Sculpture For Sale - Price Range: $10000 - $100000 (267)

Artists Describing Their Art:

Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

Plamen Yordanov - I share the idea of an art that creates reality instead of offering its conventional model. I want to provoke the birth of view that go beyond the boundary of reality itself. These viewpoints stress an order that exist "a priory" in nature and can be developed again and again. This aspect makes the picture exist as a signal that gives the onlooker a chance to go deep into his/her life experience and mind. This is a universal signal to which the individual responds in un unique manner and creates his/her own reality. ...

Youri Messen-Jaschin - Youri Messen-Jaschin is an artist of Latvian origin, he was born in Arosa-Switzerland. His artistic studies brought him to the "Ecole Superieur Nationale des Beaux-Arts". He was a pupil of professor and master Robert Cami and also attended the Hautes Etudes of the Sorbonne University, which included, History of Art, with professor Pierre Francastel from the Ecole Pratique, in Paris. From 1962 to 1965 he returned to the Ecole des Beaux-Arts in Lausanne, where he worked with the engraver and painter Ernest Pizzotti. He debuted his creations at the Lausanne EXPO, in 1964 (Swiss fair), where he presented his kinetic sculptures of glass and acrylic resin. Youri was searching for new forms of art. He worked two years in "The Center of Contemporary Engraving" in Geneva. But it was in Zurich that he expanded his pictorial perspective with the experience of the circle above the face, influenced by the Swiss painter Friederick Kuhn. From 1968 to 1970, he studied at the University of Hogskolan for design & Konsthantwerk of Gothenburg, where he made kinetic objects of textiles. In 1967, he met Jesus-Rafael Soto, Carlos Cruz-Diez and Julio Le Parc during an ...

Matthew Sudlow - For years I have dreamed of expressing the natural splendor of bonsai in the ancient medium of bronze. Of the three-legged stool that comprises my work sculpture, bronze and bonsai, I honestly could not tell you which leg fascinates me the most. Few words can express the joy that I have found in trying to create an amalgam of these three fantastic disciplines. This pursuit, which at times has felt more like an obsession, has enabled me to create something very reminiscent and familiar but at the same time entirely fresh and new. I am a self-educated artist who has become knowledgeable in many methods of bronze manufacture. The sheer complexity of the work and my unwavering preference to preserve the techniques of traditional lost wax casting, has made the task a daunting one. I have found myself to be as much an amateur inventor, experimentalist, and engineer as I had ever fancied myself an artist. The presented works have been sculpted in entirety. I do not copy or aEURoedirectly burnoutaEUR any organic material but draw solely from photographed references, my imagination, and years of enthusiastic study. Special care and attention has been devoted to rendering lifelike and...

Nikolaus Weiler - I am living and working as a freelance sculptor in Berlin since 1992. The main focus of my work is to create an independent sculpture in space . I use different materials for the expression of dynamics, motion and the revival in changed positions. ...

Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...