Sculpture For Sale - Price Range: $10000 - $100000

Artists Describing Their Art:

Angel Piangelo Papangelou - ANGEL PIANGELO is my Artistic Name and I sign ALL my Artworks as ANGEL P. my ID Name is Angel Papangelou JOB PROFESSION Fine Arts PROFESSOR in a Private College and a Public School of Art in Thessaloniki Greece, where I work and live most of the time of the year, although my main residence is in Germany Mauerkircherstrasse 68A, 81925, Munich -- I also give Painting Sculpture PRIVATE LESSONS to students who want to enter Fine Arts Universities. ARTISTIC SKILLS SCULPTOR and PAINTER Paintings Drawings} Mostly Classical, Fantasy and Modern Artworks Also I am a SWORD MAKER, but I make 100 Original ARTWORKS SCULPTED HANDMADE SWORDS - Project A<> - UNIQUE in world ... ...

Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

Yves Goyatton -