstract.
, 2014
Abstract - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Geo Sipp: 'Firefight in the Casbah', 2014 Oil Painting, War.  Image depicts a firefight in the Casbah of Algiers.         ...
War - Painting
72 x 44 inches (182.9 x 111.8 cm)
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Marie-france Busset: 'LE COQ REVE DU TAJ MAHAL', 2012 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Marie-france Busset: 'CHOUETTE HOMMAGE A VINCENT', 2014 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
38 x 46 inches (96.5 x 116.8 cm)
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Geo Sipp: 'Gone Fishin', 2014 Oil Painting, Figurative.   Painting including the Queen of England       ...
Figurative - Painting
38 x 32 inches (96.5 x 81.3 cm)
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Rickie Dickerson: 'Dark', 1999 Oil Painting, Abstract Figurative.  This was the first painting that ever won a ribbon. . . I was surprised that someone liked it as much as I do. . . . ...
, 1999
Abstract Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
Franziska Turek: 'appearing memories 2', 2013 Oil Painting, Abstract.
Abstract - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Rickie Dickerson: 'Farther From the Light', 1994 Oil Painting, Visionary.    A happy face plastered on our heads, we are all petrified inside as we get further from our source. . . ...
Visionary - Painting
16 x 12 inches (40.6 x 30.5 cm)
Cathy Dobson: 'Magic Butterfly', 2013 Oil Painting, Magical. Original Illuminous Oil Painting. The Butterflies and Unicorns Collection. Phosphorescent ButterflyGlows in the dark or under black lights. Dark Wood Frame. Primed cotton canvas.     ...
Magical - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Rickie Dickerson: 'EzraPoundOnTheDayHeWasCommitted', 1996 Oil Painting, Portrait.    Ezra Pound was an American poet who lived in Italy during WWII. He agreed with Mussolini and was the Tokyo Rose of Europe. He attracted very little attention because he was considered a bad poet. An American politician went to Italy, heard a broadcast and had Pound extradited and prosecuted...
Portrait - Painting
16 x 20 inches (40.6 x 50.8 cm)
(Page 9 of 661) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    James Hill - My work explores the use of color and rhythm to create moving images that seek to provoke a particular mood or emotion by invoking a memory or moment that is meaningful to the viewer. My latest works include a study of the massive power inside thunderstorms and lightning strikes including a 6x10 oil of a storm entitled Tempest. These new paintings reflect the change in the weather patterns throughout our world thanks to global warming, which no well-educated person can deny these days. My paintings are intended to glorify the Masters Works and The awe of Creation, the Universe, the Stars and Planets, and our own incredible Earthly Skies and Lands. My other works include Fantasy, Gothic, Steampunk and Science Fiction of Utopian design cities of the future that require no use of fossil fuels at all as I look to give humanity hope for a better future of free power and sustainable living on this planet as we look to preserve it and encourage the rebuilding of nature across the world as we are but shepherds of Gods creation. ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....